Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Jacques Perrin Presents Oceans PDF full book. Access full book title Jacques Perrin Presents Oceans by François Sarano. Download full books in PDF and EPUB format.
Author: François Sarano Publisher: National Geographic Books ISBN: 1426206267 Category : Nature Languages : en Pages : 324
Book Description
Offers a comprehensive guide to the world's oceans, focusing on various forms of sea life around the world and the threats they face from pollution and global warming, as well as a behind-the-scenes glimpse of practical film-making under demanding and difficult conditions.
Author: François Sarano Publisher: National Geographic Books ISBN: 1426206267 Category : Nature Languages : en Pages : 324
Book Description
Offers a comprehensive guide to the world's oceans, focusing on various forms of sea life around the world and the threats they face from pollution and global warming, as well as a behind-the-scenes glimpse of practical film-making under demanding and difficult conditions.
Author: Alan J. Singerman Publisher: Hackett Publishing ISBN: 1585108944 Category : Performing Arts Languages : en Pages : 434
Book Description
Like its French-language companion volume Le Cinéma français contemporain: Manuel de classe, Alan Singerman and Michèle Bissière's Contemporary French Cinema: A Student's Book offers a detailed look at recent French cinema through its analyses of twenty notable and representative French films that have appeared since 1980. Sure to delight Anglophone fans of French film, it can be used with equal success in English-language courses and, when paired with its companion volume, dual-language ones. Acclaim for Le Cinéma français contemporain: Manuel de classe "From Le Dernier Métro to Intouchables, Bissière and Singerman cover the latest trends of French cinema, emphasizing context and analytical method as Singerman did in Apprentissage du cinéma français (Focus 2004). The authors offer a selection of films most French cinephiles will applaud, and they incorporate insights from some of the best critical work on French cinema. Students of French film will also find all the bibliographical pointers they need to dig deeper, and instructors will appreciate the pedagogical components included in the chapters." —Jonathan Walsh, Department of French Studies, Wheaton College, Massachusetts "This remarkable book comes to us from two seasoned teachers and critics and beautifully complements an earlier work, Alan Singerman's Apprentissage du cinéma français. The time period covered, more targeted here than in the preceding text, is admirably well chosen, and the breakdown by broad category, each offering multiple options, guides the teacher while offering a choice among an abundance of interesting films. The preliminary chapters, both succinct and informative, give students an excellent overview of French cinema as a whole and of the technical knowledge needed for film analysis. Each of the subsequent chapters offers an indispensable introduction discussing the plot, director, production, actors, reception, and context of the film in question and also provides a very useful filmography and bibliography… an exemplary work." —Brigitte E. Humbert, Department of French and Francophone Studies, Middlebury College
Author: Ida Bencke Publisher: punctum books ISBN: 1685710220 Category : Nature Languages : en Pages : 325
Book Description
Multispecies Storytelling in Intermedial Practices is a speculative endeavor asking how we may represent, relay, and read worlds differently by seeing other species as protagonists in their own rights. What other stories are to be invented and told from within those many-tongued chatters of multispecies collectives? Could such stories teach us how to become human otherwise? Often, the human is defined as the sole creature who holds language, and consequently is capable of articulating, representing, and reflecting upon the world. And yet, the world is made and remade by ongoing and many-tongued conversations between various organisms reverberating with sound, movement, gestures, hormones, and electrical signals. Everywhere, life is making itself known, heard, and understood in a wide variety of media and modalities. Some of these registers are available to our human senses, while some are not. Facing a not-so-distant future catastrophe, which in many ways and for many of us is already here, it is becoming painstakingly clear that our imaginaries are in dire need of corrections and replacements. How do we cultivate and share other kinds of stories and visions of the world that may hold promises of modest, yet radical hope? If we keep reproducing the same kind of languages, the same kinds of scientific gatekeeping, the same kinds of stories about "our" place in nature, we remain numb in the face of collapse. Multispecies Storytelling in Intermedial Practices offers steps toward a (self)critical multispecies philosophy which interrogates and qualifies the broad and seemingly neutral concept of humanity utilized in and around conversations grounded within Western science and academia. Artists, activists, writers, and scientists give a myriad of different interpretations of how to tell our worlds using different media - and possibly gives hints as to how to change it, too.
Author: George A. Knox Publisher: CRC Press ISBN: 1420005138 Category : Science Languages : en Pages : 640
Book Description
First published in 1993, The Biology of the Southern Ocean has been referred to as international research at its best and an invaluable reference. Drawing on the considerable volume of information published in the last ten years, this second edition retains the format that made the first edition a popular bestseller, while updating the information with the latest research results available. The book begins with a description of the physico-chemical environment and, in a logical sequence, covers phytoplankton and primary production, the sea ice microbial communities and the secondary consumers, the zooplankton. The author includes an extended chapter on the biology and ecology of Antarctic krill that highlights its central position in the Southern Ocean food web. A series of chapters consider the higher consumers, nekton (with an emphasis on cephalopods) fish, seals, whales, and seabirds. The following chapters explore selected ecosystem components; the benthic communities, life beneath the fast ice and ice shelves, recent advances in understanding decomposition processes, and the role of bacteria and protozoa. The author synthesizes ecosystem dynamics, with an emphasis on the pelagic ecosystem. He covers resource exploitation, the impact of such exploitation on the marine ecosystem, and the problems involved in the management of the living resources. His epilogue summarizes the extent to which our understanding of the functioning of the Antarctic marine ecosystem has changed in the last 50 years; for example, there has been a dramatic change in our view of krill and its role in the Southern Ocean marine ecosystem. The book concludes with the statement that research carried out under the AGCS Programme and the Scientific Committee on Antarctic Research (SCAR) will continue to provide critical information on the functioning of Antarctic marine ecosystems. Intended for all those with an ongoing interest in Antarctic research, conservation, and management, this volume represents one of the most authoritative resources in the field as it covers all aspects of this important marine ecosystem.
Author: Randy Malamud Publisher: Springer ISBN: 1137009837 Category : Art Languages : en Pages : 176
Book Description
How and why do people "frame" animals so pervasively, and what are the ramifications of this habit? For animals, being put into a cultural frame (a film, a website, a pornographic tableau, an advertisement, a cave drawing, a zoo) means being taken out of their natural contexts, leaving them somehow displaced and decontextualized. Human vision of the animal equates to power over the animal. We envision ourselves as monarchs of all we survey, but our dismal record of polluting and destroying vast swaths of nature shows that we are indeed not masters of the ecosphere. A more ethically accurate stance in our relationship to animals should thus challenge the omnipotence of our visual access to them.
Author: Lisa E. Bloom Publisher: Duke University Press ISBN: 147801864X Category : Art Languages : en Pages : 203
Book Description
In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. In their films and visual and conceptual art, these artists link climate change to its social roots in colonialism and capitalism while challenging the suppression of information about environmental destruction and critiquing Western art institutions for their complicity. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
Author: François Sarano
Author: François Sarano
Author: Jacques Yves Cousteau
Author: Jacques Cousteau
Author: Alan J. Singerman
Author: Jacques Cousteau
Author: Ida Bencke
Author: Jacques Yves Cousteau
Author: George A. Knox
Author: Randy Malamud
Author: Lisa E. Bloom