Loss of the Self in Modern Literature and Art PDF Download

Author: Wylie Sypher
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Douglas W. Alden
Publisher: Syracuse University Press
ISBN: 9780815622055
Category : Reference
Languages : en
Pages : 2178

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Author: Lihong Xie
Publisher: LSU Press
ISBN: 9780807119242
Category : Literary Criticism
Languages : en
Pages : 272

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As Xie leads us through these works, we find Godwin's evolving heroines emerging out of lively, intense, sometimes painful dialogue with both the self - past, present, and future - and the social world of family, birthplace, culture, and friendships.

Author: Timo Müller
Publisher: Königshausen & Neumann
ISBN: 3826043529
Category : Modernism (Literature)
Languages : en
Pages : 303

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Author: Li-fen Chen
Publisher: Universal-Publishers
ISBN: 1581120826
Category : Biography & Autobiography
Languages : en
Pages : 178

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This dissertation is an attempt to define a Chinese "modernism," exemplified by the narrative practices of four major writers in Taiwan today, from the perspective of comparative literature and recent development of literary theory. I propose that modernity of Taiwanese fiction is not so much a result of Western influences as an evolution of Chinese narrative tradition itself. To argue my point I delineate a poetics of Chinese narrative, from which I devise a method of reading and a criterion of evaluation for contemporary Taiwanese fiction in defining its achievement and historical significance. This study of Taiwanese fiction also aims at providing a better understanding of fundamental aesthetic assumptions of Western "modernism" in the context of its own literary tradition. Chapter One, "Introduction," investigates the theoretical foundation and its line of development in Western and Chinese poetics respectively. It first examines the Platonic view of mimesis and Aristotelian aesthetic view of fictionality and their influence on the critical tradition, the continuity of the ancient battle between philosophy and poetry as seen in the structuralist and deconstructionist theories, then the relationship between subjective fictionality and ironic objectivity in Chinese poetics, the continuity of the dilemma in the Chinese novelists in their dual allegiance to the ideal and the real. A final section gives a critical overview of the literary scene in Taiwan. The following four chapters provide examples of the internal tension between fictionality and ironic awareness in the Taiwanese modernist texts. I suggest that instead of stretching the metaphorical potential of fiction to a highly intellectualized abstraction or playing down the interpretive claims of fiction by dramatizing its vulnerability like their Western counterpart, the Taiwanese modernists create their texts on the borderline between the high and the low. Self-assertive as well as self-denying, each of them confronts his own intellectual vision with paradox and ambivalence. In Ch'en Ying-chen, this is expressed as a battle between a lyrical vision of ideological values and an instinctive self-clowning, in Ch'i-teng Sheng, as a form of competition between pattern and contingency, in Wang Chen-ho, as a celebration and abuse of the fictionality of fiction, and in Wang Wen-hsing, an intense self-parody. I conclude that the sensitivity to the irrational and contradiction, inherent with a resistance to didacticism, constitutes the best part of the Chinese humanistic tradition, which is continuously enriched with new dimensions by the contemporary Taiwanese writers.

Author: Leland Ryken
Publisher: Wipf and Stock Publishers
ISBN: 1597523143
Category : Religion
Languages : en
Pages : 284

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The arts--merely entertaining or indispensable? The arts belong to the Christian life. And in 'The Liberated Imagination,' author Leland Ryken explores the God-ordained significance of art--its nature and purpose in relating to truth and everyday life. For both artist and audience, for student, teacher, and critic, this book is a road to discovering how participation in art and the imagination leads to a more intense sharing in life's riches, a deeper celebration of all that God has created, and a new awareness of the wideness of his grace.

Author: E. Engelberg
Publisher: Springer
ISBN: 1137105984
Category : Literary Criticism
Languages : en
Pages : 225

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In this study of solitude in high modernist writing, Edward Engelberg explores the ways in which solitude functions thematically to shape meaning in literary works, as well as what solitude as a condition has contributed to the making of a trope. Selected novels are analyzed for the ambiguities that solitude injects into their meanings. The freedom of solitude also becomes a burden from which the protagonists seek liberation. Although such ambiguities about solitude exist from the Bible and the Ancients through the centuries following, they change within the context of time. The story of solitude in the twentieth century moves from the self's removal from society and retreat into nature to an extra-social position within which the self confronts itself. A chapter is devoted to the synoptic analysis of solitude in the West, with emphasis on the Renaissance to the twentieth century, and another chapter analyzes the ambiguities that set the stage for modernism: Defoe's Robinson Crusoe. Selected works by Woolf, Mann, Camus, Sartre, and Beckett highlight particular modernist issues of solitude and how their authors sought to resolve them.

Author: Zoltan Varga
Publisher: Routledge
ISBN: 1000538478
Category : Language Arts & Disciplines
Languages : en
Pages : 205

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Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel. The volume is framed around three musical topics—the fugue, absolute music, and Gesamtkunstwerk—arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices. Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to students and scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies.

Author:
Publisher: BRILL
ISBN: 9004487891
Category : Literary Criticism
Languages : en
Pages : 308

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Author: Miguel Gonzalez-Gerth
Publisher: Tamesis
ISBN: 9780729302340
Category : Literary Criticism
Languages : en
Pages : 204

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