Music in England and Music in America PDF Download

Author: Frédéric Louis Ritter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 254

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Author: Stephanie Carter
Publisher: Boydell & Brewer
ISBN: 1783275413
Category : History
Languages : en
Pages : 343

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This collection situates the North-East within a developing nationwide account of British musical culture.

Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 9780393057171
Category : History
Languages : en
Pages : 664

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An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.

Author: Bradley Shope
Publisher: Boydell & Brewer
ISBN: 158046548X
Category : Music
Languages : en
Pages : 254

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The first systematic study to address the character and scope of American popular music in India during British rule.

Author: Frédéric Louis Ritter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 454

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Author: Frédéric Louis Ritter
Publisher: Forgotten Books
ISBN: 9781330056608
Category : Music
Languages : en
Pages : 242

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Excerpt from Music in England and Music in America, Vol. 1 When I determined to write the history of musical development in the United States, I found, that in order to enable my readers to understand the peculiar beginnings and first growth of that development, an insight into the history of musical culture in England was desirable. I therefore concluded to introduce the history of music in America, by that of the immediately preceding period in England. Thus my two books, "Music in England" and "Music in America," complete each other logically. My reasons for restricting my study of "Music in England," principally to the consideration of what regards the original, productive side of English music, are fully explained in the course of the work itself. The idea laid down in the first chapter, "The English Ballad and the Gregorian Chant," etc., I claim as novel. The philosophical conclusions expressed therein seem to me of much importance regarding the development of musical art in England; and, whatever the art-historical merits of these views may be, I have never yet seen the subject treated from this point of view in any other musical work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Frédéric Louis RITTER
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Bill C. Malone
Publisher: University Press of Kentucky
ISBN: 0813149150
Category : Music
Languages : en
Pages : 248

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The South -- an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians -- plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.

Author: Stephen Tow
Publisher: Rowman & Littlefield
ISBN: 1538127180
Category : Music
Languages : en
Pages : 225

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It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)

Author: Frédéric Louis Ritter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 442

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