North/South Divides in Central American/Latino Narratives PDF Download

Author: Ana Patricia Rodríguez
Publisher:
ISBN:
Category : Central American literature
Languages : en
Pages : 522

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Author: Inter-American Dialogue (Organization)
Publisher:
ISBN: 9781733727617
Category : Cooperation
Languages : en
Pages : 153

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Book Description
The volume takes a broad view of recent social, political, and economic developments in Latin America. It contains six essays, focused on salient and cross-cutting themes, that try to construct a thread or narrative about the highly diverse region, highlighting its main idiosyncrasies and analyzing where it might be headed in coming years. While the essays recognize considerable advances, they also point out setbacks and missed opportunities that have stood in the way of sustained progress. Strengthening state capacity emerges as a significant challenge.

Author: Ana Patricia Rodríguez
Publisher: University of Texas Press
ISBN: 0292719094
Category : Literary Criticism
Languages : en
Pages : 311

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Book Description
In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus—a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies.

Author: Michelle Habell-Pallan
Publisher: NYU Press
ISBN: 0814736254
Category : Social Science
Languages : en
Pages : 288

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Book Description
While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory. Latino/a Popular Culture brings together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres.

Author: Montré Aza Missouri
Publisher: Springer
ISBN: 1137454180
Category : Social Science
Languages : en
Pages : 205

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Black Magic Woman and Narrative Film examines the transformation of the stereotypical 'tragic mulatto' from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character's journey towards African-based religions.

Author:
Publisher:
ISBN:
Category : Hispanic Americans
Languages : en
Pages : 86

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A collection of personal narratives about 18 immigrants from Central and South America.

Author: Omar Rivera
Publisher: Indiana University Press
ISBN: 0253044863
Category : Philosophy
Languages : en
Pages : 222

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Book Description
“[An] original view of José Carlos Mariátegui’s role in Latin American philosophy and his relation to identity, liberation, and aesthetics (Elizabeth Millán Brusslan, editor of After the Avant-Gardes). In the nineteenth and twentieth centuries, Latin American philosophy focused on the convergence of identity formation and political liberation in ethnically and racially diverse postcolonial contexts. In this book, Omar Rivera interprets how a “we” is articulated and deployed in this robust philosophical tradition. With close readings of Peruvian political theorist José Carlos Mariátegui, he also examines texts by José Martí, Simón Bolívar, and others. Rivera critiques philosophies of liberation that frame the redemption of oppressed identities as a condition for bringing about radical social and political change. Shining a light on Latin America’s complex histories and socialities, he illustrates the power and shortcomings of these projects. Building on this critical approach, Rivera studies interrelated epistemological, transcultural, and aesthetic delimitations of Latin American philosophy in order to explore the possibility of social and political liberation “beyond redemption.”

Author: Thomas A. Green
Publisher: Bloomsbury Publishing USA
ISBN: 0313363005
Category : Social Science
Languages : en
Pages : 184

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Book Description
Latino Americans have a powerful voice in society and a wealth of cultural traditions. Fundamental to those traditions are numerous folktales. Some are funny, some draw upon the supernatural, some look back on ancestral ways, and some capture the experience of Latinos in the United States. Written expressly for students and general readers, this book assembles and comments on a wide range of Latino American folktales. These are grouped in topical sections on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural. Each tale is introduced by a headnote, and the volume closes with a selected, general bibliography of print and electronic resources suitable for student research. Students of literature and language will value this book for its exploration of Latino American folktales, while students of history and society will welcome its illumination of the Latino American experience. The more than 30 tales are grouped in thematic sections on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural.

Author: Aarti Smith Madan
Publisher: Springer
ISBN: 331955140X
Category : Literary Criticism
Languages : en
Pages : 291

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This book looks to the writings of prolific statesmen like D.F. Sarmiento, Estanislao Zeballos, and Euclides da Cunha to unearth the literary and political roots of the discipline of geography in nineteenth-century Latin America. Tracing the simultaneous rise of text-writing, map-making, and institution-building, it offers new insight into how nations consolidated their territories. Beginning with the titanic figures of Strabo and Humboldt, it rereads foundational works like Facundo and Os sertões as examples of a recognizably geographical discourse. The book digs into lesser-studied bulletins, correspondence, and essays to tell the story of how three statesmen became literary stars while spearheading Latin America’s first geographic institutes, which sought to delineate the newly independent states. Through a fresh pairing of literary analysis and institutional history, it reveals that words and maps—literature and geography—marched in lockstep to shape national territories, identities, and narratives.

Author: Rachel Adams
Publisher: University of Chicago Press
ISBN: 0226005534
Category : Literary Criticism
Languages : en
Pages : 324

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North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors, North America, is an intriguing frame for comparative American studies. Continental Divides is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases transformed, when Canada and Mexico enter the picture. How, for example, does the work of the iconic American writer Jack Kerouac read differently when his Franco-American origins and Mexican travels are taken into account? Or how would our conception of American modernism be altered if Mexico were positioned as a center of artistic and political activity? In this engaging analysis, Adams charts the lengthy and often unrecognized traditions of neighborly exchange, both hostile and amicable, that have left an imprint on North America’s varied cultures.