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Author: Andrew Shryock Publisher: Stanford University Press ISBN: 9780804750073 Category : Social Science Languages : en Pages : 372
Book Description
In 'Off Stage/On Display', ten scholars with diverse geographical, theoretical and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made.
Author: Andrew Shryock Publisher: Stanford University Press ISBN: 9780804750073 Category : Social Science Languages : en Pages : 372
Book Description
In 'Off Stage/On Display', ten scholars with diverse geographical, theoretical and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made.
Author: Alexandra Hardwick Publisher: Oxford University Press ISBN: 0198887221 Category : History Languages : en Pages : 262
Book Description
Off-Stage Groups in Athenian Drama analyses how off-stage groups in fifth- and early fourth-century tragedy and comedy influence and respond to events on stage, and how characters interact with these groups. Alexandra Hardwick argues that Athenian drama engages with early ideas of group psychology, providing ways to explore collective emotion.
Author: Régine Crespin Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 336
Book Description
France's most renowned classical singer shares reminiscences about her personal life and illustrious career in a charming memoir. Populated with renowned personalities, such as Leontyne Price and Maria Callas, this engaging autobiography offers a vivid and fascinating glimpse into the world of opera. It is also the compelling story of a long, hard struggle for success. Index. Illustrations. Discography. List of roles and performances.
Author: Sidney Homan Publisher: Lexington Books ISBN: 1498549756 Category : Performing Arts Languages : en Pages : 217
Book Description
Fourteen scholars who work on campus or in the theater address this issue of what it means to play offstage. With their individual definition of what “offstage” could mean, the results were, predictably, varied. They employed a variety of critical approaches to the question of what happens when the play moves into the audience or beyond the physical playhouse itself? What are the social, cultural, and political ramifications? Questions of “how” and “why” actors play offstage admit the larger “role” their production has for the world outside the theater, and hence this collection’s sub-title: “The Theater As a Presence or Factor in the Real World.” Among the various topics, the essays include: breaking the “fourth wall” and thereby making the audience part of the performance; the theater of political protest (one contributor staged Waiting for Godot in Zuccotti Park as part of the Occupy Wall Street protests); “landscape” or “town” theater using citizens as actors or trekking theater where the production moves among various locations in the community; the way principles of the theater can inform corporate management; the genre of semi-scripted comedy and quasi-impromptu spectacle (such as reality TV or flash mobs); digitalized performances of Shakespeare; the role of Greek Theater in the midst of the country’s current economic and political crisis; how the area outside the theater became part of the performance inside Shakespeare’s Globe; Timothy Leary’s Psychedelic Celebrations designed to reproduce the offstage experience of LSD; WilliamVollmann’s use of Noh theater to fashion a personal model and process of life-transformation; liminal theater which erases the line between onstage and off. The collection thus complements through actual performance criticism those studies that see the theater as a commentary on issues—social, political, economic; and it reverses the Editor’s own earlier collection TheAudience As Player, which examined interactive theater where the spectator comes onstage.
Author: Peg Guilfoyle Publisher: Minnesota Historical Society ISBN: 087351971X Category : PERFORMING ARTS Languages : en Pages : 257
Book Description
An inside look at Twin Cities theater and how Minneapolis-St. Paul became home to one of the nation's most vibrant and innovative theatrical communities.
Author: W. Gruber Publisher: Springer ISBN: 0230105645 Category : Performing Arts Languages : en Pages : 192
Book Description
Offstage Space, Narrative, and the Theatre of the Imagination is a study of extrascenic space and how playwrights have used narrative as an alternative to conventional scenic enactment. The book covers the work of writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard. William Gruber offers a wide-ranging overview of the dramaturgical choices dramatists make when they substitute imagined events for perceptual ones.
Author: Anthony Brennan Publisher: Taylor & Francis ISBN: 1000349926 Category : Literary Criticism Languages : en Pages : 334
Book Description
Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.
Author: Michael Bublé Publisher: Simon and Schuster ISBN: 1451674716 Category : Biography & Autobiography Languages : en Pages : 306
Book Description
For the first time ever, Grammy Award-winning singer Michael BublÉ shares his life story with this intimate memoir complete with hundreds of beautiful four-color photos. Michael BublÉ has achieved enormous popularity with his Sinatra-style vocals. His live shows fill the world’s biggest stadiums to capacity, and his tour receipts alone earned him fourth place in theNew York Timeslist of highest earning artists. He has sold more than 25 million copies of his albums worldwide and won countless awards—including three Grammy Awards. BublÉ is offering his fans an intimate behind-the-scenes look at his world in this stunning full-color memoir and photo book. He granted photographer Dean Freeman exclusive access to his private and public life while on tour promoting his most recent album, and the result is nearly 200 beautiful photos that showcase the singing sensation both on and off stage. This lush gift book is a must-have keepsake for every true fan.
Author: Steven Suskin Publisher: Rowman & Littlefield ISBN: 1493064649 Category : Performing Arts Languages : en Pages : 425
Book Description
Broadway, once upon a time. A place where people buy tickets at the box office, with cash; where patrons dress for theatre, with no sneakers, no water bottles, and no backpacks; and the only text messages are the ones put there by the playwright. A place where iconic legends of stage and screen can be found in plain view, smiling politely or egotistically preening. Where three dollars will get you a balcony seat at the biggest hit—or the lowliest flop—in town. And a place where an innocent teenager from the suburbs can buy a ticket, slip through the stage door, and wander o'er the threshold into the magical world backstage. Steven Suskin introduces Broadway, once upon a time, in Offstage Observations: Tales of the Not-So-Legitimate Theatre. The drama critic and noted chronicler of Broadway takes the reader through a decade's worth of adventures, working his way from a menial pencil sharpener for producer David Merrick toward a career as a full-fledged manager, producer, and drama critic. The book follows the author's progress from the wintry night after his sixteenth birthday, when he unexpectedly finds himself alone on the empty stage of a Broadway theatre, peering out at the silent, empty auditorium lit only by a solitary ghost light to the matinee eight summers later when he finds himself accidentally and uncomfortably acting in a Broadway musical, bombarded by roars of laughter from a houseful of playgoers. A keen observer of the impertinent with an ear for amusing anecdotes, whimsical curiosities, and exaggerated tales of life upon the wicked stage, Suskin draws a portrait of a not-so-long-ago theatre world that has all but vanished.
Author: Rachel Hall Sternberg Publisher: University of Texas Press ISBN: 029277348X Category : Literary Criticism Languages : en Pages : 251
Book Description
Humane ideals were central to the image Athenians had of themselves and their city during the classical period. Tragic plays, which formed a part of civic education, often promoted pity and compassion. But it is less clear to what extent Athenians embraced such ideals in daily life. How were they expected to respond, emotionally and pragmatically, to the suffering of other people? Under what circumstances? At what risk to themselves? In this book, Rachel Hall Sternberg draws on evidence from Greek oratory and historiography of the fifth and fourth centuries BCE to study the moral universe of the ancient Athenians: how citizens may have treated one another in times of adversity, when and how they were expected to help. She develops case studies in five spheres of everyday life: home nursing, the ransom of captives, intervention in street crimes, the long-distance transport of sick and wounded soldiers, and slave torture. Her close reading of selected narratives suggests that Athenians embraced high standards for helping behavior—at least toward relatives, friends, and some fellow citizens. Meanwhile, a subtle discourse of moral obligation strengthened the bonds that held Athenian society together, encouraging individuals to bring their personal behavior into line with the ideals of the city-state.
Author: Andrew Shryock
Author: Andrew Shryock
Author: Alexandra Hardwick
Author: Régine Crespin
Author: Sidney Homan
Author: Peg Guilfoyle
Author: W. Gruber
Author: Anthony Brennan
Author: Michael Bublé
Author: Steven Suskin
Author: Rachel Hall Sternberg