Dionysius Longinus On the Sublime PDF Download

Author: Longinus
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 236

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Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 0521143675
Category : History
Languages : en
Pages : 319

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This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.

Author: Philip Shaw
Publisher: Routledge
ISBN: 1134493193
Category : Literary Criticism
Languages : en
Pages : 179

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Book Description
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.

Author: Edmund Burke
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 232

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Author: James I. Porter
Publisher: Cambridge University Press
ISBN: 1107037476
Category : History
Languages : en
Pages : 713

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Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.

Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages :

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Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.

Author: Roald Hoffmann
Publisher: Oxford University Press
ISBN: 0199750564
Category : Science
Languages : en
Pages : 208

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Book Description
Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.

Author: Louis Wirth Marvick
Publisher: SUNY Press
ISBN: 9780887062780
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
In this groundbreaking study, Louis W. Marvick develops a literary criterion for the quality known as "the sublime," considered as the expression of an attitude towards the ideal--an attitude composed of irony and enthusiasm in varying proportions. The author examines the various theories of the sublime and traces the development of the concept from a rhetorical device to an experience of spiritual insight derived from the genius of the artist. The book covers all of the major discussions of the concept, from Longinus, Johnson, Dennis, Burke, and Kant, up to Mallarme. Kant's structural model of the sublime moment is translated into terms suitable for literary analysis. This leads to a meticulous examination of Mallarme's use of the word sublime in his prose writings and the ways in which Mallarme's understanding of the term resembles and diverges from that of his predecessors. This comparative procedure affords an insight into the nature both of Mallarme's literary achievement and of the sublime experience in general.

Author: Jean-François Lyotard
Publisher: Stanford University Press
ISBN: 9780804722421
Category : Philosophy
Languages : en
Pages : 268

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This volume presents a close reading of Kant's "Critique of Judgment" looking specifically at the complex paragraphs 23-29: "The Analytic of the Sublime."

Author: Kant/Goldthwait
Publisher:
ISBN: 9780520352803
Category : PHILOSOPHY
Languages : en
Pages : 0

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Book Description
When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.