Author: VirgilPublisher:
ISBN:
Category : Aeneas (Legendary character)
Languages : la
Pages : 530
Book Description
P. Vergili Maronis Opera
Author: VirgilPublisher:
ISBN:
Category : Aeneas (Legendary character)
Languages : la
Pages : 530
Book Description
P. Vergili Maronis opera
Author: VirgilP. Vergili Maronis opera: Introduction and text
Author: VirgilP. Vergili Maronis Opera
Author: Publius Vergilius MaroPublisher:
ISBN:
Category :
Languages : en
Pages : 349
Book Description
P. Vergili Maronis Opera
Author: VirgilP. Vergili Maronis Opera: Introduction and text
Author: VirgilP. Vergili Maronis Opera
Author: Publius Vergilius MaroPublisher:
ISBN:
Category :
Languages : la
Pages : 0
Book Description
P. Vergili Maronis Opera
Author: VirgilP. Vergili Maronis Opera
Author: VirgilP. Vergili Maronis Opera, Vol. 2
Author: Virgil VirgilPublisher: Forgotten Books
ISBN: 9780365365426
Category : Foreign Language Study
Languages : en
Pages : 434
Book Description
Excerpt from P. Vergili Maronis Opera, Vol. 2: Notes Meliboeus, a dispossessed and exiled shepherd, encounters Tityrus fortunate in the undisturbed possession of his homestead. Tityrus is represented as a farm-slave who has just worked out his freedom; and this symbolises the confirmation of Virgil in his property, the slave's master representing Oc tavianus, and the two ideas of the slave's emancipation and Virgil's restora tion being so mixed up as to confuse the whole narrative; which is at one time allegorical, at another historical. [see Conington, General Introduction to the Eclogues, p. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.