Perspectives on Contemporary Music Theory PDF Download

Author: Benjamin Boretz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 304

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Author: Bryan Parkhurst
Publisher: Taylor & Francis
ISBN: 1000916987
Category : Music
Languages : en
Pages : 363

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Book Description
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics. This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.

Author: Madalena Soveral
Publisher:
ISBN: 9781527585362
Category :
Languages : en
Pages : 0

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Book Description
This volume sheds light on the wide range of perspectives on musical activity today, and shows how it can be analyzed from different points of view, working within a diverse theoretical framework. It is organized into three sections, the first of which discusses the changing contexts of musical work compositions over the 20th century. The second part offers a rich and in-depth musical analysis, rigorously connected to the performative and interpretative dimension, while the third considers the relationship between technology and music, and its influence on the creation of new paradigms for musical performance and creation. Covering practical and theoretical problems, the collection will be of great interest to scholars, professionals, students of music, composers, and performers.

Author: Irène Deliège
Publisher: Routledge
ISBN: 131716069X
Category : Music
Languages : en
Pages : 408

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Book Description
This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, the book offers a wide range of international perspectives from prominent musicologists, philosophers and composers, including Célestin Deliège, Pascal Decroupet, Richard Toop, Rudolf Frisius, Alastair Williams, Herman Sabbe, François Nicolas, Marc Jimenez, Anne Boissière, Max Paddison, Hugues Dufourt, Jonathan Harvey, and new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music, raising questions as to what might be expected from an autonomous contemporary musical logic, and considering the problem of the survival of the avant-garde in the context of postmodernist relativism. As well as analytic philosophy and cognitive psychology, critical theory features prominently, with theories of social mediation in music, new perspectives on the concept of musical material in Adorno's late aesthetic theory, and a call for 'an aesthetics of risk' in contemporary art as a means 'to reassert the essential role of criticism, of judgment, and of evaluation as necessary conditions to bring about a real public debate on the art of today'. Part III offers creative perspectives, with new essays and interviews from important contemporary composers who have mad

Author: Benjamin Boretz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312

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Author: James Kenneth Wright
Publisher: Peter Lang
ISBN: 9783039112876
Category : Logical positivism
Languages : en
Pages : 196

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In 2006, Schoenberg, Wittgenstein, and the Vienna Circle received a Lewis Lockwood Award (Finalist) from the American Musicological Society, for outstanding new books on musicological topics. This study examines relativistic aspects of Arnold Schoenberg's harmonic and aesthetic theories in the light of a framework of ideas presented in the early writings of Ludwig Wittgenstein, the logician, philosopher of language, and Schoenberg's contemporary and Austrian compatriot. The author has identified correspondences between the writings of Schoenberg, the early Wittgenstein (the Tractatus Logico-Philosophicus, in particular), and the Vienna Circle of philosophers, on a wide range of topics and themes. Issues discussed include the nature and limits of language, musical universals, theoretical conventionalism, word-to-world correspondence in language, the need for a fact- and comparison-based approach to art criticism, and the nature of music-theoretical formalism and mathematical modeling. Schoenberg and Wittgenstein are shown to have shared a vision that is remarkable for its uniformity and balance, one that points toward the reconciliation of the positivist/relativist dualism that has dominated recent discourse in music theory. Contrary to earlier accounts of Schoenberg's harmonic and aesthetic relativism, this study identifies a solid epistemological core underlying his thought, a view that was very much in step with Wittgenstein and the Vienna Circle, and thereby with the most vigorous and pivotal developments in early twentieth century intellectual history.

Author: Judith Irene Lochhead
Publisher:
ISBN: 9781138824331
Category : Choke
Languages : en
Pages : 0

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Book Description
This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. It addresses the fringe status of recent music and demonstrates that existing descriptive languages and analytical approaches don't provide adequate tools to address it in productive terms. Lochhead offers new ways to conceive works, their structurings of musical experience and time, and the procedures and goals of analytic close reading, defining tools that engage the perspectives of composers, performers, and listeners. This book will be of interest to scholars of classical music, and music theory, musicology, and aural culture.

Author: Thomas Christensen
Publisher: Cambridge University Press
ISBN: 1316025489
Category : Music
Languages : en
Pages :

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Book Description
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

Author: Marcus Aydintan
Publisher: Georg Olms Verlag
ISBN: 3487158914
Category : Music
Languages : de
Pages : 556

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Inhalt: Kaiser: Von der Sequenz zur Kadenz. Zur Entstehungsgeschichte der Interpunktion von Sonatenmusik Jeßulat: Urchoräle Bahr: Das Vorspiel zu den Meistersingern, 3. Akt, und Bachs Fuga in g, BWV 861 Chernova: Die fünfte Klaviersonate op. 53 (1907) – das letzte ›tonale‹ Werk Skrjabins? Schreiber: Contemporary composers and the repertoire of the Viennese classics Habryka: Der Einfluss von Kanonmodellen auf Grundtonfortschreitungen Hardt: Vivaldi und das Bausteinprinzip Sprick: Überlegungen zur Anfangswendung von Bachs Suite für Violoncello solo, BWV 1011 Reichel: Dramaturgische und harmonisch kontrapunktische Zeitgestaltung in Mozarts Bühnenwerken Venegas: The Bruckner Challenge: The Third Symphony’s Slow Movement(s) Komatovic: Exemplarische Untersuchungen zu spättonalen Phänomenen im Werk César Francks Reutter: ›Alla napolitana‹ oder Abschiedsgestus. Ein ›Satzmodell‹ bei Strawinsky? Holm: Die Zeitgestaltung in der Interpretationskunst Wilhelm Furtwänglers Žuvela: Der ›Goldene Schnitt‹ und die Fibonacci-Folge als Zeitgliederungsmuster in der Musik des 20. Jahrhunderts Olive: Temporal dimensions and expressive processes in Pierrot Lunaire of Arnold Schoenberg Schmidt: Polyphonie oder Kontrapunkt Dreps: Thema mit Variablen. Zur Phänomenologie der Jazzkomposition und musikalischer Analyse Temes: Das Verbiegen des Zeitpfeils. Ligetis ametrische Uhren Knowles: Meter and Memory in George Crumb’s Dream Images from Makrokosmos Volume 1 Andreatta: On Two Computational Models of the Pitch-Rhythm Correspondence: A Focus on Milton Babbitt’s and Iannis Xenakis’s Theoretical Constructions Barthel-Calvet: Categories of Rhythmic Organization in Xenakian Textures Poller: Makro- und Mikrozeit. Zur Temporalität zeitgenössischer Musik Gatz: Zur Zeitartikulation in Chaya Czernowins Ensemblestück Lovesong Farolfi: Der Modernismus in den Schriften Pierre Boulez’, 1948–1952 Hyun Kim: Rhythmus als erlebtes Phänomen Fuß: Das musikalische Werkganze – ein rein theoretisches Konstrukt? Jerrold Levinsons Music in the Moment Pawlowska: Narrative and Time in Music: A Few Insights Zenkin: Time as the Material and Idea of Music Polak: Non-Isochronous Meter Is Not Irregular: A Review of Theory and Evidence Goldberg: Timing of Unequal Beats in Bulgarian Drumming Holzapfel: A Corpus Study on Rhythmic Modes in Turkish Makam Music and Their Interaction with Meter Guillot: Multi-level Anisochrony in Afro-Brazilian music London: Response to Goldberg, Holzapfel, and Guillot Maschke: Von Leonin und Perotin zum »Tod des Autors«. Aktuelle Notre-Dame-Forschung Sprau: Zur Umsetzung sprachlicher Akzentmuster in Vertonungen lateinischer Dichtung Bassani: Zur Interpretationsgeschichte von Loewes Die Uhr seit den Anfängen der Tonaufnahme Grabow: Voglers Modulationslehre im aktuellen Theorieunterricht Mooiman: Commonplacing: On Historically Inspired Improvisation and Music Theory Winter: Grund-, Sext-, Sext-, Grund- … Ein Vergleich von oktavregelähnlichen Systemen vor 1716 Graybill: Drawing Inspiration from Europe: A Three-Pronged Approach to Keyboard Pedagogy

Author: Andrew Mead
Publisher: Princeton University Press
ISBN: 1400863333
Category : Music
Languages : en
Pages : 335

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In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, "truly music to be heard." With Mead as a guide, we discover the strong emotional and expressive charge of Babbitt's music that is inextricably entwined with its structure. Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.