Physical Expression and the Performing Artist PDF Download

Author: Jerald Schwiebert
Publisher:
ISBN: 9780472034161
Category : Conducting
Languages : en
Pages : 0

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Book Description
Fundamentals of movement for actors, conductors, musicians, yogis . . . and everyone else

Author: Inma Álvarez
Publisher: Cambridge Scholars Publishing
ISBN: 1443820245
Category : Art
Languages : en
Pages : 305

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Book Description
The performing arts represent a significant part of the artistic production in our culture. Correspondingly the fields of drama, film, music, opera, dance and performance studies are expanding. However, these arts remain an underexplored territory for aesthetics and the philosophy of art. Expression in the Performing Arts tries to contribute to this area. The volume collects essays written by international scholars who address a variety of themes concerning the core philosophical topic of expression in the theory of the performing arts. Specific questions about the ontology of art, the nature of the performances, the role of the performer, and the relations between spectators and works emerge from the study of the performing arts. Besides, these arts challenge the unchanging physicality of other kinds of works of art, usually the direct result of creative individual artist, and barely affected by the particular circumstances of their exhibition. Expression is one of the issues that adopt a special character in the performing arts. Do singers, dancers or actors express the feelings a work is expressive of? How does the performer contribute to the expressive content of the work? How does the spectator emotionally respond to the physical proximity of the performers? Is aesthetic distance avoided in the understanding of the performing arts? How are the expressive properties of work, performance and characters related? And how are the subjectivities they embody revealed? The contributions presented here are not all in agreement on the right answers to theses questions, but they offer a critical and exciting discussion of them. In addition to original proposals on the theoretical aspect of expression in the performing arts, the collection includes analyses of individual artists, historical productions and concrete works of art, as well as reflections on performative practice.

Author: Bill Connington
Publisher: Bloomsbury Publishing
ISBN: 1408182661
Category : Drama
Languages : en
Pages : 201

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Book Description
A tight throat; held breath; stiff muscles; stage fright: impediments to performance come in many guises, but they all spring from the same source-tension. In Physical Expression on Stage and Screen Bill Connington, a renowned teacher of the Alexander Technique, shows you how to recognize and release the tension that keeps you from performing at your best. If you're ever not certain of what to do with your hands or how to make a meaningful gesture, or if your movement feels fine in daily life but then you suddenly become self-conscious when onstage or in front of a camera, this book is here to help. More than one hundred clear, accessible exercises-including many filmed tutorials available online-will enable you to • Move more naturally and easily • Breathe more freely • Speak more clearly • Free your creative impulses • Play a character with an unfamiliar physicality

Author: Lorna Marshall
Publisher: A&C Black
ISBN: 1408142007
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
'Stimulating and intelligent' Yoshi Oida Seventy percent of everyday conversation is conveyed through body language, twenty percent is the voice and only ten percent is the meaning of the words. In The Body Speaks, expert RADA trainer Lorna Marshall, shows how to recognise and lose unwanted physical inhibitions that our background, education or family have taught us and presents a fundamental re-thinking of our relationship to the body and its role in performance. Good performers - be they trapeze artists, Shakespearean actors, Butoh dancers or film stars - are able to fully reach their audience and engage with them because they have learnt to use their bodies to its best effect. Through a series of practical exercises, Lorna Marshall encourages us to unleash our potential, discover new possibility for the body and express ourselves more clearly. This new edition has been fully revised to include the latest thinking on the subject and more exercises particularly for performers in TV and film.

Author: Bill Connington
Publisher: A&C Black
ISBN: 1408182645
Category : Performing Arts
Languages : en
Pages : 201

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Book Description
A practical book on the Alexander Technique for actors and acting/movement teachers.

Author: Paula Thomson
Publisher: Academic Press
ISBN: 0128041080
Category : Performing Arts
Languages : en
Pages : 500

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Book Description
Creativity and the Performing Artist: Behind the Mask synthesizes and integrates research in the field of creativity and the performing arts. Within the performing arts there are multiple specific domains of expertise, with domain-specific demands. This book examines the psychological nature of creativity in the performing arts. The book is organized into five sections. Section I discusses different forms of performing arts, the domains and talents of performers, and the experience of creativity within performing artists. Section II explores the neurobiology of physiology of creativity and flow. Section III covers the developmental trajectory of performing artists, including early attachment, parenting, play theories, personality, motivation, and training. Section IV examines emotional regulation and psychopathology in performing artists. Section V closes with issues of burnout, injury, and rehabilitation in performing artists. Discusses domain specificity within the performing arts Encompasses dance, theatre, music, and comedy performance art Reviews the biology behind performance, from thinking to movement Identifies how an artist develops over time, from childhood through adult training Summarizes the effect of personality, mood, and psychopathology on performance Explores career concerns of performing artists, from injury to burn out

Author: Glenn Wilson
Publisher: John Wiley & Sons
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 332

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Book Description
The study of theatre is of great value to psychologists because it is a vital part of life. This thoroughly revised and updated second edition provides a unique and up-to-date analysis of what psychology has to offer for actors, musicians, singers and dancers. It makes suggestions about how the particular stresses that performers are under can be managed. Newly provided examples, or Spotlights, give focused explanations of interesting topics that are self-contained within the text. Drawing on numerous practical examples from the arts as well as scientific and clinical research, this book has proven to be an invaluable resource for student, professional and amateur alike.Modern psychology has much to offer performing artists in terms of understanding themselves and optimizing their art: it examines the unique two-way relationship between audience and performer, describes the way in which emotions are communicated to an audience by non-verbal processes such as posture and facial expression, and explains the instinctual origins of the impulse to perform. Dr Glenn Wilson PhD, FBPS, CPsychol is Senior Lecturer in Psychology at the Institute of Psychiatry, University of London, and has previously held visiting professorships at Stanford University, San Francisco State and the University of Nevada, Reno. He trained as a baritone at the Guildhall School of Music, and now is an established stage director and opera singer who makes frequent appearances on British TV. He has published several papers on psychology as applied to the performing arts, and in London in 1990 and 1993 organized the first and second international conferences on Psychology and the Performing Arts.

Author: Glenn Daniel Wilson
Publisher: Jessica Kingsley Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 268

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Book Description
Modern psychology has much to offer performing artists in terms of understanding themselves and optimizing their art: it can explain the instinctual origins of the impulse to perform, examine the two-way relationship between performer and audience, describe the way in which emotions are transmitted via non-verbal processes, test theories about the nature of music and humour and their influence on our emotions, and offer suggestions as to how the particular stresses that performers are under can be managed. This book provides a unique and up-to-date analysis of what psychology has to contribute for actors, musicians, singers and dancers. Drawing on numerous practical examples from the arts as well as scientific and clinical research, it will be an invaluable resource for student, professional and amateur performer alike.

Author: Bill Connington
Publisher:
ISBN: 9781408182673
Category : Acting
Languages : en
Pages : 186

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Book Description
Impediments to performance come in many guises and forms, but they all spring from the same source: tension. In this book, Bill Connington shows the reader how the Alexander technique will allow them to do everything more easily and more naturally: from breathing more freely, and speaking more fluidly to moving more lightly and gracefully, releasing the best possible performance from your body and mind.

Author: Marcel Cornis-Pope
Publisher: John Benjamins Publishing Company
ISBN: 9027269335
Category : Literary Criticism
Languages : en
Pages : 455

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Book Description
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.