Author: Joan Schwartz
Publisher: Routledge
ISBN: 1000548783
Category : Art
Languages : en
Pages : 397
Book Description
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Picturing Place
Author: Joan Schwartz
Publisher: Routledge
ISBN: 1000548783
Category : Art
Languages : en
Pages : 397
Book Description
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Publisher: Routledge
ISBN: 1000548783
Category : Art
Languages : en
Pages : 397
Book Description
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Picturing the World
Author: Kathleen T. Isaacs
Publisher: American Library Association
ISBN: 0838911269
Category : Language Arts & Disciplines
Languages : en
Pages : 218
Book Description
This annotated resource by veteran children's book reviewer Isaacs surveys the best 250 nonfiction/informational titles for ages 3 through 10, helping librarians make informed collection development and purchasing decisions.
Publisher: American Library Association
ISBN: 0838911269
Category : Language Arts & Disciplines
Languages : en
Pages : 218
Book Description
This annotated resource by veteran children's book reviewer Isaacs surveys the best 250 nonfiction/informational titles for ages 3 through 10, helping librarians make informed collection development and purchasing decisions.
Picturing New York
Author: Gloria-Gilda Deák
Publisher:
ISBN: 9780231107280
Category : New York (N.Y.)
Languages : en
Pages : 0
Book Description
This single volume is a thematically organized history of New York City filled with prints, paintings, and photos from the early days through the present. These telling images and revelations are a rich exploration of the most intriguing city in the world. 63 color photos. 100 line art illustrations.
Publisher:
ISBN: 9780231107280
Category : New York (N.Y.)
Languages : en
Pages : 0
Book Description
This single volume is a thematically organized history of New York City filled with prints, paintings, and photos from the early days through the present. These telling images and revelations are a rich exploration of the most intriguing city in the world. 63 color photos. 100 line art illustrations.
Picturing the South
Author: Ellen Dugan
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
Book Description
In Picturing the South: 1860 to the Present, the High Museum of Art in Atlanta has brought together more than 160 photographs taken since the Civil War era. This assembly documents the South's cultural heritage and psychological identity, as well as its transformation from a land decimated by war to the bustling New South of today.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
Book Description
In Picturing the South: 1860 to the Present, the High Museum of Art in Atlanta has brought together more than 160 photographs taken since the Civil War era. This assembly documents the South's cultural heritage and psychological identity, as well as its transformation from a land decimated by war to the bustling New South of today.
Picturing Las Vegas
Author: Linda Chase
Publisher: Gibbs Smith
ISBN: 1423604881
Category : History
Languages : en
Pages : 209
Book Description
Through colorful photogra phs and firsthand narrative detail, Picturing Las Vegas tells the story of a city whose history mirrors that of America itself: a tale of the frontier, of corruption and greed, of beauty and loss and ineffable hope. From its hardscrabble origins, to the Golden Age of the Rat Pack, to today's mind-blowing theme-park casinos, Las Vegas is the city that has it all. Mobsters. Mormons. Elvis and Wayne Newton, Siegfried and Roy. It's a place where change is the one constant, and where the pursuit of happiness is the only law. In the words of writer Chuck Palahniuk, it's the place that "looks the way you'd imagine heaven must look at night." Linda Chase is the author of Surfing Women of the Waves and grew up in Las Vegas. She lives in California. Explores the fascinating story of Sin City, from its origins as a desert outpost to today's eye-popping fantasyland
Publisher: Gibbs Smith
ISBN: 1423604881
Category : History
Languages : en
Pages : 209
Book Description
Through colorful photogra phs and firsthand narrative detail, Picturing Las Vegas tells the story of a city whose history mirrors that of America itself: a tale of the frontier, of corruption and greed, of beauty and loss and ineffable hope. From its hardscrabble origins, to the Golden Age of the Rat Pack, to today's mind-blowing theme-park casinos, Las Vegas is the city that has it all. Mobsters. Mormons. Elvis and Wayne Newton, Siegfried and Roy. It's a place where change is the one constant, and where the pursuit of happiness is the only law. In the words of writer Chuck Palahniuk, it's the place that "looks the way you'd imagine heaven must look at night." Linda Chase is the author of Surfing Women of the Waves and grew up in Las Vegas. She lives in California. Explores the fascinating story of Sin City, from its origins as a desert outpost to today's eye-popping fantasyland
Picturing Harrisonburg
Author: David Ehrenpreis
Publisher:
ISBN: 9781938086502
Category : History
Languages : en
Pages : 0
Book Description
"While this book is a stand-alone project, it also serves as the accompanying catalogue for the large-scale exhibition on view at JMU's Duke Hall Gallery of Fine Art during the fall of 2017." -- from page 12
Publisher:
ISBN: 9781938086502
Category : History
Languages : en
Pages : 0
Book Description
"While this book is a stand-alone project, it also serves as the accompanying catalogue for the large-scale exhibition on view at JMU's Duke Hall Gallery of Fine Art during the fall of 2017." -- from page 12
Picturing America
Author:
Publisher: BRILL
ISBN: 9004385479
Category : Photography
Languages : en
Pages : 281
Book Description
Picturing America argues that photography is a prevalent practice of making places, determining how we situate ourselves in the world. As a prime site of knowledge and change, it enacts our perception as well as transformative conception of American environments.
Publisher: BRILL
ISBN: 9004385479
Category : Photography
Languages : en
Pages : 281
Book Description
Picturing America argues that photography is a prevalent practice of making places, determining how we situate ourselves in the world. As a prime site of knowledge and change, it enacts our perception as well as transformative conception of American environments.
Picturing Eden
Author: Deborah Klochko
Publisher: Steidl
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Catalog of 37 photographers shown in the exhibition, Picturing Eden, at the International Museum of Photography at George Eastman House, Rochester, N.Y., January 28-June 18, 2006.
Publisher: Steidl
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Catalog of 37 photographers shown in the exhibition, Picturing Eden, at the International Museum of Photography at George Eastman House, Rochester, N.Y., January 28-June 18, 2006.
Picturing the Western Front
Author: Beatriz Pichel
Publisher: Manchester University Press
ISBN: 1526151898
Category : History
Languages : en
Pages : 270
Book Description
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians’ war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Publisher: Manchester University Press
ISBN: 1526151898
Category : History
Languages : en
Pages : 270
Book Description
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians’ war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Picturing Black New Orleans
Author: Arthé A. Anthony
Publisher: University Press of Florida
ISBN: 0813072905
Category : History
Languages : en
Pages : 227
Book Description
The visual legacy of Florestine Perrault Collins, who documented African American life in New Orleans Florestine Perrault Collins (1895-1988) lived a fascinating and singular life. She came from a Creole family that had known privileges before the Civil War, privileges that largely disappeared in the Jim Crow South. She learned photographic techniques while passing for white. She opened her first studio in her home, and later moved her business to New Orleans’s Black business district. Fiercely independent, she ignored convention by moving out of her parents’ house before marriage and, later, by divorcing her first husband. Between 1920 and 1949, Collins documented African American life, capturing images of graduations, communions, and recitals, and allowing her subjects to help craft their images. She supported herself and her family throughout the Great Depression and in the process created an enduring pictorial record of her particular time and place. Collins left behind a visual legacy that taps into the social and cultural history of New Orleans and the South. It is this legacy that Arthé Anthony, Collins's great-niece, explores in Picturing Black New Orleans. Anthony blends Collins's story with those of the individuals she photographed, documenting the profound changes in the lives of Louisiana Creoles and African Americans. Balancing art, social theory, and history and drawing from family records, oral histories, and photographs rescued from New Orleans in the wake of Hurricane Katrina, Anthony gives us a rich look at the cultural landscape of New Orleans nearly a century ago. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Publisher: University Press of Florida
ISBN: 0813072905
Category : History
Languages : en
Pages : 227
Book Description
The visual legacy of Florestine Perrault Collins, who documented African American life in New Orleans Florestine Perrault Collins (1895-1988) lived a fascinating and singular life. She came from a Creole family that had known privileges before the Civil War, privileges that largely disappeared in the Jim Crow South. She learned photographic techniques while passing for white. She opened her first studio in her home, and later moved her business to New Orleans’s Black business district. Fiercely independent, she ignored convention by moving out of her parents’ house before marriage and, later, by divorcing her first husband. Between 1920 and 1949, Collins documented African American life, capturing images of graduations, communions, and recitals, and allowing her subjects to help craft their images. She supported herself and her family throughout the Great Depression and in the process created an enduring pictorial record of her particular time and place. Collins left behind a visual legacy that taps into the social and cultural history of New Orleans and the South. It is this legacy that Arthé Anthony, Collins's great-niece, explores in Picturing Black New Orleans. Anthony blends Collins's story with those of the individuals she photographed, documenting the profound changes in the lives of Louisiana Creoles and African Americans. Balancing art, social theory, and history and drawing from family records, oral histories, and photographs rescued from New Orleans in the wake of Hurricane Katrina, Anthony gives us a rich look at the cultural landscape of New Orleans nearly a century ago. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.