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Author: Michael W. Thomas Publisher: Bloomsbury Publishing ISBN: 1350227420 Category : Performing Arts Languages : en Pages : 288
Book Description
This book shines much-needed light on the history, structures and films of the Amharic film industry in Ethiopia. Focusing on the rise of the industry from 2002, until today, and embedded in archival, ethnographic and textual research methods, this book offers a sustained and detailed appreciation of Amharic-language cinema. Michael Thomas considers 'fiker'/love as an organising principle in national Ethiopian culture and, by extension, Amharic cinema. Placing 'fiker' as central to understanding Amharic film genres also illuminates the continuous negotiations at play between romantic, familial, patriotic and spiritual notions of love in these films. Thomas considers the production and exhibition of films in Ethiopia, charting fluctuations and continuities between the past and the present. Having done so, he offers detailed textual readings of films, identifying important junctures in the industry's development and the emergence of new genres. The findings of the book detail the affective characteristics that delineate most Amharic genres and the role culturally specific concepts, such as fiker, play in maintaining the relevance of commercial cinemas reliant on domestic audiences.
Author: Michael W. Thomas Publisher: Bloomsbury Publishing ISBN: 1350227420 Category : Performing Arts Languages : en Pages : 288
Book Description
This book shines much-needed light on the history, structures and films of the Amharic film industry in Ethiopia. Focusing on the rise of the industry from 2002, until today, and embedded in archival, ethnographic and textual research methods, this book offers a sustained and detailed appreciation of Amharic-language cinema. Michael Thomas considers 'fiker'/love as an organising principle in national Ethiopian culture and, by extension, Amharic cinema. Placing 'fiker' as central to understanding Amharic film genres also illuminates the continuous negotiations at play between romantic, familial, patriotic and spiritual notions of love in these films. Thomas considers the production and exhibition of films in Ethiopia, charting fluctuations and continuities between the past and the present. Having done so, he offers detailed textual readings of films, identifying important junctures in the industry's development and the emergence of new genres. The findings of the book detail the affective characteristics that delineate most Amharic genres and the role culturally specific concepts, such as fiker, play in maintaining the relevance of commercial cinemas reliant on domestic audiences.
Author: Michael W. Thomas Publisher: MSU Press ISBN: 1628953551 Category : Art Languages : en Pages : 346
Book Description
Over the past decade, Ethiopian films have come to dominate the screening schedules of the many cinemas in Ethiopia’s capital city of Addis Ababa, as well as other urban centers. Despite undergoing an unprecedented surge in production and popularity in Ethiopia and in the diaspora, this phenomenon has been broadly overlooked by African film and media scholars and Ethiopianists alike. This collection of essays and interviews on cinema in Ethiopia represents the first work of its kind and establishes a broad foundation for furthering research on this topic. Taking an interdisciplinary approach to the topic and bringing together contributions from both Ethiopian and international scholars, the collection offers new and alternative narratives for the development of screen media in Africa. The book’s relevance reaches far beyond its specific locale of Ethiopia as contributions focus on a broad range of topics—such as commercial and genre films, diaspora filmmaking, and the role of women in the film industry—while simultaneously discussing multiple forms of screen media, from satellite TV to “video films.” Bringing both historical and contemporary moments of cinema in Ethiopia into the critical frame offers alternative considerations for the already radically changing critical paradigm surrounding the understandings of African cinema.
Author: Frances Linzee Gordon Publisher: ISBN: Category : Travel Languages : en Pages : 554
Book Description
Ethiopia's millennia-old monuments, Djibouti's stunning diving, Eritrea's architecture - the Horn of Africa has plenty to offer the traveller. Use this guide to discover the continent's best-kept secret. * over 50 maps, providing comprehensive coverage of the region * valuable information on safety and health * where to stay, what to eat and when to go * special sections on Ethiopia's diverse birdlife, Red Sea diving, Eritrea's architecture and Djibouti's geology * comprehensive language section covering Amharic, French, Tigrinyan and Arabic
Author: Jeff Pearce Publisher: Simon and Schuster ISBN: 1510718745 Category : History Languages : en Pages : 640
Book Description
It was the war that changed everything, and yet it’s been mostly forgotten: in 1935, Italy invaded Ethiopia. It dominated newspaper headlines and newsreels. It inspired mass marches in Harlem, a play on Broadway, and independence movements in Africa. As the British Navy sailed into the Mediterranean for a white-knuckle showdown with Italian ships, riots broke out in major cities all over the United States. Italian planes dropped poison gas on Ethiopian troops, bombed Red Cross hospitals, and committed atrocities that were never deemed worthy of a war crimes tribunal. But unlike the many other depressing tales of Africa that crowd book shelves, this is a gripping thriller, a rousing tale of real-life heroism in which the Ethiopians come back from near destruction and win. Tunnelling through archive records, tracking down survivors still alive today, and uncovering never-before-seen photos, Jeff Pearce recreates a remarkable era and reveals astonishing new findings. He shows how the British Foreign Office abandoned the Ethiopians to their fate, while Franklin Roosevelt had an ambitious peace plan that could have changed the course of world history—had Chamberlain not blocked him with his policy on Ethiopia. And Pearce shows how modern propaganda techniques, the post-war African world, and modern peace movements all were influenced by this crucial conflict—a war in Africa that truly changed the world. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author: Allyson Field Publisher: Univ of California Press ISBN: 0520960432 Category : Performing Arts Languages : en Pages : 483
Book Description
L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group—including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis—shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.
Author: Seán Crosson Publisher: Routledge ISBN: 1000172503 Category : Social Science Languages : en Pages : 244
Book Description
Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts. Covering films of all types, from Hollywood blockbusters to regional documentaries and newsreels, the book considers how filmic depictions of sport have configured and informed distinctive national cultures, societies and identities. Featuring case studies from 11 national contexts across 6 continents – including North and South America, Europe, Africa, Asia and Oceania – it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts. This is fascinating and important reading for all students and researchers working in film, media, cultural studies or sport, and for broader enthusiasts of both sport and film.
Author: Gary Hoppenstand Publisher: Greenwood Publishing Group ISBN: Category : Civilization, Modern Languages : en Pages : 432
Book Description
An encyclopedia describes all aspects of world culture, broken down into six regional categories, discussing the art, dance, fashion, food, pastimes, periodicals, recreation, and transportation of each region.
Author: Mark C. Carnes Publisher: Macmillan ISBN: 9780805037609 Category : History Languages : en Pages : 324
Book Description
Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal.
Author: John J. Lee, Jr. Publisher: Taylor & Francis ISBN: 1136050493 Category : Performing Arts Languages : en Pages : 212
Book Description
The Producer's Business Handbook provides a model for making a successful business of independent filmmaking. It will give you a comprehensive understanding of the business of entertainment and supply you with the information and tools you'll need to successfully engage all related aspects of global production and exploitation. The handbook also provides a global orientation to the relationships that the most successful producers have with the various participants in the motion picture industry. This includes how producers direct their relationships with domestic and foreign studios, agencies, attorneys, talent, completion guarantors, banks, and private investors. It provides a thorough orientation to operating production development and single purpose production companies, from solicitation of literary properties through direct rights sales, and the management of global distribution relationships. Also presented is an in-depth discussion of the team roles needed to operate these companies, as well as how to attach and direct them. For those outside of the US, this book also includes information about how to produce successful films without government funding. This edition has been updated to include comprehensive information on the internal greenlighting process, government financing, and determining actual cost-of-money. It includes new simplified project evaluation tools, expediting funding and distribution. Together with its companion CD-ROM, which contains valuable forms and spreadsheets; tutorials; and samples, this handbook presents both instruction and worksheet support to independent producers at all levels of experience.
Author: Michael W. Thomas
Author: Michael W. Thomas
Author: Michael W. Thomas
Author: Frances Linzee Gordon
Author: 
Author: Jeff Pearce
Author: Allyson Field
Author: Seán Crosson
Author: Gary Hoppenstand
Author: Mark C. Carnes
Author: John J. Lee, Jr.