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Author: Pierre Terjanian Publisher: Yale University Press ISBN: 9780300176315 Category : Armor Languages : en Pages : 0
Book Description
"This...publication examines two masterful armors for horse and man acquired in 2009 by the Philadelphia Museum of Art. Among the earliest complete European examples in existence, these German works demonstrate the superior design and craftsmanship of princely armor in the early sixteenth century. The celebrated master Wilhelm von Worms the Edler...of Nuremberg made the luxurious, exquisitely decorated steel horse armor for Duke Ulrich of Württemberg (148701550). The man's armor was crafted by Matthes Deutsch...of Landshut, another distinguished armorer patronized by German princes...."--Front inside flap of dust jacket.
Author: Pierre Terjanian Publisher: Yale University Press ISBN: 9780300176315 Category : Armor Languages : en Pages : 0
Book Description
"This...publication examines two masterful armors for horse and man acquired in 2009 by the Philadelphia Museum of Art. Among the earliest complete European examples in existence, these German works demonstrate the superior design and craftsmanship of princely armor in the early sixteenth century. The celebrated master Wilhelm von Worms the Edler...of Nuremberg made the luxurious, exquisitely decorated steel horse armor for Duke Ulrich of Württemberg (148701550). The man's armor was crafted by Matthes Deutsch...of Landshut, another distinguished armorer patronized by German princes...."--Front inside flap of dust jacket.
Author: Edward H. Wouk Publisher: Manchester University Press ISBN: 1526183498 Category : Art Languages : en Pages : 400
Book Description
The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.
Author: Donald J. La Rocca Publisher: Metropolitan Museum of Art ISBN: 1588396290 Category : Antiques & Collectibles Languages : en Pages : 162
Book Description
Many of us have long been captivated by images of knights in shining armor evoking the age of chivalry and the ideals of Camelot. In this richly illustrated volume, the beauty and complexity of the actual armor worn by European knights and soldiers comes brilliantly to the fore. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} How to Read European Armor presents a compelling overview of armor in Europe from the Middle Ages through the seventeenth century, the period when armor as an art form achieved its highest levels of stylistic beauty and functional perfection. During that time, skilled armorers developed ingenious solutions for protecting the body with armor that was effective and often amazingly ornate. This volume features historically important examples of armor such as a suit made in the royal workshops of Greenwich, England, almost certainly for King Henry VIII himself; a masterfully etched work created by a famed Nuremberg armorer for Emperor Ferdinand I; and sumptuous armor for the warhorse of an Italian nobleman. The engaging text extensively examines armor's complex parts and many decorative techniques, and sets the lively historical context for how European armor thrived in the field of combat, in tournaments, and on ceremonial occasions. A book for any reader drawn to the chivalric and courtly life of Europe, How to Read European Armor highlights the many innovations of armorers who created these legendary marvels of art and technology.
Author: Pierre Terjanian Publisher: Metropolitan Museum of Art ISBN: 1588396746 Category : Art Languages : en Pages : 345
Book Description
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Alvaro Soler del Campo Publisher: ISBN: Category : Armor Languages : en Pages : 314
Book Description
The Royal Armory in Madrid, assembled at a time when the Spanish Crown was at the height of its international power, is the oldest and one of the finest and largest armories in the world, imbued with great historical, artistic, and symbolic significance. Armor drawn from the unsurpassed holdings of the Spanish Royal Armory is shown in this exhibition alongside portraits of rulers dressed in the same armor, painted by such masters as Peter Paul Rubens, Anthony van Dyck, Diego Velázquez, and Alonso Sánchez Coello. Several large and magnificent tapestries from the royal collection also depict the armor in use. Together, some 75 works illustrate the use of luxurious armor in projecting an image of royal power in Imperial Spain. The exhibition includes several full suits of armor, helmets, shields, and equestrian armor--worn in battle but more often in Renaissance parades, pageants, and jousting tournaments. The works of art on view date from the reigns of the Holy Roman Emperors Maximilian I of Austria (1508-1519) and Emperor Charles V (1519-1558), to those of his successors, King Philip II (1556-1598), King Philip III (1598-1621), and King Philip IV (1621-1665). This is the first time that the armor has been exhibited together with the portraits in which it is depicted.
Author: Marina Belozerskaya Publisher: Getty Publications ISBN: 0892367857 Category : Art Languages : en Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Barbara Butts Publisher: Getty Publications ISBN: 089236579X Category : Art Languages : en Pages : 346
Book Description
The names Albrecht Dürer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Dürer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted draftsmen and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by Dürer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, Jörg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Schäufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum.
Author: The Staatliche Museen Zu Berlin Publisher: National Geographic Books ISBN: 3791355392 Category : Art Languages : en Pages : 0
Book Description
On the 500th anniversary of Martin Luther’s 95 Theses, this opulent book presents a colorful introduction to Renaissance art and history. aturing more than a hundred outstanding paintings, drawings, &prints, sculptures, and treasures of the Age of the Reformation, &this publication comprises masterpieces by Albrecht Du&̈rer, &Lucas Cranach the Elder and Lucas Cranach the Younger, Hans &Holbein the Elder and Hans Holbein the Younger, Matthias &Gru&̈newald, and Tilman Riemenschneider, among others. By &placing these works in their historical context, this beautifully &illustrated book uses art as a prism through which to consider &the religious, social and political upheavals of the time. The &volume includes insightful texts that discuss pivotal subjects &such as traditional imagery and devotion, Reformation and &polemics, court life and culture, humanism and reality, as well &as portraiture and representation. Biographies of the artists, &an extensive bibliography and a glossary of central terms &concerning the German Reformation make this a comprehensive &study of a fascinating period in European art history.
Author: Pierre Terjanian
Author: Pierre Terjanian
Author: Edward H. Wouk
Author: Donald J. La Rocca
Author: Pierre Terjanian
Author: Alvaro Soler del Campo
Author: Marina Belozerskaya
Author: 
Author: Barbara Butts
Author: The Staatliche Museen Zu Berlin
Author: Albert F. Calvert