Author: William Mills Todd
Publisher: Northwestern University Press
ISBN: 9780810117112
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master writers in Pushkin's time. It is written in an accessible style with translations, an annotated list of the Arzamasians, and an extensive index and a bibliography.
The Familiar Letter as a Literary Genre in the Age of Pushkin
Author: William Mills Todd
Publisher: Northwestern University Press
ISBN: 9780810117112
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master writers in Pushkin's time. It is written in an accessible style with translations, an annotated list of the Arzamasians, and an extensive index and a bibliography.
Publisher: Northwestern University Press
ISBN: 9780810117112
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master writers in Pushkin's time. It is written in an accessible style with translations, an annotated list of the Arzamasians, and an extensive index and a bibliography.
Pushkin's Tatiana
Author: Olga Peters Hasty
Publisher: Univ of Wisconsin Press
ISBN: 9780299164041
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
In the last decades of the nineteenth century, two thousand women physicians formed a significant and lively scientific community in the United States. Many were active writers; they participated in the development of medical record-keeping and research, and they wrote self-help books, social and political essays, fiction, and poetry. Out of the Dead House rediscovers the contributions these women made to the developing practice of medicine and to a community of women in science. Susan Wells combines studies of medical genres, such as the patient history or the diagnostic conversation, with discussions of individual writers. The women she discusses include Ann Preston, the first woman dean of a medical college; Hannah Longshore, a successful practitioner who combined conventional and homeopathic medicine; Rebecca Crumpler, the first African American woman physician to publish a medical book; and Mary Putnam Jacobi, writer of more than 180 medical articles and several important books. Wells shows how these women learned to write, what they wrote, and how these texts were read. Out of the Dead House also documents the ways that women doctors influenced medical discourse during the formation of the modern profession. They invented forms and strategies for medical research and writing, including methods of using survey information, taking patient histories, and telling case histories. Out of the Dead House adds a critical episode to the developing story of women as producers and critics of culture, including scientific culture."
Publisher: Univ of Wisconsin Press
ISBN: 9780299164041
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
In the last decades of the nineteenth century, two thousand women physicians formed a significant and lively scientific community in the United States. Many were active writers; they participated in the development of medical record-keeping and research, and they wrote self-help books, social and political essays, fiction, and poetry. Out of the Dead House rediscovers the contributions these women made to the developing practice of medicine and to a community of women in science. Susan Wells combines studies of medical genres, such as the patient history or the diagnostic conversation, with discussions of individual writers. The women she discusses include Ann Preston, the first woman dean of a medical college; Hannah Longshore, a successful practitioner who combined conventional and homeopathic medicine; Rebecca Crumpler, the first African American woman physician to publish a medical book; and Mary Putnam Jacobi, writer of more than 180 medical articles and several important books. Wells shows how these women learned to write, what they wrote, and how these texts were read. Out of the Dead House also documents the ways that women doctors influenced medical discourse during the formation of the modern profession. They invented forms and strategies for medical research and writing, including methods of using survey information, taking patient histories, and telling case histories. Out of the Dead House adds a critical episode to the developing story of women as producers and critics of culture, including scientific culture."
The Letters of Alexander Pushkin
Author: Aleksandr Sergeevich Pushkin
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 898
Book Description
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 898
Book Description
Pushkin
Author: Prince D. S. Mirsky
Publisher:
ISBN:
Category : Poets, Russian
Languages : en
Pages : 286
Book Description
Publisher:
ISBN:
Category : Poets, Russian
Languages : en
Pages : 286
Book Description
The Letters of Alexander Pushkin
Author: Александр Сергеевич Пушкин
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 308
Book Description
PUSHKIN'S LETTERS
Author: ALEXANDER. PUSHKIN
Publisher:
ISBN: 1847499341
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 1847499341
Category :
Languages : en
Pages : 0
Book Description
The Letters of Alexander Pushkin
Author: Aleksandr Sergeevich Pushkin
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 898
Book Description
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 898
Book Description
French and Russian in Imperial Russia
Author: Derek Offord
Publisher: Edinburgh University Press
ISBN: 1474403638
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Book Description
This is the first of two companion volumes which examine language use and language attitudes in eighteenth- and nineteenth-century Russia, focusing on the transitional period from the Enlightenment to the age of Pushkin. Set against the background of the rapid transformation of Russia into a major European power, the two volumes of French and Russian in Imperial Russia consider the functions of multilingualism and the use of French as a prestige language among the elite, as well as the benefits of Franco-Russian bilingualism and the anxieties to which it gave rise. This first volume, provides insight into the development of the practice of speaking and writing French at the Russian court and among the Russian nobility from the mid-eighteenth century to the mid-nineteenth century. It examines linguistic practice, the use of French in Russia in various spheres, domains and genres, as well as the interplay between the two languages. Including examples of French lexical influence on Russian, this volume takes a sociolinguistic interest in language choice, code-switching and the degree to which the language community being observed was bilingual or diglossic.A comprehensive and original contribution to the multidisciplinary study of language, the two volumes address, from a historical viewpoint, subjects of relevance to sociolinguists (especially bilingualism and multilingualism), social and cultural historians (social and national identity, linguistic and cultural borrowing), Slavists (the relationship of Russian and western culture) and students of the European Enlightenment, Neo-Classicism, Romanticism and cultural nationalism.
Publisher: Edinburgh University Press
ISBN: 1474403638
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Book Description
This is the first of two companion volumes which examine language use and language attitudes in eighteenth- and nineteenth-century Russia, focusing on the transitional period from the Enlightenment to the age of Pushkin. Set against the background of the rapid transformation of Russia into a major European power, the two volumes of French and Russian in Imperial Russia consider the functions of multilingualism and the use of French as a prestige language among the elite, as well as the benefits of Franco-Russian bilingualism and the anxieties to which it gave rise. This first volume, provides insight into the development of the practice of speaking and writing French at the Russian court and among the Russian nobility from the mid-eighteenth century to the mid-nineteenth century. It examines linguistic practice, the use of French in Russia in various spheres, domains and genres, as well as the interplay between the two languages. Including examples of French lexical influence on Russian, this volume takes a sociolinguistic interest in language choice, code-switching and the degree to which the language community being observed was bilingual or diglossic.A comprehensive and original contribution to the multidisciplinary study of language, the two volumes address, from a historical viewpoint, subjects of relevance to sociolinguists (especially bilingualism and multilingualism), social and cultural historians (social and national identity, linguistic and cultural borrowing), Slavists (the relationship of Russian and western culture) and students of the European Enlightenment, Neo-Classicism, Romanticism and cultural nationalism.
A Short Life of Pushkin
Author: Robert Chandler
Publisher: Pushkin Press
ISBN: 178227345X
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description
A short yet fascinating account of Russia's most celebrated writer. In Robert Chandler's exquisite biography, literary giant Alexander Pushkin, lauded as the Russian Shakespeare, is examined as writer, lover and public figure. Chandler explores his relationship to politics and provides a fascinating glimpse of the turbulent history Pushkin lived through. The book acts as a succinct guide to anybody trying to understand Russia's most celebrated literary figure and also illuminates the wider historical and political context of early nineteenth-century Russia.
Publisher: Pushkin Press
ISBN: 178227345X
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description
A short yet fascinating account of Russia's most celebrated writer. In Robert Chandler's exquisite biography, literary giant Alexander Pushkin, lauded as the Russian Shakespeare, is examined as writer, lover and public figure. Chandler explores his relationship to politics and provides a fascinating glimpse of the turbulent history Pushkin lived through. The book acts as a succinct guide to anybody trying to understand Russia's most celebrated literary figure and also illuminates the wider historical and political context of early nineteenth-century Russia.
Pushkin's Lyric Intelligence
Author: Andrew Kahn
Publisher: OUP Oxford
ISBN: 0191552933
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
Alexander Pushkin (1799-1837) is Russia's greatest poet, a 'founding father' of modern Russian literature, and a major figure in world literature. His poetry and prose changed the course of Russian culture, and his works inspired operas by Musorgsky and Tchaikovsky (as well as Peter Shaffer's Amadeus). Ceaselessly experimental, he is the author of the greatest body of lyric poetry in the language; a remarkable novelist in verse, and a pioneer of Russian prose fiction; an innovator in psychological and historical drama; and an amateur historian of serious purpose. Like Byron, whose writing and personality were an inspiration to him, Pushkin had a sensational life, the stuff of Romantic legend. His writing treats all the most important themes that great literature can addresss-the nature of identity, love and betrayal, independence and creativity, nature, the meaning of life, death and the afterlife-in an elegant style and highly personal voice. Lyric intelligence refers to Pushkin's capacity to transform philosophical and aesthetic ideas into poetry. Arguing that Pushkin's poetry has often been misunderstood as transparently simple, this first major study of this substantial body of work traces the interrelation between his writing and the influences of English and European literature and cultural movements on his understanding of the creative process and the aims of art. Andrew Kahn approaches Pushkin's poetic texts through the history of ideas, and argues that in his poetry the clashes that matter are not about stylistic innovation and genre, as has often been suggested. Instead the poems are shown to articulate a range of positions on key topics of the period, including the meaning of originality, the imagination, the status of the poet, the role of commercial success, the definition of genius, represenation of nature, the definition of the hero, and the immortality of the soul. Drawing on an extensive knowledge of Pushkin's library and his intellectual context, Pushkin's Lyric Intelligence addresses how theories of inspiration informed Pushkin's thinking about classicism and Romanticism in the 1820s and 1830s. The story of the unfolding of the imagination as a vital poetic power and concept for Pushkin is a consistent theme of the entire book. It is this movement towards a fuller apprehension and application of the imagination as the key poetic power that guided Pushkin's transitions through different phases of his creative development. The book looks at the intersection of Pushkin's knowledge of important ideas and artistic trends with poems about the creative imagination, psychology, sex and the body, heroism and the ethical life, and death.
Publisher: OUP Oxford
ISBN: 0191552933
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
Alexander Pushkin (1799-1837) is Russia's greatest poet, a 'founding father' of modern Russian literature, and a major figure in world literature. His poetry and prose changed the course of Russian culture, and his works inspired operas by Musorgsky and Tchaikovsky (as well as Peter Shaffer's Amadeus). Ceaselessly experimental, he is the author of the greatest body of lyric poetry in the language; a remarkable novelist in verse, and a pioneer of Russian prose fiction; an innovator in psychological and historical drama; and an amateur historian of serious purpose. Like Byron, whose writing and personality were an inspiration to him, Pushkin had a sensational life, the stuff of Romantic legend. His writing treats all the most important themes that great literature can addresss-the nature of identity, love and betrayal, independence and creativity, nature, the meaning of life, death and the afterlife-in an elegant style and highly personal voice. Lyric intelligence refers to Pushkin's capacity to transform philosophical and aesthetic ideas into poetry. Arguing that Pushkin's poetry has often been misunderstood as transparently simple, this first major study of this substantial body of work traces the interrelation between his writing and the influences of English and European literature and cultural movements on his understanding of the creative process and the aims of art. Andrew Kahn approaches Pushkin's poetic texts through the history of ideas, and argues that in his poetry the clashes that matter are not about stylistic innovation and genre, as has often been suggested. Instead the poems are shown to articulate a range of positions on key topics of the period, including the meaning of originality, the imagination, the status of the poet, the role of commercial success, the definition of genius, represenation of nature, the definition of the hero, and the immortality of the soul. Drawing on an extensive knowledge of Pushkin's library and his intellectual context, Pushkin's Lyric Intelligence addresses how theories of inspiration informed Pushkin's thinking about classicism and Romanticism in the 1820s and 1830s. The story of the unfolding of the imagination as a vital poetic power and concept for Pushkin is a consistent theme of the entire book. It is this movement towards a fuller apprehension and application of the imagination as the key poetic power that guided Pushkin's transitions through different phases of his creative development. The book looks at the intersection of Pushkin's knowledge of important ideas and artistic trends with poems about the creative imagination, psychology, sex and the body, heroism and the ethical life, and death.