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Author: Urs App Publisher: UniversityMedia ISBN: 3906000001 Category : Biography & Autobiography Languages : en Pages : 104
Book Description
It is little known that Richard Wagner was among the very first Westerners to appreciate Buddhism and that he was the first major European artist to be inspired by this religion. In 1856, in the prime of his creativity, the 33-year-old artist read his first book about Buddhism. Madly in love with Mathilde Wesendonck, a beautiful but happily married woman, he conceived two deeply connected opera projects: Tristan und Isolde which he went on to compose and stage, and Die Sieger (The Victors), an opera scenario based on an Indian Buddha legend translated from Sanskrit. These two projects mirrored Wagner's burning desire for the consummation of his love and the necessity of renunciation. This Buddhist opera project occupied Wagner's mind for decades until his death in 1883. Indeed, the composer's last words were about the Buddha figure of his scenario and his relationship with women. Urs App, the author of The Birth of Orientalism (University of Pennsylvania Press) and the world's foremost authority on the early Western reception of Buddhism, tells the story of Richard Wagner's creative encounter with Buddhism and explains the composer's last words.
Author: Urs App Publisher: UniversityMedia ISBN: 3906000001 Category : Biography & Autobiography Languages : en Pages : 104
Book Description
It is little known that Richard Wagner was among the very first Westerners to appreciate Buddhism and that he was the first major European artist to be inspired by this religion. In 1856, in the prime of his creativity, the 33-year-old artist read his first book about Buddhism. Madly in love with Mathilde Wesendonck, a beautiful but happily married woman, he conceived two deeply connected opera projects: Tristan und Isolde which he went on to compose and stage, and Die Sieger (The Victors), an opera scenario based on an Indian Buddha legend translated from Sanskrit. These two projects mirrored Wagner's burning desire for the consummation of his love and the necessity of renunciation. This Buddhist opera project occupied Wagner's mind for decades until his death in 1883. Indeed, the composer's last words were about the Buddha figure of his scenario and his relationship with women. Urs App, the author of The Birth of Orientalism (University of Pennsylvania Press) and the world's foremost authority on the early Western reception of Buddhism, tells the story of Richard Wagner's creative encounter with Buddhism and explains the composer's last words.
Author: Richard Wagner Publisher: Wakefield Press ISBN: 9781862548060 Category : Architecture Languages : en Pages : 176
Book Description
Parsifal was Richard Wagner's last opera, and many consider it his most beautiful and moving work. Peter Bassett, author of the highly successful A RING FOR THE MILLENNIUM, has made a special study of Parsifal, looking particularly at the relationship between Wagner's sources and his text and identifying important thematic connections with other works, notably DER RING DES NIBELUNG. This guide - which includes a translation of the libretto - will be invaluable to those new to Parsifal, but will also provide fresh insights for readers who are already familiar with Wagner's final work. This new edition is illustrated with historical photographs and a new format.
Author: Paul Schofield Publisher: Hal Leonard Corporation ISBN: 9781574671612 Category : Performing Arts Languages : en Pages : 328
Book Description
Traditionally, Wagnerian scholarship has always treated the Ring and Parsifal as two separate works. The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner's Ring shows how Parsifal is in fact actually the fifth opera of the Ring. Schofield explains in detail how these five musical dramas portray a single, unbroken story which begins at the start of Das Rheingold when Wotan breaks a branch from the World Ash-tree and Alberich steals the gold of the Rhine, thus separating Spear and Grail, and ends with the reunion of the Spear and Grail in the temple of Monsalvat at the end of Parsifal. Schofield explains how and why the four main characters of the Ring are reborn in the opera Parsifal, needing to complete in Parsifal the spiritual journey begun in the Ring. He also shows how the redemption that is not attained in the process of the Ring is finally realized in the events of Parsifal.
Author: Albert Ross Parsons Publisher: Legare Street Press ISBN: Category : History Languages : en Pages : 128
Book Description
Experience Wagner's masterpiece like never before with this insightful guide. Parsons' deep knowledge of music and opera shines through in his thorough analysis of the music and libretto of Parsifal. This book is a must-read for any opera lover or classical music enthusiast. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Marc A. Weiner Publisher: U of Nebraska Press ISBN: 9780803297920 Category : Literary Criticism Languages : en Pages : 470
Book Description
This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".
Author: Urs App
Author: Urs App
Author: Dorothea W. Dauer
Author: Wolfgang Osthoff
Author: Richard Wagner
Author: Albert Ross Parsons
Author: Albert Ross Parsons
Author: Paul Schofield
Author: Albert Ross Parsons
Author: Richard Wagner
Author: Marc A. Weiner