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Author: Peter Coad Publisher: ISBN: 9780958028608 Category : Aboriginal Australians in art Languages : en Pages : 59
Book Description
Collection of original artwork by Coad for Rolf de Heer's film 'The Tracker' (2001). The paintings reflect the Australian landscape, myths and legends, as well as Australia's history of racial conflict. Provides a commentary explaining the context of each painting within the film, and also the genesis and progression of each plate. Colour photos throughout.
Author: Peter Coad Publisher: ISBN: 9780958028608 Category : Aboriginal Australians in art Languages : en Pages : 59
Book Description
Collection of original artwork by Coad for Rolf de Heer's film 'The Tracker' (2001). The paintings reflect the Australian landscape, myths and legends, as well as Australia's history of racial conflict. Provides a commentary explaining the context of each painting within the film, and also the genesis and progression of each plate. Colour photos throughout.
Author: Alexis Wright Publisher: Giramondo Publishing ISBN: 1925336603 Category : Biography & Autobiography Languages : en Pages : 650
Book Description
Winner of the 2018 Stella Prize A collective memoir of one of Aboriginal Australia’s most charismatic leaders and an epic portrait of a period in the life of a country, reminiscent in its scale and intimacy of the work of Nobel Prize-winning Russian author Svetlana Alexievich. Miles Franklin Award-winning novelist Alexis Wright returns to non-fiction in her new book, Tracker, a collective memoir of the charismatic Aboriginal leader, political thinker, and entrepreneur who died in Darwin in 2015. Taken from his family as a child and brought up in a mission on Croker Island, Tracker Tilmouth returned home to transform the world of Aboriginal politics. He worked tirelessly for Aboriginal self-determination, creating opportunities for land use and economic development in his many roles, including Director of the Central Land Council. He was a visionary and a projector of ideas, renowned for his irreverent humour and his anecdotes. His memoir has been composed by Wright from interviews with Tilmouth himself, as well as with his family, friends, and colleagues, weaving his and their stories together into a book that is as much a tribute to the role played by storytelling in contemporary Aboriginal life as it is to the legacy of a remarkable man. ‘A magnificent work of collaborative storytelling…It paints a vision of action and possibility for this continent that makes it required reading for all Australians and all those interested in this land.’ — Sydney Morning Herald ‘Wright builds, as much as anyone is able to in writing, a detailed portrait of a complex man, whose vision “to sculpt land, country and people into a brilliant future on a grand scale” is inevitably accompanied by an irrepressible humour and suspicion of authority.’ — The Guardian ‘Tilmouth was a man who worked through conversation and yarn more than with paper and pen, and this is a book about the place of the story in Indigenous culture and politics as much as it is about Tracker himself.’ — The Monthly ‘[Wright] enacts the complex relationship between self and community that a Western biography could not…There is a cumulative power in the repetitions, backtrackings and digressions the formula necessitates: a sinuous, elegant accommodation of selves. It is a book as epical in form and ambition as the life it describes.’ — The Australian ‘Wright’s brace of ineffable, awkward, uncanny novels will be unravelled and enjoyed by readers when other contemporary fiction is forgotten. Tracker, a book performed by a folk ensemble rather than a solo virtuoso, adds to her enduring non-fiction oeuvre that captures the unique ground-level realpolitik of Aboriginal Australia.’ — Australian Book Review ‘Alexis Wright is one of the most important voices in our literary landscape…This is a landmark work – epic in its scope and empathy.’ — Readings
Author: Belgin Yücel Publisher: GRIN Verlag ISBN: 366801650X Category : Foreign Language Study Languages : en Pages : 19
Book Description
Seminar paper from the year 2014 in the subject Didactics for the subject English - Literature, Works, grade: 2,0, University of Cologne (Philosophisches Seminar), course: In the Wake of First Contact: Australian Postcolonial Narrative, language: English, abstract: This term paper deals with the film "The Tracker" and will focus on the representation of the black tracker role as a subversive person and character and not as a victim. The film was produced and directed by Rolf de Heer in 2002. It is set in 1922 in the Australian outback where three policemen follow their chained aboriginal tracker. He is not presented as a victim but as a suppressed black man who tricks the white men. The man uses his tracking abilities to find the man who apparently raped a white woman who the policemen thus want to capture and execute. The names of the men refer to their characters and not their names. There is the Fanatic, the Follower, the Veteran and the Fugitive. The film takes a look at a fictional tracker’s everyday working life and is based on Aboriginal tracking skills, which they learn from a very early age. Particular information about Trackers will be given further on. There are many reasons to deal with the film and the topic; in the first place it recaptures how Aboriginal people were used by the white Australian government. The topic of the film is also essential for the Australian population and the Aboriginal people, since the British settled down in Australia in 1788. The indigenous people were not always treated in a humanitarian manner. The first contact between black and white people was in the beginning sometimes peaceful, as the story of Bennelong shows. Bennelong was “the first Aboriginal [man who was] introduced to [the] English culture”. Nevertheless, the first contact between the settlers and the Aboriginal were also marked by brutality and repression, “physical and cultural violence’’. The paper will also deal with the concepts of Mimicry and Primitive, since these are important effects of the Colonization. Likewise, they play a role for the black tracker character in the film, which will be demonstrated further in the paper. Also, it will show the contrasts and similarities in clothing between the tracker and the officers, which will give evidence for mimicry. Furthermore, the paper will point out what trackers do and the importance of tracking in the aboriginal culture. Trackers are of huge importance in the aboriginal culture. Also it gives an outlook into their culture and living.
Author: Ross Gibson Publisher: ISBN: 9780253325815 Category : Art Languages : en Pages : 276
Book Description
"... some of the finest of Ross Gibson's essays across ten years of thinking about Australia... " —Media Information Australia In this study of Western aesthetics and the politics of everyday life, Ross Gibson offers provocative analyses of Australia's films and examines an array of objects and attitudes encountered in his southern locale. His twelve chapters interweave to form an essay on the realignment of space, time, and meaning in contemporary Western societies. Gibson demonstrates how these different systems of representation construct "Australia."
Author: A. Frances Johnson Publisher: Brill / Rodopi ISBN: 9789004309975 Category : Literary Criticism Languages : en Pages : 320
Book Description
"Australian Fiction as Archival Salvage" examines developments in the Australian postcolonial historical novel from 1989 to the present, including seminal experiments in the genre by Kate Grenville, Mudrooroo, Kim Scott, Peter Carey, Rohan Wilson and others.
Author: Liangwen Kuo Publisher: ISBN: 9781624992568 Category : Australia Languages : en Pages : 327
Book Description
Migration documentary films played an important role in promoting Australian images to the outside world. Many films were made in this period to fulfill the function of migrant-recruiting and nation-building objectives. In these films, Australia was presented as a progressive and liberal nation seeking to establish her identities. The slogan "Australia for the White Man" prevailed over the entire period from 1908 to 1961. It was not until 1972 that The White Australia Policy was officially abolished. The historical meanings of these transformations are definitely worth exploring. The relationships among immigration policies, documentary films and the construction of national identities become valuable subjects for examination. This innovative book is the first in the field that comes with a systematic and comprehensive study of migration documentary films in post-war Australia. In the analysis of the sixty-seven films, this book reveals that the project for recruiting migrants to settle in Australia was not a simple matter of overseas campaigns. The terrain for media publicity was never just the emigrant countries and the target audience were both foreigners and local Australians. These migration documentary films are actually propaganda films in nature. However, visual images, narratives, and myths represented in these films were important in the self-depiction of Australian and in the formative discourse of national identity. This book shows how absences and under-representations of film images are important to examine in order to fully understand the particular, utopian visions of the post-war period. This book argues that open-door policies, coastal images, and modernization narratives gradually became a new "maritime myth" in the quest of a redefined Australian identity, and "new Australians," the post-war immigrants, became battlers, echoing the "bush legend" existing in the Australian narrative. Themes of modernization, industrialization, Anglo-centric identity, "the Australian way of life" itself, political freedom, and democracy of the overall films were stressed.
Author: Justin Clemens Publisher: Amsterdam University Press ISBN: 9789053567166 Category : Social Science Languages : en Pages : 220
Book Description
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Author: Felicity Colman Publisher: Berg ISBN: 1847887708 Category : Performing Arts Languages : en Pages : 288
Book Description
Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.
Author: Peter Coad
Author: Peter Coad
Author: Alexis Wright
Author: Belgin Yücel
Author: Ross Gibson
Author: Gregory Michael McCarthy
Author: A. Frances Johnson
Author: Liangwen Kuo
Author: Jerod Ra'Del Hollyfield
Author: Justin Clemens
Author: Felicity Colman