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Book Description
A fascinating period in Japanese History explored by a master of manga Showa 1926-1939: A History of Japan is the first volume of Shigeru Mizuki’s meticulously researched historical portrait of twentieth century Japan. This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki’s photo-realist style effortlessly brings to life Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa Era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the Era. With his trusty narrator Rat Man, Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki’s stance toward war is thoughtful and often downright critical – his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki’s Showa 1926-1939 is a beautifully told history that tracks how technological developments and the country’s shifting economic stability had a role in shaping Japan’s foreign policy in the early twentieth century. Translated from the Japanese by Zack Davisson.
Book Description
A fascinating period in Japanese History explored by a master of manga Showa 1926-1939: A History of Japan is the first volume of Shigeru Mizuki’s meticulously researched historical portrait of twentieth century Japan. This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki’s photo-realist style effortlessly brings to life Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa Era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the Era. With his trusty narrator Rat Man, Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki’s stance toward war is thoughtful and often downright critical – his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki’s Showa 1926-1939 is a beautifully told history that tracks how technological developments and the country’s shifting economic stability had a role in shaping Japan’s foreign policy in the early twentieth century. Translated from the Japanese by Zack Davisson.
Author: Shigeru Mizuki Publisher: Drawn and Quarterly ISBN: 9781770461628 Category : Comics & Graphic Novels Languages : en Pages : 536
Book Description
A sweeping yet intimate portrait of the legacy of World War II in Japan Showa 1944-1953: A History of Japan continues the award-winning author Shigeru Mizuki's autobiographical and historical account of the Showa period in Japan. This volume recounts the events of the final years of the Pacific War, and the consequences of the war's devastation for Mizuki and the Japanese populace at large. After the surprise attack at Pearl Harbor, Japan and the United States are officially at war. The two rival navies engage in a deadly game of feint and thrust, waging a series of microwars across the tiny Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. Finally, the United States unleashes the deathblow with a new and terrible weapon--the atomic bomb. The fallout from the bombs is beyond imagining. On another front, Showa 1944-1953 traces Mizuki's own life story across history's sweeping changes during this period, charting the impact of the war's end on his life choices. After losing his arm during the brutal fighting, Mizuki struggles to decide where to go: whether to remain on the island as an honored friend of the local Tolai people or return to the rubble of Japan and take up his dream of becoming a cartoonist. Showa 1944-1953 is a searing condemnation of the personal toll of war from one of Japan's most famous cartoonists.
Book Description
THE FIRST ENGLISH TRANSLATION OF MIZUKI'S BEST-LOVED WORK NonNonBa is the definitive work by acclaimed gekiga-ka Shigeru Mizuki, a poetic memoir detailing his interest in yokai (spirit monsters). Mizuki’s childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI’s The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today. Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations of the spirit world, explorations encouraged by his grandmother, a grumpy old woman named NonNonBa. NonNonBa is a touching work about childhood and growing up, as well as a fascinating portrayal of Japan in a moment of transition. NonNonBa was the first manga to win the Angouleme Prize for Best Album. Much like its namesake, NonNonBa is at once funny and nostalgic, firmly grounded in a sociohistorical context and floating in the world of the supernatural. Translated from the Japanese by Jocelyne Allen.
Author: Zack Davisson Publisher: Chin Music Press ISBN: 1634059158 Category : Juvenile Fiction Languages : en Pages : 64
Book Description
Bookworm Akira has read about the conniving ways of Yokai, but when he trips over one along a forest path, he decides to help the creature back to its murky water home. A challenge ensues involving Akira’s beloved grandmother, a pizza-producing hammer, and a crunchy cucumber. Haunting illustrations of the Yokai accompany 17 original stories.
Author: Shigeru Mizuki Publisher: Drawn and Quarterly ISBN: 9781770461352 Category : Comics & Graphic Novels Languages : en Pages : 560
Book Description
A fascinating period in Japanese history explored by a master of manga Showa 1926–1939: A History of Japan is the first volume of Shigeru Mizuki's meticulously researched historical portrait of twentieth-century Japan. This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Rat Man, Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical—his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's Showa 1926–1939 is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.
Book Description
A master cartoonist and war vet details Japan's involvement in World War II Showa 1939-1944: A History of Japan continues award-winning author Shigeru Mizuki’s autobiographical and historical account of Showa era Japan. This volume covers the final moments of the lead-up to World War Two and the first few years of the Pacific War; it is a chilling reminder of the harshness of life in Japan during this highly militarized epoch. In Showa 1939-1944, Mizuki writes affectingly about the impact on the Japanese populace of world-changing moments including the devastating Second Sino-Japanese War, the attack on Pearl Harbor, and the first half of the Pacific War. On a personal level, these years mark a dramatic transformation in Mizuki’s life, too – his idyllic childhood in the countryside comes to a definitive end when he’s drafted into the army and shipped off to the tiny island of Rabaul in Papua New Guinea. His life becomes a constant struggle for survival, not only against the constant Allied attacks but because he must face the harsh discipline of the Japanese army officers. During his time in Rabaul, Mizuki comes to understand the misery and beauty of the island itself—a place that will permanently mark him and haunt him for the rest of his life. Translated from the Japanese by Zack Davisson.
Book Description
Meet one of Japan's most popular characters of all time—Kitaro, the one-eyed monster boy Meet Kitaro. He’s just like any other boy, except for a few small differences: he only has one eye, his hair is an antenna that senses paranormal activity, his geta sandals are jet-powered, and he can blend into his surroundings like a chameleon. Oh, and he’s a yokai (spirit monster)! With all the offbeat humor of an Addams Family story, Kitaro is a lighthearted romp in which the bad guys always get what’s coming to them. Kitaro is bestselling manga-ka Shigeru Mizuki’s most famous creation. The Kitaro series was inspired by a kamishibai, or storycard theater, entitled Kitaro of the Graveyard. Mizuki began work on his interpretation of Kitaro in 1959. Originally the series was intended for boys, but once it was picked up by the influential Shonen magazine it quickly became a cultural landmark for young and old alike. Kitaro inspired half a dozen TV shows, plus numerous video games and films, and his cultural importance cannot be overstated. Presented to North American audiences for the first time in this lavish format, Mizuki’s photo-realist landscapes and cartoony characters blend the eerie with the comic. Translated from the Japanese by Jocelyne Allen.
Book Description
The beloved mangaka adapts one of his country—and teh world's—great works of supernatural literature Shigeru Mizuki—Japan’s grand master of yokai comics—adapts one of the most important works of supernatural literature into comic book form. The cultural equivalent of Brothers Grimm’s fairy tales, Tono Monogatari is a defining text of Japanese folklore and one of the country’s most important works of literature. This graphic novel was created during the later stage of Mizuki’s career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art. Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan’s rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki’s path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and the two sit down to discuss their works. Translated with additional essays by Mizuki scholar and English-language translator Zack Davisson, Tono Monogatari displays Mizuki at his finest, exploring the world he most cherished. Tono Monogatari was translated by Zack Davisson, an award-winning translator, writer, and folklorist. He is the author of Yurei: the Japanese Ghost, Yokai Stories, Narrow Road, and Kaibyo: The Supernatural Cats of Japan and translator of Shigeru Mizuki's multiple Eisner Award-winning Showa: a History of Japan and famous folklore comic Kitaro. He also translated globally renowned entertainment properties such as Go Nagai's Devilman and Cutie Honey, Leiji Matsumoto's Space Battleship Yamato and Captain Harlock, and Satoshi Kon's Opus. In addition, he lectured on manga, folklore, and translation at colleges such as Duke University, UCLA, and the University of Washington and contributed to exhibitions at the Henry Art Gallery, The Museum of International Folkart, Wereldmuseum Rotterdan, and the Art Gallery of New South Wales.
Author: Shigeru Mizuki
Author: Shigeru Mizuki
Author: Shigeru Mizuki
Author: Shigeru Mizuki
Author: Shigeru Mizuki
Author: Zack Davisson
Author: Zack Davisson
Author: Shigeru Mizuki
Author: Shigeru Mizuki
Author: Shigeru Mizuki
Author: Shigeru Mizuki