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Author: Nicholas Mirzoeff Publisher: Psychology Press ISBN: 9780415252225 Category : Art Languages : en Pages : 762
Book Description
The diverse essays collected here constitute an exploration of the emerging interdisciplinary field of visual culture, and examine why modern and postmodern culture place such a premium on rendering experience in visual form.
Author: Nicholas Mirzoeff Publisher: Psychology Press ISBN: 9780415252225 Category : Art Languages : en Pages : 762
Book Description
The diverse essays collected here constitute an exploration of the emerging interdisciplinary field of visual culture, and examine why modern and postmodern culture place such a premium on rendering experience in visual form.
Author: Sarah Durcan Publisher: Springer Nature ISBN: 3030473961 Category : Art Languages : en Pages : 258
Book Description
This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
Author: Marc Eliot Publisher: Aurum Press Limited ISBN: 1845137442 Category : Biography & Autobiography Languages : en Pages : 416
Book Description
The most detailed and revealing biography to date of a Hollywood great. Steve McQueen is that rare Hollywood combination of a classic actor and a style icon in the tradition of James Dean. ‘ The King of Cool’ , as he was dubbed, was at one time the highest-paid film star in the world, a status earned through his roles in films like The Magnificent Seven, Bullitt, The Thomas Crown Affair and The Great Escape. But he also turned down at least as many roles in classic films, including Breakfast at Tiffany’ s, Butch Cassidy and the Sundance Kid and The French Connection. This is the first biography to cover in detail every film that McQueen made, and to put him into the context of the movie business, showing how he had problems trying to be a Method actor where an exact contemporary like Clint Eastwood thrived at it, and how Eastwood understood the studio system and made it work for him, while an insecure McQueen struggled with his sense of himself, both on and off screen. It includes interviews with people who have never spoken about him before, and draws upon diaries in the private McQueen collection.
Author: Kobena Mercer Publisher: Duke University Press ISBN: 082237451X Category : Art Languages : en Pages : 384
Book Description
Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.
Author: Dennis McDougal Publisher: Turner Publishing Company ISBN: 1620458993 Category : Biography & Autobiography Languages : en Pages : 464
Book Description
Praise for Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times "Dennis McDougal is a rare Hollywood reporter: honest, fearless, nobody's fool. This is unvarnished Jack for Jack-lovers and Jack-skeptics but, also, for anyone interested in the state of American culture and celebrity. I always read Mr. McDougal for pointers but worry that he will end up in a tin drum off the coast of New Jersey."-- Patrick McGilligan, author of Jack's Life and Alfred Hitchcock: A Life in Darkness and Light Praise for Privileged Son: Otis Chandler and the Rise and Fall of the L.A. Times Dynasty "A great freeway pileup--part biography, part dysfunctional family chronicle, and part institutional and urban history, with generous dollops of scandal and gossip."-- Hendrick Hertzberg, The New Yorker "McDougal has managed to scale the high walls that have long protected the Chandler clan and returned with wicked tales told by angry ex-wives and jealous siblings."--The Washington Post Praise for The Last Mogul: Lew Wasserman, MCA and the Hidden History of Hollywood "Real glamour needs a dark side. That is part of the fascination of Dennis McDougal's wonderful book."--The Economist "Thoroughly reported and engrossing . . . the most noteworthy trait of MCA was how it hid its power."--The New York Times Book Review "Over the years, I've read hundreds of books on Hollywood and the movie business, and this one is right at the top."-- Michael Blowen, The Boston Globe
Author: Nicholas Evan Sarantakes Publisher: University Press of Kansas ISBN: 0700618627 Category : Performing Arts Languages : en Pages : 272
Book Description
Forever known for its blazing cinematic image of General George S. Patton (portrayed by George C. Scott) addressing his troops in front of a mammoth American flag, Patton won seven Oscars in 1971, including those for Best Picture and Best Actor. In doing so, it beat out a much-ballyhooed M*A*S*H, irreverent darling of the critics, and grossed $60 million despite an intense anti-war climate. But, as Nicholas Evan Sarantakes reveals, it was a film that almost didn't get made. Sarantakes offers an engaging and richly detailed production history of what became a critically acclaimed box office hit. He takes readers behind the scenes, even long before any scenes were ever conceived, to recount the trials and tribulations that attended the epic efforts of producer Frank McCarthy—like Patton a U.S. Army general—and Twentieth Century Fox to finally bring Patton to the screen after eighteen years of planning. Sarantakes recounts how filmmakers had to overcome the reluctance of Patton's family, copyright issues with biographers, competing efforts for a biopic, and Department of Defense red tape. He chronicles the long search for a leading man—including discussions with Burt Lancaster, John Wayne, and even Ronald Reagan—before settling on Scott, a brilliant actor who brought to the part both enthusiasm for the project and identification with Patton's passionate persona. He also tracks the struggles to shoot the movie with a large multinational cast, huge outlays for military equipment, and filming in six countries over a mere six months. And he provides revealing insider stories concerning, for example, Scott's legendary drinking bouts and the origins of and debate over his famous opening monologue. Drawing on extensive research in the papers of Frank McCarthy and director Franklin Schaffner, studio archives, records of the Academy of Motion Picture Arts and Sciences, contemporary journalism, and oral histories, Sarantakes ultimately shows us that Patton is more than just one of the best war films ever made. Culturally, it also spoke to national ideals while exposing complex truths about power in the mid-twentieth century.
Author: Eddie Chambers Publisher: Bloomsbury Publishing ISBN: 0857724096 Category : Art Languages : en Pages : 288
Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Ryan Conrath Publisher: Oxford University Press ISBN: 0197612296 Category : Education Languages : en Pages : 233
Book Description
"Between Images proposes a unique theory of montage a technique of relation: a means of fundamentally rethinking and reshaping how humans relate-to ourselves and each other, to the material world, to the planet and its nonhuman inhabitants. Historically, film criticism has cast montage in one of several roles: as narrative's invisible executor of spatiotemporal continuity to maintain the viewer's investment in the story-world; as an agent of disorder that confounds conventions of storytelling and realism and prompts the viewer's intellectual engagement; and as an expressionistic device for augmenting the duration and combination of shots to affect viewers at a sensory level. While not exactly abandoning such accounts, this study tries to move closer to the heart of montage by distinguishing the space between images as itself a powerful source of ideas, feelings, and forms. Venturing into an "expanded field of montage" beyond the limited purview of a given film's "editing," Between Images traces the cut and the splice across photographic and cinematic media in a range of material, conceptual, and political contexts. In all of this, the space between images becomes a setting for navigating and renegotiating the terms of relation, of the "being-with" that connects all forms of life. Between Images brings together a diverse cast of experimental filmmakers, including Harun Farocki, Hito Steyerl, Steve McQueen, and Cauleen Smith, Daïchi Saito, and Ja'Tovia Gary, and in doing so, situates the cinematic"--
Author: Cynthia Baron Publisher: Springer Nature ISBN: 1137408634 Category : Performing Arts Languages : en Pages : 347
Book Description
This book illustrates the many ways that actors contribute to American independent cinema. Analyzing industrial developments, it examines the impact of actors as writers, directors, and producers, and as stars able to attract investment and bring visibility to small-scale productions. Exploring cultural-aesthetic factors, the book identifies the various traditions that shape narrative designs, casting choices, and performance styles. The book offers a genealogy of industrial and aesthetic practices that connects independent filmmaking in the studio era and the 1960s and 1970s to American independent cinema in its independent, indie, indiewood, and late-indiewood forms. Chapters on actors’ involvement in the evolution of American independent cinema as a sector alternate with chapters that show how traditions such as naturalism, modernism, postmodernism, and Third Cinema influence films and performances.
Author: Nicholas Mirzoeff
Author: Nicholas Mirzoeff
Author: Sarah Durcan
Author: Marc Eliot
Author: Kobena Mercer
Author: Dennis McDougal
Author: Nicholas Evan Sarantakes
Author: Eddie Chambers
Author: Ryan Conrath
Author: Cynthia Baron
Author: Institute of International Visual Arts