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The Cambridge Companion to the Lied

The Cambridge Companion to the Lied PDF Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446

Book Description
Publisher Description

The Cambridge Companion to the Lied

The Cambridge Companion to the Lied PDF Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446

Book Description
Publisher Description

The Cambridge Companion to Schubert

The Cambridge Companion to Schubert PDF Author: Christopher H. Gibbs
Publisher: Cambridge University Press
ISBN: 9780521484244
Category : Biography & Autobiography
Languages : en
Pages : 364

Book Description
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.

The Cambridge Companion to Rhythm

The Cambridge Companion to Rhythm PDF Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371

Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

The Cambridge Companion to Bach

The Cambridge Companion to Bach PDF Author: John Butt
Publisher: Cambridge University Press
ISBN: 9780521587808
Category : Music
Languages : en
Pages : 348

Book Description
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.

The Cambridge Companion to Jewish Music

The Cambridge Companion to Jewish Music PDF Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 131643205X
Category : Music
Languages : en
Pages : 311

Book Description
The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.

The Cambridge Companion to French Music

The Cambridge Companion to French Music PDF Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441

Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.

The Cambridge Companion to Choral Music

The Cambridge Companion to Choral Music PDF Author: André De Quadros
Publisher: Cambridge University Press
ISBN: 0521111730
Category : Music
Languages : en
Pages : 359

Book Description
Bringing together perspectives on history, global activity and professional development, this Companion provides a unique overview of choral music.

The Cambridge Companion to Recorded Music

The Cambridge Companion to Recorded Music PDF Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 0521865824
Category : Music
Languages : en
Pages : 381

Book Description
Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.

The Cambridge Companion to Metal Music

The Cambridge Companion to Metal Music PDF Author: Jan-Peter Herbst
Publisher: Cambridge University Press
ISBN: 1108997910
Category : Music
Languages : en
Pages : 415

Book Description
Since its beginnings over fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but as a recognised field of study. This Companion, grounded in recent research, explores the various musical styles and cultures of metal, providing a reliable resource for students and researchers.

The Cambridge Companion to Caribbean Music

The Cambridge Companion to Caribbean Music PDF Author: Nanette de Jong
Publisher: Cambridge University Press
ISBN: 1108386415
Category : Music
Languages : en
Pages : 275

Book Description
The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.