Author: Anil Çamci
Publisher: Bloomsbury Publishing USA
ISBN: 1501357131
Category : Music
Languages : en
Pages : 217
Book Description
The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.
The Cognitive Continuum of Electronic Music
Author: Anil Çamci
Publisher: Bloomsbury Publishing USA
ISBN: 1501357131
Category : Music
Languages : en
Pages : 217
Book Description
The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.
Publisher: Bloomsbury Publishing USA
ISBN: 1501357131
Category : Music
Languages : en
Pages : 217
Book Description
The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.
The Cognitive Continuum of Electronic Music
The Cambridge Companion to Electronic Music
Author: Nicholas Collins
Publisher: Cambridge University Press
ISBN: 0521868610
Category : Music
Languages : en
Pages : 246
Book Description
A contributory volume covering the history and current scene of electronic music.
Publisher: Cambridge University Press
ISBN: 0521868610
Category : Music
Languages : en
Pages : 246
Book Description
A contributory volume covering the history and current scene of electronic music.
The Cambridge Companion to Electronic Music
Author: Nick Collins
Publisher: Cambridge University Press
ISBN: 1108548474
Category : Music
Languages : en
Pages : 360
Book Description
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.
Publisher: Cambridge University Press
ISBN: 1108548474
Category : Music
Languages : en
Pages : 360
Book Description
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.
Live Electronic Music
Author: Friedemann Sallis
Publisher: Routledge
ISBN: 1317692101
Category : Music
Languages : en
Pages : 340
Book Description
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
Publisher: Routledge
ISBN: 1317692101
Category : Music
Languages : en
Pages : 340
Book Description
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
Continuum encyclopedia of popular music of the world. [Electronic book].
Author: John Shepherd
Publisher:
ISBN: 9781849723602
Category : Music
Languages : en
Pages : 656
Book Description
Reference guide to popular music from all corners of the globe. Includes extensive bibliographies, discographies, sheet music listings and filmographies.
Publisher:
ISBN: 9781849723602
Category : Music
Languages : en
Pages : 656
Book Description
Reference guide to popular music from all corners of the globe. Includes extensive bibliographies, discographies, sheet music listings and filmographies.
Electronic and Experimental Music
Author: Thomas B. Holmes
Publisher: Psychology Press
ISBN: 0415936446
Category : Avant-garde (Music)
Languages : en
Pages : 332
Book Description
The second edition of a classic text on the history of electronic music, this book has been thoroughly updated to present material on home computers and the Internet, as well as enlarged sections on history and theoretical issues.
Publisher: Psychology Press
ISBN: 0415936446
Category : Avant-garde (Music)
Languages : en
Pages : 332
Book Description
The second edition of a classic text on the history of electronic music, this book has been thoroughly updated to present material on home computers and the Internet, as well as enlarged sections on history and theoretical issues.
Proceedings of the ... International Computer Music Conference
Author:
Publisher:
ISBN:
Category : Computer composition
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : Computer composition
Languages : en
Pages : 892
Book Description
XI Colloquium on musical informatics
Author:
Publisher:
ISBN:
Category : Computer composition (Music)
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Computer composition (Music)
Languages : en
Pages : 272
Book Description
APAIS, Australian Public Affairs Information Service
Author:
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 988
Book Description
Vol. for 1963 includes section Current Australian serials; a subject list.
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 988
Book Description
Vol. for 1963 includes section Current Australian serials; a subject list.