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Author: David Ross Scheer Publisher: Routledge ISBN: 1317803043 Category : Architecture Languages : en Pages : 258
Book Description
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
Author: David Ross Scheer Publisher: Routledge ISBN: 1317803043 Category : Architecture Languages : en Pages : 258
Book Description
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
Author: David Ross Scheer Publisher: Routledge ISBN: 1317803035 Category : Architecture Languages : en Pages : 256
Book Description
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
Author: Matthew Burgess Publisher: Abrams ISBN: 1592703429 Category : Juvenile Nonfiction Languages : en Pages : 64
Book Description
"Burgess describes Haring discovering Robert Henri’s The Art Spirit in college (“He felt as if the book was speaking directly to him”), encountering the large paintings of Pierre Alechinsky (he was “blown away”), and recognizing a common impulse in dancers at the West Village’s Paradise Garage (“For Keith, drawing and painting were like dancing. He called it ‘mind-to-hand flow’”). Cochran uses a thick black line to suggest Haring’s creations, and renders figures in a Haring-esque style without seeming gimmicky. Of interest to young readers are Haring’s frequent efforts to involve children in mural-making projects. The story, including a respectful acknowledgement of Haring’s death from AIDS, makes the subject seem immediate and real—and presents a compelling vision of answering the call to create." —Starred Review, Publishers Weekly I would love to be a teacher because I love children and I think that not enough people respect children or understand how important they are. I have done many projects with children of all ages. —Keith Haring Truly devoted to the idea of public art, Haring created murals wherever he went. From Matthew Burgess, the much-acclaimed author of Enormous Smallness, comes Drawing on Walls: A Story of Keith Haring. Often seen drawing in white chalk on the matte black paper of unused advertising space in the subway, Haring’s iconic pop art and graffiti-like style transformed the New York City underground in the 1980s. A member of the LGBTQ community, Haring died tragically at the age of thirty-one from AIDS-related complications. Illustrated in paint by Josh Cochran, himself a specialist in bright, dense, conceptual drawings, this honest, celebratory book honors Haring’s life and art, along with his very special connection with kids.
Author: Randy Deutsch Publisher: John Wiley & Sons ISBN: 1118086449 Category : Architecture Languages : en Pages : 46
Book Description
"Ready or not, it’s high time to make BIM a part of your practice, or at least your vocabulary, and this book has as much to offer beginners as it does seasoned users of building information modeling software." —Chicago Architect The first book devoted to the subject of how BIM affects individuals and organizations working within the ever-changing construction industry, BIM and Integrated Design discusses the implementation of building information modeling software as a cultural process with a focus on the technology’s impact and transformative effect—both potentially disruptive and liberating—on the social, psychological, and practical aspects of the workplace. BIM and Integrated Design answers the questions that BIM poses to the firm that adopts it. Through thorough research and a series of case study interviews with industry leaders—and leaders in the making out from behind the monitor—BIM and Integrated Design helps you learn: Effective learning strategies for fully understanding BIM software and its use Key points about integrated design to help you promote the process to owners and your team How BIM changes not only the technology, process, and delivery but also the leadership playing field How to become a more effective leader no matter where you find yourself in the organization or on the project team How the introduction of BIM into the workforce has significant education, recruitment, and training implications Covering all of the human issues brought about or exacerbated by the advent of BIM into the architecture workplace, profession, and industry, BIM and Integrated Design shows how to overcome real and perceived barriers to its use.
Author: Carrie Stuart Parks Publisher: Penguin ISBN: 1600615724 Category : Art Languages : en Pages : 128
Book Description
Anyone can draw - including you! Learn to draw today, even if you've never drawn before! Carrie Stuart Parks and Rick Parks, FBI-trained composite artists and drawing instructors, have taught thousands of people of all ages and skill levels how to turn out impressive realistic drawings. Discover how to: • Train your brain to re-create what you see through observation • Accurately capture main shapes and important details • Make your drawings incredibly lifelike with shading and blending • Identify and fix the parts of a drawing that look inaccurate With concise, memorable lessons and foolproof step-by-step instruction, this book makes learning to draw easy - and fun! Before you know it, you'll be creating picture-perfect illustrations of animals, still-lifes, people, landscapes and more. So if you think you can't draw, think again. Surprise yourself and others with your own spectacular drawings today!"With concise, memorable lessons and foolproof step-by-step instruction, this book makes learning to draw easy - and fun! Before you know it, you'll be creating picture-perfect illustrations of animals, still-lifes, people, landscapes and more. So if you think you can't draw, think again. Surprise yourself and others with your own spectacular drawings today!
Author: Martin Clayton Publisher: Rizzoli Publications ISBN: 0847859401 Category : Art Languages : en Pages : 0
Book Description
On the heels of Walter Isaacson's beloved new biography (Fall 2017), and increased media attention (as 2019 marks the 500th anniversary of the artist's death), this book's appeal will extend beyond the devoted and numerous members of Leonardo's audience to reach a popular one. The most comprehensive collection of Leonardo da Vinci's drawings provides an intimate look at the mind and hand of the genius.
Author: William Deresiewicz Publisher: Henry Holt and Company ISBN: 1250125529 Category : Art Languages : en Pages : 336
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Author: Igor Marjanović Publisher: ISBN: 9780936316390 Category : Architectural drawing Languages : en Pages : 0
Book Description
Drawing Ambience showcases a selection of drawings from the personal collection of the noted architectural educator Alvin Boyarsky (1928-1990). As chairman of the Architectural Association (AA) in London (1971-1990), Boyarsky accumulated an impressive collection of drawings at a time when the AA produced an extraordinary program of exhibitions and publications rooted in drawing not only as a representational medium but also a form of architecture in its own right. Boyarsky s drawing collection emerged at the confluence of modernism, postmodernism, and other cultural currents worldwide, capturing the work of artists and architects such as Alexander Brodsky and Ilya Utkin, Frank Gehry, Zaha Hadid, John Hejduk, Daniel Libeskind, Mary Miss, OMA, Eduardo Paolozzi, Superstudio, Shin Takamatsu, Bernard Tschumi, and Peter Wilson. The publication features a full-length essay situating Boyarsky s collection in the emergence of architecture as a global discursive discipline as well as close analysis of fifty of the most imaginative, visionary drawings in it. Exquisite reproductions of each of the featured drawings and prints, along with portfolios of limited-edition publications from the AA, are supplemented by close-up and microscopic images, providing an unprecedented opportunity to explore the imaginative spirit of drawing practices central to the magnetic web of conversations in the architectural discourse, both historical and contemporary, including the discipline s renewed interest in the hand as it relates to drawing and making. "
Author: David Ross Scheer
Author: David Ross Scheer
Author: David Ross Scheer
Author: Matthew Burgess
Author: Carolyn MacCullough
Author: Randy Deutsch
Author: Carrie Stuart Parks
Author: Martin Clayton
Author: William Deresiewicz
Author: Igor Marjanović
Author: Hans Holbein