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Author: Edward B. Keller Publisher: Simon and Schuster ISBN: 1451640064 Category : Business & Economics Languages : en Pages : 306
Book Description
The world's preeminent word-of-mouth marketing experts demonstrate how in-person social networking, not online marketing, is the secret to soaring revenues.
Author: Edward B. Keller Publisher: Simon and Schuster ISBN: 1451640064 Category : Business & Economics Languages : en Pages : 306
Book Description
The world's preeminent word-of-mouth marketing experts demonstrate how in-person social networking, not online marketing, is the secret to soaring revenues.
Author: Ruth Ozeki Publisher: Simon and Schuster ISBN: 1632060523 Category : Biography & Autobiography Languages : en Pages : 144
Book Description
A revelatory short memoir from the author and Zen Buddhist priest Ruth Ozeki about how her face has shaped and been shaped by her life
Author: Joseph Campana Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 140
Book Description
In Joseph Campana's debut collection, starring Audrey Hepburn, icons of public consumption speak in the language of private devotion. Encourage emulation. Inspire idolatry. Be a muse, be a nymph, be a sprite, bewitch me. Rise from obscurity. Set trends. Break habits. Make statements. Count blessings. Distribute kindnesses. Arouse devotion. Devote yourself to nobility. Ascend, ascend, ascend. -from "How to Be a Star"
Author: Shamoon Zamir Publisher: UNC Press Books ISBN: 1469611767 Category : Social Science Languages : en Pages : 351
Book Description
Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology.
Author: Paul Gorman Publisher: National Geographic Books ISBN: 0500293473 Category : Art Languages : en Pages : 0
Book Description
A landmark publication offering a definitive overview of one of the most influential transatlantic magazines produced in the 1980s and 1990s Launched by NME editor and Smash Hits creator Nick Logan in 1980, The Face became an icon of “style culture,” the benchmark for the latest trends in art, design, fashion, photography, film, and music being defined by a thriving youth culture. The Story of The Face tracks the exciting highs and calamitous lows of the life of the magazine in two parts. Part one focuses on the rise of the magazine in the 1980s, highlighting its striking visual identity—embodied by Neville Brody’s era-defining graphic designs, Nick Knight’s dramatic fashion photography, and the “Buffalo” styling of Ray Petr— and its unflinching approach to journalism. Contributors included a host of writers who subsequently made their impact in the wider world, from Julie Burchill, Robert Elms, Tony Parsons, and James Truman to Jon Savage, Richard Benson, and Sheryl Garratt. Part two shows how in the 1990s, after surviving a disastrous Jason Donovan libel suit, the magazine heralded the post-acid house era of Britpop and Brit Art. However, after the magazine had become the engine of the booming British magazine industry, the end of this decade also saw the eventual demise of The Face. Including an introduction by Dylan Jones, The Story of The Face is an engaging behind-the-scenes look at the rise and fall of one of the 80s and 90s’ most influential music and style publications.
Author: Daniel McNeill Publisher: ISBN: 9780140259933 Category : Face Languages : en Pages : 374
Book Description
Why are faces so different, so full of expression yet so often ambiguous? What makes some alluring, others ugly and why should it matter? Indeed, why do we have faces at all? The face is a social sea we live in, and its familiarity blinds us to its mysteries. This is an exploration into key questions with forays into evolutionary physchology, gain theory and socio-biology. It also discusses the history of mirrors and kissing, the man in the iron mask, nose rings, the power of staring, clown make-up, eye spots on fish and insects, hypnotism, and the idols of Easter Island.
Author: Therese Davis Publisher: Intellect Books ISBN: Category : Death in motion pictures Languages : en Pages : 132
Book Description
There was a time in screen culture when the facial close-up was a spectacular and mysterious image... The constant bombardment of the super-enlarged, computer-enhanced faces of advertising, the endless 'talking heads' of television and the ever-changing array of film stars' faces have reduced the face to a banal image, while the dream of early film theorists that the 'giant severed heads' of the screen could reveal 'the soul of man' to the masses is long since dead. And yet the end of this dream opens up the possibility for a different view of the face on the screen. The aim of the book is to seize this opportunity to rethink the facial close-up in terms other than subjectivity and identity by shifting the focus to questions of death and recognition. In doing so, the book proposes a dialectical reversal or about-face. It suggests that we focus our attention on the places in contemporary media where the face becomes unrecognisable, for it is here that the facial close-up expresses the powers of death. Using Walter Benjamin's theory of the dialectical image as a critical tool, the book provides detailed studies of a wide range of media spectacles of faces becoming unrecognisable. It shows how the mode of recognition enabled by these faces is a shock experience that can open our eyes to the underside of the mask of self - the unrecognisable mortal face of self we spend our lives trying not to see. Turning on itself, so to speak, the face exposes the fragile relationship between social recognition and facial recognizability in the images-cultures of contemporary media.
Author: Chris Abani Publisher: Simon and Schuster ISBN: 1632060434 Category : Biography & Autobiography Languages : en Pages : 96
Book Description
Nigerian-born author and poet Chris Abani gives a profound and gorgeously wrought short memoir that navigates the stories written upon his own face. Beginning with his early childhood immersed in the lgbo culture of West Africa, Abani unfurls a lushly poetic, insightful, and funny narrative that investigates the roles that race, culture, and language play in fashioning our sense of self
Author: Edward B. Keller
Author: Edward B. Keller
Author: Dean Koontz
Author: Ruth Ozeki
Author: Joseph Campana
Author: Shamoon Zamir
Author: Paul Gorman
Author: Daniel McNeill
Author: Therese Davis
Author: Tash Aw
Author: Chris Abani