Author: Allen L. WollPublisher: University of California, Latin American Center
ISBN:
Category : Performing Arts
Languages : en
Pages : 160
Book Description
The Latin Image in American Film
Author: Allen L. WollPublisher: University of California, Latin American Center
ISBN:
Category : Performing Arts
Languages : en
Pages : 160
Book Description
Latino Images in Film
Author: Charles Ramírez BergPublisher: University of Texas Press
ISBN: 0292783000
Category : Performing Arts
Languages : en
Pages : 328
Book Description
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
The Chicano/Hispanic Image in American Film
Author: Frank Javier Garcia BerumenPublisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Latin American Cinema
Author: Stephen M. HartPublisher: Reaktion Books
ISBN: 1780234031
Category : Art
Languages : en
Pages : 240
Book Description
From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.
Latin American Cinema
Author: Lisa ShawPublisher: McFarland
ISBN: 078648425X
Category : Performing Arts
Languages : en
Pages : 228
Book Description
Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes. These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay's ongoing identity crisis; and Brazil's use of Hollywood's stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.
Viva Hollywood
Author: Luis I. ReyesPublisher: Turner Classic Movies
ISBN: 9780762478484
Category : Art
Languages : en
Pages : 288
Book Description
Through an authoritative narrative and lavish photography, this is an in-depth history of the stars, films, achievements, and influence of the Hispanic and Latinx community in Hollywood history from the silent era to the present day. Overcoming obstacles of prejudice, ignorance, and stereotyping, an ethnic minority in the American film industry has given the world some of its most beloved stars and told some of its most indelible stories. Viva Hollywood examines the stars in front of the screen as well as the people behind-the-scenes who have created a rich legacy across more than 100 years. The book covers the films and careers of actors ranging from silent screen idol Antonio Moreno to international Oscar-winning actor Anthony Quinn to current screen stars such as Andy Garcia and Antonio Banderas. The evolving role of Latin women on screen is explored through the films and careers of Dolores Del Rio, Rita Hayworth, Raquel Welch, and present-day stars Salma Hayek and Penélope Cruz. Discussion of craftspeople who elevated the medium with their artistry shine a spotlight on visionaries like cinematographer John Alonzo, Citizen Kane scenic artist Mario Larrinaga, and Oscar-winning makeup artist Beatrice de Alba. The story begins with the community viewed through a lens of stereotyped on-screen personas of Latin Lovers, sexy spitfires, banditos, and gangsters. World War II saw an embrace of Latin culture as the "Good Neighbor Policy" made it both fashionable and patriotic to feature stories set south of the border. Social problem films of the 1950s and '60s brought fresh looks at Latinx people, with performances like Katy Jurado in High Noon, the cast of West Side Story (leading to an Oscar for Rita Moreno), and racial inequality depicted in George Stevens's sweeping drama Giant. Civil Rights and the Chicano Movement influenced further change in Hollywood in subsequent decades and paved the way for modern times and stars the likes of Jennifer Lopez and Lin-Manuel Miranda. Illustrated by more than 200 full-color and black-and-white images, Viva Hollywood explores these touchpoints and many more across 100+ years of cinema history.
Pushing Past the Human in Latin American Cinema
Author: Carolyn FornoffPublisher: State University of New York Press
ISBN: 1438484054
Category : Performing Arts
Languages : en
Pages : 433
Book Description
Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with recent theories of posthumanism and ecocriticism. Together they grapple with how Latin American filmmakers have attempted to "push past the human," and destabilize the myth of anthropocentric exceptionalism that has historically been privileged by cinema and has led to the current climate crisis. While some chapters question the very nature of this enterprise—whether cinema should or even could actualize such a maneuver beyond the human—others signal the ways in which the category of the "human" itself is interrogated by Latin American cinema, revealed to be a fiction that excludes more than it unifies. This volume explores how the moving image reinforces or contests the division between human and nonhuman, and troubles the settler epistemic partition of culture and nature that is at the core of the climate crisis. As the first volume to specifically address how such questions are staged by Latin American cinema, this book brings together analysis of films that respond to environmental degradation, as well as those that articulate a posthumanist ethos that blurs the line between species.
Experimental Latin American Cinema
Author: Cynthia TompkinsPublisher: University of Texas Press
ISBN: 0292744153
Category : Performing Arts
Languages : en
Pages : 305
Book Description
Includes a filmography with the bibliography.
Cosmopolitan Film Cultures in Latin America, 1896–1960
Author: Rielle NavitskiPublisher: Indiana University Press
ISBN: 0253026555
Category : Performing Arts
Languages : en
Pages : 391
Book Description
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.
Based on a True Story
Author: Donald F. StevensPublisher: Rowman & Littlefield Publishers
ISBN: 058534826X
Category : History
Languages : en
Pages : 265
Book Description
Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.