A History of Russian Theatre PDF Download

Author: Robert Leach
Publisher: Cambridge University Press
ISBN: 9780521432207
Category : Drama
Languages : en
Pages : 468

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Book Description
A comprehensive history of Russian theatre, written by an international team of experts.

Author: Anatoly Smeliansky
Publisher: Cambridge University Press
ISBN: 9780521587945
Category : Drama
Languages : en
Pages : 276

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Book Description
This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.

Author: Oliver M. Sayler
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 332

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Book Description

Author: Joseph Gregor
Publisher: New York : B. Blom
ISBN:
Category : Ballet
Languages : en
Pages : 412

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Book Description

Author: Laurence Senelick
Publisher: Rowman & Littlefield
ISBN: 1442249277
Category : Performing Arts
Languages : en
Pages : 693

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Book Description
This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.

Author: Catherine Schuler
Publisher: Routledge
ISBN: 113615597X
Category : Performing Arts
Languages : en
Pages : 278

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Book Description
Women in Russian Theatre is a fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. With unprecedented access to newly-opened files in Russia, Catherine Schuler brings to light the actresses who had an impact upon Russian modernist theatre. Schuler brings to light the extradordinary lives and work of eight Russian actresses who flourished on the stage between the late nineteenth and early twentieth century.

Author: Nikolai Erdman
Publisher: Routledge
ISBN: 113436010X
Category : Performing Arts
Languages : en
Pages : 196

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Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Joseph MacLeod
Publisher: Routledge
ISBN: 9781032133256
Category :
Languages : en
Pages : 0

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Book Description
First Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod's take on Russian Theatre in a semi-fictional way to show the effect of the productions upon different audiences. In this book the author writes less immediately about the Soviet Union and does not depend on topicality or stop press news.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Book Description

Author: Stefan Aquilina
Publisher: Bloomsbury Publishing
ISBN: 1350066109
Category : Performing Arts
Languages : en
Pages : 240

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Book Description
What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.