The Seven Streams of the River Ota [theatre Program] PDF Download

Author:
Publisher:
ISBN:
Category : Adelaide Festival of Arts
Languages : en
Pages :

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Theatre program.

Author: Jane Koustas
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773598693
Category : Performing Arts
Languages : en
Pages : 225

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Book Description
A leader in theatre production for a global community, Robert Lepage - actor, cineaste, and director - revolutionized the Toronto theatre scene from the 1980s onwards by challenging conventional notions of language, identity, and national belonging. Exploring Lepage’s twenty-five-year history on the Toronto stage, Jane Koustas analyzes his importance in the Canadian and international theatre scenes. Outlining the reasons behind Lepage’s success in Toronto, Koustas skilfully engages with a wide range of journalistic and scholarly texts, moving between French and English critical reception of his work. For Lepage, Toronto offered the best of both worlds: he could remain an ardent Quebecer while being welcomed as a fellow Canadian. Lepage, raised in a bilingual family, brought to his Toronto productions an understanding of English and Canadian culture that resisted presenting French against English and the rest of Canada versus Quebec. Instead, he took Toronto audiences on a global theatre voyage that transformed traditional geopolitical, cultural, and linguistic boundaries and questioned identity. Investigating the relationship between Quebec’s master dramaturge and Toronto, a burgeoning cosmopolitan city determined to be a global cultural capital, Robert Lepage on the Toronto Stage analyzes the success of one of the few Québécois artists to have achieved fame in English Canada.

Author: Aleksandar Saša Dundjerovi?
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773581650
Category : Biography & Autobiography
Languages : en
Pages : 346

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Book Description
The Theatricality of Robert Lepage studies several productions, including The Dragons' Trilogy, Vinci and Tectonic Plates, The Seven Streams of River Ota, Zulu Time, and The Far Side of the Moon. Dundjerovic provides major new insights into Lepage's creative process through an examination of his workshops, open rehearsals, and performances, as well as interviews with Lepage and his collaborators. Outlining the key production elements of Lepage's theatricality, Dundjerovic provides a practitioner's view of how Lepage creates as a director, actor, and writer and explores Lepage's practice within both the local Québécois and the international theatre context.

Author: Robert Lepage
Publisher: A&C Black
ISBN: 140814896X
Category : Drama
Languages : en
Pages : 160

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"Of all Lepage's magic boxes, this is the masterpiece" (Independent on Sunday) Early one August morning in 1945, several kilos of uranium dropped over Japan changed the course of human history. Fifty years later, Hiroshima's vitality is striking: the city where survival itself seemed unimaginable today incarnates the notion of renaissance. Robert Lepage and Ex Machina's The Seven Streams of the River Ota makes Hiroshima a literal and metaphoric site for theatrical journey through the last half-century. In The Seven Streams, Hiroshima is a mirror in which seeming opposites - East and West, tragedy and comedy, male and female, life and death - are revealed as reflections of the same reality.

Author: Ric Knowles
Publisher: Cambridge University Press
ISBN: 100905001X
Category : Drama
Languages : en
Pages : 331

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Book Description
Ric Knowles' study is a politically urgent, erudite intervention into the ecology of theatre and performance festivals in an international context. Since the 1990s there has been an exponential increase in the number and type of festivals taking place around the world. Events that used merely to be events are now 'festivalized': structured, marketed, and promoted in ways that stress urban centres as tourist destinations and “creative cities” as targets of corporate enterprise. Ric Knowles examines the structure, content, and impact of international festivals that draw upon and represent multiple cultures and the roles they play in one of the most urgent processes of our times: intercultural negotiation and exchange. Covering a vast geographical sweep and exploring festival models both new and ancient, the work sets compelling new standards of practice for post-pandemic festivals.

Author: Richard Paul Knowles
Publisher: Cambridge University Press
ISBN: 9780521644167
Category : Drama
Languages : en
Pages : 252

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Publisher Description

Author: Aleksandar Dundjerovich
Publisher: Wallflower Press
ISBN: 9781903364338
Category : Performing Arts
Languages : en
Pages : 196

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Book Description
The Cinema of Robert Lepage is the first critical study of one of the most striking artists of Quebecois and Canadian independent filmmaking. The book examines Lepage's creative methods of filmmaking in their cultural and social context and argues that his work cannot be seen separately from his oeuvre as a multidisciplinary artist and challenges the notions that Lepage should be considered only in the terms of Quebecois film tradition. The author explores such themes with Lepage in a new exclusive and detailed interview.

Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 446

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Author: Charles Marowitz
Publisher: Hal Leonard Corporation
ISBN: 9781557832610
Category : Literary Criticism
Languages : en
Pages : 324

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Book Description
(Applause Books). Charles Marowitz casts a critical eye upon the highpoints of the last theatrical decade, in preparation for a new millennium. In a series of reviews, think-pieces, essays and commentaries culled from publications as varied as The London Times and Theatre Week magazine, Marowitz examines the work of such major playwrights as Mamet, Stoppard, Shepard, Neil Simon, Beckett, Gurney, Pinter, Kushner, Baitz, Shanley, Williams and McNalley. Marowitz dramatically captures the anger, anxiety, spectacle, and questionable "correctness" that characterized the past decade.

Author: Sang-Kyong Lee
Publisher: Wild Peony (AU)
ISBN:
Category : Drama
Languages : en
Pages : 198

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Book Description
From the middle of the nineteenth century, East Asia fell increasingly under the influence of the West. However, at the same time, there was a decided trend in the opposite direction, especially in the realm of theater, the central meeting point of the cultural encounter. While the stimuli and impulses emanating from American drama are sufficiently well documented, there are no thoroughgoing studies on the effects of East Asian theater on drama and theater in America. This relatively neglected aspect of cultural cross-fertilization is investigated in the book. The research is based on the evaluation of interviews and theater visits, and an analysis of historical sources and the relevant works/productions of Eugene O'Neill, Thornton Wilder, T. S. Eliot, Ezra Pound, Robert Wilson, and Stephen Sondheim.