The Shakespeare Riots PDF Download

Author: Nigel Cliff
Publisher: Random House (NY)
ISBN:
Category : History
Languages : en
Pages : 344

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Author: James Shapiro
Publisher: Penguin
ISBN: 0525522298
Category : History
Languages : en
Pages : 322

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One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.

Author: Walter Dean Myers
Publisher: Carolrhoda Lab ®
ISBN: 1606841963
Category : Young Adult Fiction
Languages : en
Pages : 170

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As the Civil War rages, another battle breaks out behind the lines. During a long hot July in 1863, the worst race riots the United States has ever seen erupt in New York City. Earlier that year, desperate for more Union soldiers, President Abraham Lincoln instituted a draft—a draft that would allow the wealthy to escape serving in the army by paying a $300 waiver, more than a year's income for the recent immigrant Irish. And on July 11, as the first drawing takes place in Lower Manhattan, the city of New York explodes in rage and fire. Stores are looted; buildings, including the Colored Foundling Home, are burned down; and black Americans are attacked, beaten, and murdered. The police cannot hold out against the rioters, and finally, battle-hardened soldiers are ordered back from the fields of Gettysburg to put down the insurrection, which they do—brutally. Fifteen-year-old Claire, the beloved daughter of a black father and Irish mother, finds herself torn between the two warring sides. Faced with the breakdown of the city—the home—she has loved, Claire must discover the strength and resilience to address the new world in which she finds herself, and to begin the hard journey of remaking herself and her identity. Addressing such issues as race, bigotry, and class head-on, Walter Dean Myers has written another stirring and exciting novel that will shake up assumptions, and lift the spirit.

Author: Sean McEvoy
Publisher: Routledge
ISBN: 1317428595
Category : Literary Criticism
Languages : en
Pages : 184

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Shortlisted for the 2017 Theatre Book Prize What is it about theatre, compared to other kinds of cultural representation, which provokes such a powerful reaction? Theatrical Unrest tells the compelling tales of ten riots whose cause lies on stage. It looks at the intensity and evanescence of the live event and asks whether theatre shares its unrepeatable quality with history. Tracing episodes of unrest in theatrical history from an Elizabethan uprising over Shakespeare's Richard II to Sikhs in revolt at Gurpreet Kaur Bhatti's Behzti, Sean McEvoy chronicles a selection of extreme public responses to this inflammatory art form. Each chapter provides a useful overview of the structure and documentation of one particular event, juxtaposing eyewitness accounts with newspaper reports and other contemporary narratives. Theatrical Unrest is an absorbing account of the explosive impact of performance, and an essential read for anyone interested in theatre’s often violent history.

Author: J. T. Headley
Publisher: Cosimo Classics
ISBN:
Category : History
Languages : en
Pages : 380

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One of the most popular writers of his day-and one most unjustly forgotten-J.T. Headley thrilled audiences with his tales of real-life history. This 1873 work is an enthralling collection of accounts of urban upheaval in one of the U.S.'s most historically vital cities: New York. Here, Headley offers us highly readable and informative reports on: - the negro riots of 1712-1741 - the Stamp Act riot of 1765 - the doctors' riot of 1788 - the abolition riots 1834-5 - the flour riot of 1837 - the draft riots of 1863 - and more. Anyone interested in the history of New York City will find this a fascinating read. American writer and journalist JOEL TYLER HEADLEY (1813-1897) was an editor at the *New York Tribune* and wrote extensively on historical matters. Among his many books are *Washington and His Generals* (1847), *Life of Cromwell* (1848), and the bestselling *Life of Washington* (1857).

Author: Norman S. Poser
Publisher: Routledge
ISBN: 0429820038
Category : Performing Arts
Languages : en
Pages : 184

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The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.

Author: William Shakespeare
Publisher:
ISBN:
Category : Miniature books
Languages : en
Pages : 172

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Author: John Toppin
Publisher:
ISBN: 9781091366787
Category :
Languages : en
Pages : 129

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On the night of May 7, 1849, William Charles Macready, noted British Shakespearian actor, was opening in Macbeth at the Astor Palace on Broadway in New York City, while his arch rival, beloved American actor, Edwin Forrest, was just down the street at the Bowery Theater, playing the role of Spartacus in "The Gladiator." This was a departure from what he'd done in Baltimore and Philadelphia, where he had played the same role as Macready in a theater just down the street. The Astor Place represented refinement and all the accoutrements of wealth and position, in other words, entertainment for the "highbrow" of New York City, while the Bowery Theater was just the opposite, an establishment for the workingmen or the "lowbrow" of the city. But the on-going feud between these two thespians and their supporters was more than just feeling one actor was superior to the other in stage presence and delivery, it was raw emotions still carried as a grudge over the War of 1812 and all that the British had done. Further, it was a built-up animosity between wealth and poverty, including a belief that English traditions were superior to American one's and vice versa. While some of these emotions spilled out on the night of the 7th, a postponement was in effect until the 10th, as in the intervening days Washington Irving and Herman Melville had to talk Macready into not departing the country and continuing his run on that fateful night. It was a night of terror and violence as all hell broke loose around the theater and up and down Broadway. And when it was over hundreds lay dead or wounded and there were far-reaching repercussions felt long after the Astor Place Riot. This is the story of the events leading up to, the night in question, and the aftermath of what had transpired.

Author: Michael Dorn Barnholden
Publisher:
ISBN: 9781895636673
Category : Riots
Languages : en
Pages : 0

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Literary Nonfiction. Canadian History. BC Books in BC Schools pick. Reading the Riot Act is a phrase that has entered the popular lexicon, meaning the action taken by authority figures when they perceive that their charges are getting out of hand. The act itself is a seldom-used piece of legislation actually designed to prevent a riot from taking place. Supposedly, the mere mention of the Riot Act is enough to bring hardened miscreants bent on destruction to their collective senses. But if a riot has started, it's already too late to read the Riot Act. Every city has its distinct history of rioting--the Rocket Richard riots in Montreal, the Christie Pits riot in Toronto, the Winnipeg and Regina riots, even the Shakespeare riots in New York where rival factions rioted over which actor was the better interpreter of Shakespeare's work. READING THE RIOT ACT is a popular history that rereads and rewrites the legacy of riots in Vancouver. The project was conceived following the city's Stanley Cup riots in 1994, when official reports and media coverage differed significantly from eyewitness accounts. Later, media reports on the APEC riots downplayed and obscured certain facets of the conflict. Seeking out sources beyond the official reports, Barnholden has compiled a record of participants and observers, allowing the vanquished to have their say. Barnholden shuns the simplistic bad apple explanation, and explores the deeper economic causes and effects of riots. This book contains some stirring narrative of conflicts that have defined the history of Vancouver.--Prairie Fire ...demonstrates that even unexpected, apparently spontaneous flarings are about something deeper, from unemployment pressures, freedom of speech and inhumane conditions in prisons all the way to racism and the disappointing performances by our professional sports teams and Axl Rose, the frontman of the notorious GM Place no-show rock band Guns'n' Roses... This tapestry is woven against a backdrop of class war, demonstrating that while the rowdies ground beneath the heels of the police are always the working poor, it's suspiciously rare that they take their grievances to the neighbourhoods of their bosses... Challenging the popular conception that riots are just the result of 'a few bad apples' sowing discontent, Barnholden advances the competing thesis that the entire orchard may in fact be infested with parasites.--The Columbia Journal Until Reading the Riot Act was published, the book containing the most detailed information on riots in Vancouver was the local police department's autobiography, A Century of Service (1986), which Michael Barnholden makes reference to in his own text. The difference with Reading the Riot Act is its focus and perspective, which presents riots as battles in the class war, as it aims to cut through the media distortion around such events and dispense with the 'bad apple' theory of their cause. It makes for a more engaging, accessible and believable read than the police department's book.--Max Sartin, The RAIN TAXI Review of Books

Author: Jacqueline Jenkinson
Publisher: Liverpool University Press
ISBN: 180085532X
Category : Political Science
Languages : en
Pages : 257

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The riots that broke out in various British port cities in 1919 were a dramatic manifestation of a wave of global unrest that affected Britain, parts of its empire, continental Europe and North America during and in the wake of the First World War. During the riots, crowds of white working-class people targeted black workers, their families and black-owned businesses and property. One of the chief sources of violent confrontation in the run-down port areas was the ‘colour’ bar implemented by the sailors’ trades unions campaigning to keep black, Arab and Asian sailors off British ships in a time of increasing job competition. Black 1919 sets out the economic and social causes of the riots and their impact on Britain’s relationship with its empire and its colonial subjects. The riots are also considered within the wider context of rioting elsewhere on the fringes of the Atlantic world as black people came in increased numbers into urban and metropolitan settings where they competed with working-class white people for jobs and housing during and after the First World War. The book details the events of the port riots in Britain, with chapters devoted to assessing the motivations and make-up of the rioting crowds, examining police procedures during the riots, considering the court cases that followed, and looking at the longer-term consequences for the black British workers and their families. Black 1919 is a stark and timely reminder of the violent racist conflict that emerged after the First World War and the shockwaves that reverberated around the Empire.