Author: Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 76
Book Description
Thirty Songs from the Panjab and Kashmir
Author: Thirty Songs from the Panjab and Kāshmīr
Author: Ratan DevīPublisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 208
Book Description
Text, with musical letter notations; includes translations and notes in English and Hindi.
Thirty Songs from the Panjab and Kashmir: Recorded by Ratan Devi with Introduction and Translations by Ananda K ..... Coomaraswamy and a Foreword by Rabindranath Tagore. -(London, Old Bourne Press 1913).
Author: Ratan DeviMusic in Colonial Punjab
Author: Radha KapuriaPublisher: Oxford University Press
ISBN: 0192692925
Category : History
Languages : en
Pages : 417
Book Description
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.
Music and Orientalism in the British Empire, 1780s-1940s
Author: Bennett ZonPublisher: Routledge
ISBN: 1351557599
Category : Music
Languages : en
Pages : 368
Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Census of India, 1961: India
Author: India. Office of the RegistrarPublisher:
ISBN:
Category : India
Languages : en
Pages : 990
Book Description
Music and Empire in Britain and India
Author: Bob van der LindenPublisher: Springer
ISBN: 1137311649
Category : History
Languages : en
Pages : 340
Book Description
Music has been neglected by imperial historians, but this book shows that music is an essential aspect of identity formation and cross-cultural exchange. It explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization of "classical" music converged and diverged in Britain and India from 1880-1940.
Arnold Bake
Author: Bob Van Der LindenPublisher: Routledge
ISBN: 1351356909
Category : Music
Languages : en
Pages : 172
Book Description
Arnold Bake (1899–1963) was a Dutch pioneer in South Asian ethnomusicology, whose research impressed not only the most renowned Indologists of his time but also the leading figures in the emerging field of ethnomusicology. This long overdue biography sheds light on his knowledge of the theory and practice of South Asian music, as well as his legacy on the intellectual history of ethnomusicology. Bake spent nearly seventeen years in the Indian subcontinent and made numerous, irreplaceable recordings, films and photographs of local musicians and dancers. As a gifted Western musician, he studied Indian singing with Bhimrao Shastri, Dinendranath Tagore and Nabadwip Brajabashi, and successfully performed Rabindranath Tagore’s compositions and South Asian folk songs during hundreds of lecture-recitals in India, Europe and the United States. For the last fifteen years of his life, Bake taught Indian music at the School of Oriental and African Studies (SOAS), University of London; he was the first to do so at a Western university. Besides his numerous writings and radio presentations, he advanced his subject through his activities in British and international research associations. The history of ethnomusicology, especially as applied to South Asia, cannot be fully understood without regard to Bake, and yet his contribution has remained, until now, unclear and unknown.
"Music and Orientalism in the British Empire, 1780s?940s "
Author: Bennett ZonPublisher: Routledge
ISBN: 1351557580
Category : Music
Languages : en
Pages : 403
Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Author: