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Author: Alan Astro Publisher: Univ of South Carolina Press ISBN: 9780872496866 Category : Languages : en Pages : 250
Book Description
Presents an overview of the work of Samuel Beckett. Discussing his famous as well as lesser known texts, the book shows how his characters incorporate silence in their speech to narrate their deaths. Finally it examines Stirring Still, his last text, which evokes his own imminent death.
Author: Alan Astro Publisher: Univ of South Carolina Press ISBN: 9780872496866 Category : Languages : en Pages : 250
Book Description
Presents an overview of the work of Samuel Beckett. Discussing his famous as well as lesser known texts, the book shows how his characters incorporate silence in their speech to narrate their deaths. Finally it examines Stirring Still, his last text, which evokes his own imminent death.
Author: Angela B. Moorjani Publisher: Rodopi ISBN: 9789042015999 Category : Drama Languages : en Pages : 500
Book Description
From the contents: Beckett and the quest for meaning (Martin Esslin). - Beckett's tonic laughter (Manfred Pfister). - The magic triangle: James Joyce, Samuel Beckett, Arno Schmidt (Friedhelm Rathjen). - Beckett performed in Italy (Annamaria Cascetta). - Beckett and synaesthesia (Yoshiki Tajiri). - Beckett versus the reader (Michael Guest).
Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 0802198805 Category : Fiction Languages : en Pages : 156
Book Description
“It is one thing to be informed by Shakespeare that life “is a tale told by an idiot signifying nothing”; it is something else to encounter the idea literally presented in a novel by Samuel Beckett. But I am reasonably certain that a sensitive reader who journeys through How It Is will leave the book convinced that Beckett says more that is relevant to experience in our time than Shakespeare does in Macbeth. It should come as no surprise if a decade or so hence How It Is is appraised as a masterpiece of modern literature. This poetic novel is Beckett at his height.” — Webster Schott “A wonderful book, written in the sparest prose. . . . Beckett is one of the rare creative minds in our times.” — Alan Pryce-Jones “What is novel is the absolute sureness of design. . . built phrase by phrase into a beautifully and tightly wrought structure — a few dozen expressions permuted with deliberate redundancy accumulate meaning even as they are emptied of it, and offer themselves as points of radiation in a strange web of utter illusion.” — Hugh Kenner
Author: Mark S. Byron Publisher: Rodopi ISBN: 9042022884 Category : Art Languages : en Pages : 305
Book Description
This collection of essays the first volume in the Dialogue series brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
Author: Andrea Oppo Publisher: Peter Lang ISBN: 9783039118243 Category : Aesthetics Languages : en Pages : 272
Book Description
This book examines the role of Samuel Beckett in contemporary philosophical aesthetics, primarily through analysis of both his own essays and the various interpretations that philosophers (especially Adorno, Blanchot, Deleuze, and Badiou) have given to his works. The study centres around the fundamental question of the relationship between art and truth, where art, as a negative truth, comes to its complete exhaustion (as Deleuze terms it) by means of a series of 'endgames' that progressively involve philosophy, writing, language and every individual and minimal form of expression. The major thesis of the book is that, at the heart of Beckett's philosophical project, this 'aesthetics of truth' turns out to be nothing other than the real subject itself, within a contradictory and tragic relationship that ties the Self/Voice to the Object/Body. Yet a number of questions remain open. 'What' or 'who' lies behind this process? What is left of the endgame of art and subjectivity? Finally, what sustains and renders possible Beckett's paradoxical axiom of the 'impossibility to express' alongside the 'obligation to express'? By means of a thorough overview of the most recent criticism of Beckett, this book will try to answer these questions.
Author: Laura Salisbury Publisher: Edinburgh University Press ISBN: 0748649700 Category : Literary Criticism Languages : en Pages : 272
Book Description
Ranging widely over Beckett's fiction, drama and critical writings, the book demonstrates that it is through Beckett's comic timing that we can understand the double gesture of his art: the ethical obligation to represent the world how it is while, at the
Author: P. Davies Publisher: Springer ISBN: 0230286933 Category : Literary Criticism Languages : en Pages : 239
Book Description
The decade since Beckett's death has seen new interests in the erotic sweeping through our culture, acting in uneasy counterpoint to its established humanistic infrastructure and opening new questions about the significance of sexuality. Surprisingly or not, Beckett has startling further light to throw on the erotic phenomenon variously but insistently recognised in our time. This book is the first to propose a 'mythopoetics of sex' with which to explore Beckett's work as a whole.
Author: Khaled Besbes Publisher: Universal-Publishers ISBN: 1581129556 Category : Literary Criticism Languages : en Pages : 327
Book Description
Semiotics is an interdisciplinary field of research and Beckett s theatre is one which engages a large spectrum of subjects and concerns that touch upon multiple aspects of human experience. The Beckettian dramatic text, as shall be demonstrated in this book, is a fertile ground for a semiotic investigation that is orchestrated by the profound insights of C. S. Peirce. As it applies semiotics to Beckett s theatre, this book seeks to preserve, communicate and throw into relief those universal values in the playwright s works which remain unchallenged despite every change and every revolution in human societies. What this book will hopefully contribute to the general canon of theatrical studies is its study of the Beckettian dramatic text not as a model of the absurd tradition, but rather as a cultural product whose writer's thinking can scarcely be dissociated from the cultural environment within which it took shape, and whose deciphering requires the use of cultural codes and sub-codes which will undergo detailed examination in the course of analysis, a study that we may so generically call a cultural semiotic study of Beckett.
Author: Daniel Koczy Publisher: Springer ISBN: 3319956183 Category : Performing Arts Languages : en Pages : 238
Book Description
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Author: Alan Astro
Author: Alan Astro
Author: Angela B. Moorjani
Author: Samuel Beckett
Author: Mark S. Byron
Author: Peter Gidal
Author: Andrea Oppo
Author: Laura Salisbury
Author: P. Davies
Author: Khaled Besbes
Author: Daniel Koczy