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Author: Farzaneh Milani Publisher: I.B.Tauris ISBN: 9781850435754 Category : Literary Criticism Languages : en Pages : 332
Book Description
This is the first book in any language about the writing of women in Iran. For centuries any sense that there could be a literary tradition among women was suppressed. Since the middle of the 19th century, however, a number a of pioneering women have defied the traditional order to produce poetry and novels of the highest quality; but many of them have paid for their courage with accusations of immorality, promiscuity, heresy and even lunacy.
Author: Farzaneh Milani Publisher: I.B.Tauris ISBN: 9781850435754 Category : Literary Criticism Languages : en Pages : 332
Book Description
This is the first book in any language about the writing of women in Iran. For centuries any sense that there could be a literary tradition among women was suppressed. Since the middle of the 19th century, however, a number a of pioneering women have defied the traditional order to produce poetry and novels of the highest quality; but many of them have paid for their courage with accusations of immorality, promiscuity, heresy and even lunacy.
Author: Farzaneh Milani Publisher: Syracuse University Press ISBN: 9780815625575 Category : Literary Criticism Languages : en Pages : 328
Book Description
"From Library Journal : Traditionally, Iranian women have been veiled from public view and constrained from public expression. Milani illustrates that in Iran the 19th-century movement to unveil was closely linked to women's emergence as literary figures. This, the first work devoted to the rich literature of the female writers of Iran, is itself an example of great literature from an Iranian female writer. With poetic insight, Milani dis cusses the themes of disclosure and secrecy that have delineated the Iranian woman's universe and characterized her expression. Highly recommended for all literature, anthropology, and women's studies collections."--Amazon.ca.
Author: Farzaneh Milani Publisher: Syracuse University Press ISBN: 0815651600 Category : Literary Criticism Languages : en Pages : 373
Book Description
A woman not only needs a room of her own, as Virginia Woolf wrote, but also the freedom to leave it and return to it at will; for a room without that right becomes a prison cell. The privilege of self-directed movement, the power to pick up and go as one pleases, has not been a traditional "right" of Iranian women. This prerogative has been denied them in the name of piety, anatomy, chastity, class, safety, and even beauty. It is only during the last 160 years that the spell has been broken and Iranian women have emerged as a moderating, modernizing force. Women writers have been at the forefront of this desegregating movement and renegotiation of boundaries. Words, Not Swords explores the legacy of sex segregation and its manifestations in Iranian literature and film and in notions of beauty and the erotics of passivity. Milani expands her argument beyond Iranian culture, arguing that freedom of movement is a theme that crosses frontiers and dissolves conventional distinctions of geography, history, and religion. She makes bold connections between veiling and foot binding, between Cinderella and Barbie, between the figures of the female Gypsy and the witch. In so doing, she challenges cultural hierarchies that divert attention from key issues in the control of women across the globe.
Author: Maryam Kabeer Faye Publisher: Tughra Books ISBN: 1597846376 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
Born in a Jewish family, Maryam Kabeer was led to live in India and Nepal, and in monasteries in Europe, and then guided to embrace Islam at the hands of an ancient Sufi Master a few minutes away from the tomb of the Prophet Abraham. She then was guided to study intensively with Sufi Masters around the world. Her journey to the holy places and people of the earth, led her finally to Africa and the deep truth that all lives are totally interconnected and united with our own. This book is a significant and revealing social commentary, also dispelling many other myths and stereotypes such as the proposition, often fostered by the media, that women are inevitably oppressed in Islam. On the contrary, it is by entering into the heart of Islam that the author was liberated, elevated, empowered, and guided to realize the true purpose of her existence.
Author: Jennifer Heath Publisher: Univ of California Press ISBN: 0520250400 Category : Veils Languages : en Pages : 361
Book Description
Veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. This book examines the vastly misunderstood and multi-layered world of the veil. It explores and analyzes the cultures, politics, and histories of veiling.
Author: Bonnie G. Smith Publisher: ISBN: 0195148908 Category : Biography & Autobiography Languages : en Pages : 2710
Book Description
The Encyclopedia of Women in World History captures the experiences of women throughout world history in a comprehensive, 4-volume work. Although there has been extensive research on women in history by region, no text or reference work has comprehensively covered the role women have played throughout world history. The past thirty years have seen an explosion of research and effort to present the experiences and contributions of women not only in the Western world but across the globe. Historians have investigated womens daily lives in virtually every region and have researched the leadership roles women have filled across time and region. They have found and demonstrated that there is virtually no historical, social, or demographic change in which women have not been involved and by which their lives have not been affected. The Oxford Encyclopedia of Women in World History benefits greatly from these efforts and experiences, and illuminates how women worldwide have influenced and been influenced by these historical, social, and demographic changes. The Encyclopedia contains over 1,250 signed articles arranged in an A-Z format for ease of use. The entries cover six main areas: biographies; geography and history; comparative culture and society, including adoption, abortion, performing arts; organizations and movements, such as the Egyptian Uprising, and the Paris Commune; womens and gender studies; and topics in world history that include slave trade, globalization, and disease. With its rich and insightful entries by leading scholars and experts, this reference work is sure to be a valued, go-to resource for scholars, college and high school students, and general readers alike.
Author: Michelle Langford Publisher: Bloomsbury Publishing ISBN: 1350113271 Category : Performing Arts Languages : en Pages : 296
Book Description
Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms.
Author: Farzaneh Milani
Author: Farzaneh Milani
Author: Farzaneh Milani
Author: Farzaneh Milani![A Dictionary of the English Language; in which the Words are Deduced from Their Originals; and Illustrated in Their Different Significations ... Together with a History of the Language, and an English Grammar. By Samuel Johnson ... Whith Numerous Corrections, and with the Addition of Several Thousand Words ... by the Rev. H.J. Todd ... In Four Volumes. Vol. 1. [-4.] PDF](https://books.google.com/books/content/images/frontcover/v70ji4hyXAIC?fife=w80-h100)
Author: 
Author: John Eadie
Author: John EADIE (LL.D.)
Author: Maryam Kabeer Faye
Author: Jennifer Heath
Author: Bonnie G. Smith
Author: Michelle Langford