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Author: Nancy Rose Marshall Publisher: University of Pittsburgh Press ISBN: 0822987996 Category : Science Languages : en Pages : 338
Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Author: Nancy Rose Marshall Publisher: University of Pittsburgh Press ISBN: 0822987996 Category : Science Languages : en Pages : 338
Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Author: Bernard Lightman Publisher: University of Chicago Press ISBN: 0226481107 Category : Science Languages : en Pages : 499
Book Description
Victorians were fascinated by the flood of strange new worlds that science was opening to them. Exotic plants and animals poured into London from all corners of the Empire, while revolutionary theories such as the radical idea that humans might be descended from apes drew crowds to heated debates. Men and women of all social classes avidly collected scientific specimens for display in their homes and devoured literature about science and its practitioners. Victorian Science in Context captures the essence of this fascination, charting the many ways in which science influenced and was influenced by the larger Victorian culture. Contributions from leading scholars in history, literature, and the history of science explore questions such as: What did science mean to the Victorians? For whom was Victorian science written? What ideological messages did it convey? The contributors show how practical concerns interacted with contextual issues to mold Victorian science—which in turn shaped much of the relationship between modern science and culture.
Author: Carla Yanni Publisher: Princeton Architectural Press ISBN: 9781568984728 Category : Architecture Languages : en Pages : 220
Book Description
Yanni (art history, Rutgers U.) examines the relationship between architecture and science in the 19th century by considering the physical placement and display of natural artifacts in Victorian natural history museums. She begins by discussing the problem of classification, the social history of collecting, as well as architectural competitions an
Author: Lara Pauline Karpenko Publisher: University of Michigan Press ISBN: 047213017X Category : Literary Criticism Languages : en Pages : 311
Book Description
A fascinating look at scientific inquiry during the Victorian period and the shifting boundary between mainstream and unorthodox sciences of the time
Author: Jennifer Tucker Publisher: JHU Press ISBN: 1421413213 Category : Science Languages : en Pages : 312
Book Description
Recovering the controversies and commentary surrounding the early creation of scientific photography and drawing on a wide range of new sources and critical theories, Tucker establishes a greater understanding of the rich visual culture of Victorian science and alternative forms of knowledge, including psychical research.
Author: Lee T. Macdonald Publisher: University of Pittsburgh Press ISBN: 0822983494 Category : Science Languages : en Pages : 336
Book Description
Kew Observatory was originally built in 1769 for King George III, a keen amateur astronomer, so that he could observe the transit of Venus. By the mid-nineteenth century, it was a world-leading center for four major sciences: geomagnetism, meteorology, solar physics, and standardization. Long before government cutbacks forced its closure in 1980, the observatory was run by both major bodies responsible for the management of science in Britain: first the British Association for the Advancement of Science, and then, from 1871, the Royal Society. Kew Observatory influenced and was influenced by many of the larger developments in the physical sciences during the second half of the nineteenth century, while many of the major figures involved were in some way affiliated with Kew. Lee T. Macdonald explores the extraordinary story of this important scientific institution as it rose to prominence during the Victorian era. His book offers fresh new insights into key historical issues in nineteenth-century science: the patronage of science; relations between science and government; the evolution of the observatory sciences; and the origins and early years of the National Physical Laboratory, once an extension of Kew and now the largest applied physics organization in the United Kingdom.
Author: Ian Hesketh Publisher: Routledge ISBN: 1317322967 Category : History Languages : en Pages : 242
Book Description
Hesketh challenges accepted notions of a single scientific approach to history. Instead, he draws on a variety of sources – monographs, lectures, correspondence – from eminent Victorian historians to uncover numerous competing discourses.
Author: Jonathan Smith Publisher: Cambridge University Press ISBN: 0521856906 Category : Biography & Autobiography Languages : en Pages : 23
Book Description
A highly illustrated account of Darwin's visual representations of his theories, and their influence on Victorian literature, art and culture, first published in 2006.
Author: Barry H. Wiley Publisher: McFarland ISBN: 0786490632 Category : Body, Mind & Spirit Languages : en Pages : 239
Book Description
Beginning in 1870, the hunger for scientific discovery in Great Britain drove prominent scientists, philosophers and others to promote the legitimacy of telepathy. At the same time, mind-reading as a form of entertainment gained increasing popularity as persuasive performers like John Randall Brown, W.I. Bishop, and Stuart C. Cumberland convinced reporters that they truly could read the thoughts of others. The widely publicized, sometimes bizarre, interactions between scientists and these charlatans ushered in the Thought Reader Craze, a period that lasted through about 1910 and saw entertainers make and lose fortunes and scientists make and lose reputations. This volume explores this unusual cultural phenomenon, showing how it was aided through the years by public scientific pronouncements, astonishing performances by the thought readers, and the rapidly changing industrial society.
Author: Nancy Rose Marshall
Author: Nancy Rose Marshall
Author: Bernard Lightman
Author: Carla Yanni
Author: Lara Pauline Karpenko
Author: Jennifer Tucker
Author: Lee T. Macdonald
Author: Robert Hugh Kargon
Author: Ian Hesketh
Author: Jonathan Smith
Author: Barry H. Wiley