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Author: Catherine McIntyre Publisher: CRC Press ISBN: 1135046158 Category : Photography Languages : en Pages : 241
Book Description
Catherine McIntyre, like many fine artists, created traditional art for decades before encountering the versatility of digital imaging technology. Free of her Rotring pens and scalpel, she now uses Photoshop to create her montages. Visual Alchemy explores McIntyre’s sources of inspiration as well as her methods, offering an aesthetic guide to composition, color, texture and all of the other means of communication that artists have at their disposal. While these concepts and techniques make use of Photoshop, they will apply to any digital imaging program and indeed to any medium, whether traditional or digital. Featuring McIntyre’s own art as well as that of artists around the globe, Visual Alchemy is an invitation to discover the artistic possibilities of picture making through digital montage.
Author: Catherine McIntyre Publisher: CRC Press ISBN: 1135046158 Category : Photography Languages : en Pages : 241
Book Description
Catherine McIntyre, like many fine artists, created traditional art for decades before encountering the versatility of digital imaging technology. Free of her Rotring pens and scalpel, she now uses Photoshop to create her montages. Visual Alchemy explores McIntyre’s sources of inspiration as well as her methods, offering an aesthetic guide to composition, color, texture and all of the other means of communication that artists have at their disposal. While these concepts and techniques make use of Photoshop, they will apply to any digital imaging program and indeed to any medium, whether traditional or digital. Featuring McIntyre’s own art as well as that of artists around the globe, Visual Alchemy is an invitation to discover the artistic possibilities of picture making through digital montage.
Author: Vittorio Ferrari Publisher: Springer ISBN: 3030012646 Category : Computers Languages : en Pages : 853
Book Description
The sixteen-volume set comprising the LNCS volumes 11205-11220 constitutes the refereed proceedings of the 15th European Conference on Computer Vision, ECCV 2018, held in Munich, Germany, in September 2018.The 776 revised papers presented were carefully reviewed and selected from 2439 submissions. The papers are organized in topical sections on learning for vision; computational photography; human analysis; human sensing; stereo and reconstruction; optimization; matching and recognition; video attention; and poster sessions.
Author: Bonny Pierce Lhotka Publisher: New Riders Pub ISBN: 9780321732996 Category : Art Languages : en Pages : 307
Book Description
This book walks readers through the process of creating unique works of art combining classic printmaking techniques with modern technology. * *Author is famous for innovative digital transfer techniques and products and she invented all of the techniques demonstrated in the book. *The author's previous book on digital printing techniques sold more than 20,000 copies in five years. *The processes in the book can be completed using affordable desktop printing technology. Leveraging her training as a traditional painter and printmaker, Bonny Lhotka brings new innovations and inventions that combine the best of centuries of printmaking techniques with modern technology to create unique works of art and photography. After years of experimentation and development, these new processes allow alternative photographers, traditional printmakers, and 21st century digital artists to express their creative voice in ways never before possible. Both by adding digital images to their traditional prints and taking their digital works into the tactile world, photographers, printmakers, and artists will find that they can easily add these processes to their studios. The book covers the basic processes and materials to transfer images to a variety of surfaces, including wood, plaster, stone, and plastic. It moves on to allow the creation of images on metal through either direct printing or transfers using affordable printers. More advanced processes include the creation of decals, skins, and complex mixed media compositions that are truly unique. For each of the more than 20 individual projects and processes, the book provides step-by-step instructions and tips suitable for professional photographers and artists, interested students, and enthusiastic hobbyists.
Author: Marques Vickers Publisher: Marquis Publishing ISBN: Category : Art Languages : en Pages : 125
Book Description
“The Reflective Powers of Water as Visual Alchemy” is California artist Marques Vickers photographic edition of over 120+ images of inverted and reflective objects created by water exposure. The diverse photo sequence was captured through various bodies of water and fountains throughout northwestern Washington State. FROM THE PREFACE: The transparency properties of water create magical illusions for reflective and submerged objects. Their reappearance creates inverted shapes and forms resembling non-objective artwork. Water based distortions become variations of substance and shadow resembling visual alchemy. Though water appears crystalline, in truth its instinctive properties are a slightly bluish hue. The accentuated surface tension diffuses and redistributes color seemingly random and erratically. The interaction between deconstructed color created layers of overlap suggesting a deepened texture. Alchemy in its purest form is the ability to transmute base metals into noble and precious derivatives such as gold. The practice of western alchemy dates back to ancient Egypt with the city of Alexandria as its capital. Islam and Asian based religions embraced the shadowy art from their earliest inception. This ancient transformation of base metals symbolically assumed a spiritual dimension as an elixir of life. In the context of water reflection, linear shapes are restructured into abstractions and curvatures. Objects are liberated from their fixed matter and reshaped into fluid forms lacking edge and definition. The decline of alchemy as an established practice was facilitated in the early eighteen century by the rise and acceptance of modern scientific methodology. Ancient spirituality and mysticism were displaced by experimentation and quantitative comparison. Chemistry universally replaced the role of alchemy. There remains a space for interpretive alchemy when one views the unlocked reflections stimulated by water. Restructuring matter becomes as mystical as water transforming into vapor under extreme heat. Does not life resemble a vapor? demands the poet. There is room for suspending concrete imagery and structured color each time we view the reflective and distorting properties of water. The results create stunning and unimaginable imagery.
Author: Susan Sontag Publisher: Farrar, Straus and Giroux ISBN: 1466853573 Category : Social Science Languages : en Pages : 146
Book Description
A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
Author: Robin Kelsey Publisher: Harvard University Press ISBN: 0674744004 Category : Art Languages : en Pages : 409
Book Description
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Author: Marcus Boon Publisher: Harvard University Press ISBN: 0674047834 Category : Law Languages : en Pages : 294
Book Description
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Author: Catherine McIntyre
Author: Catherine McIntyre
Author: Vittorio Ferrari
Author: Bonny Pierce Lhotka
Author: Marques Vickers
Author: Penny Slinger
Author: Susan Sontag
Author: Robin Kelsey
Author: Meredith Tromble
Author: Marcus Boon
Author: Frank J. Malina