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Author: Steve Lake Publisher: Active Dist ISBN: 9781909798014 Category : Biography & Autobiography Languages : en Pages : 160
Book Description
"Zounds has been described as a political band. It has been labelled as squat-rock, pop-rock, peace-punk, anarcho-punk, post-punk, psychedelic, punk-pop and a million other things. But those are just labels, I'm not that bothered what people call it really." -Steve Lake, June 2013 This is part Steve's autobiography, part band history and part insiders story of the 1980's UK anarcho punk scene. Zounds was formed around the nucleus of Steve Lake and evolved from a number of jamming sessions with other musicians and friends in Oxford, taking in influences from the Velvet Underground to the Sex Pistols. The band began performing gigs in 1977/78, and became more politicized owing to troubles with police and unfolding events of the cold war, and became more and more involved with free festivals, alongside The Mob, with whom they developed a close association. They met up with fellow anarchists Crass when, legend has it, their van broke down on the road. They made their way to nearby Dial House, where Crass were based, who helped them with repairs. The two bands became friends, and although musically very divergent, they shared many common political views. After undergoing several line-up changes Zounds shortly afterwards released their first EP, Can't Cheat Karma, on the Crass Records label. The EP featured possibly their most well-known track "Subvert", a call to arms against the grind of daily life. The release of this EP and association with Crass led to an increase in the band's profile in the embryonic Anarcho-punk scene, touring with both Crass and the Poison Girls, as well as performing several squat gigs in West Berlin. The band released their first album The Curse of Zounds on Rough Trade Records in 1981, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. In this book Steve Lake, principle writer of the band Zounds, collects all the band's lyrics and illuminates each with a relevant commentary. It contains personal reminisces about how the band and their peers lived, it delves into the background of the lyrics and looks at the wider social context in which the band operated.
Author: Steve Lake Publisher: Active Dist ISBN: 9781909798014 Category : Biography & Autobiography Languages : en Pages : 160
Book Description
"Zounds has been described as a political band. It has been labelled as squat-rock, pop-rock, peace-punk, anarcho-punk, post-punk, psychedelic, punk-pop and a million other things. But those are just labels, I'm not that bothered what people call it really." -Steve Lake, June 2013 This is part Steve's autobiography, part band history and part insiders story of the 1980's UK anarcho punk scene. Zounds was formed around the nucleus of Steve Lake and evolved from a number of jamming sessions with other musicians and friends in Oxford, taking in influences from the Velvet Underground to the Sex Pistols. The band began performing gigs in 1977/78, and became more politicized owing to troubles with police and unfolding events of the cold war, and became more and more involved with free festivals, alongside The Mob, with whom they developed a close association. They met up with fellow anarchists Crass when, legend has it, their van broke down on the road. They made their way to nearby Dial House, where Crass were based, who helped them with repairs. The two bands became friends, and although musically very divergent, they shared many common political views. After undergoing several line-up changes Zounds shortly afterwards released their first EP, Can't Cheat Karma, on the Crass Records label. The EP featured possibly their most well-known track "Subvert", a call to arms against the grind of daily life. The release of this EP and association with Crass led to an increase in the band's profile in the embryonic Anarcho-punk scene, touring with both Crass and the Poison Girls, as well as performing several squat gigs in West Berlin. The band released their first album The Curse of Zounds on Rough Trade Records in 1981, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. In this book Steve Lake, principle writer of the band Zounds, collects all the band's lyrics and illuminates each with a relevant commentary. It contains personal reminisces about how the band and their peers lived, it delves into the background of the lyrics and looks at the wider social context in which the band operated.
Author: Matthew Worley Publisher: Cambridge University Press ISBN: 1316828484 Category : History Languages : en Pages : 419
Book Description
'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent.
Author: Gerfried Ambrosch Publisher: Routledge ISBN: 1351384449 Category : Literary Criticism Languages : en Pages : 346
Book Description
Punk bands have produced an abundance of poetic texts, some crude, some elaborate, in the form of song lyrics. These lyrics are an ideal means by which to trace the developments and explain the conflicts and schisms that have shaped, and continue to shape, punk culture. They can be described as the community’s collective ‘poetic voice,’ and they come in many different forms. Their themes range from romantic love to emotional distress to radical politics. Some songs are intended to entertain, some to express strong feelings, some to provoke, some to spread awareness, and some to foment unrest. Most have an element of confrontation, of kicking against the pricks. Socially and epistemologically, they play a central role in the scene’s internal discourse, shaping communities and individual identities. The Poetry of Punk is an investigation into the Anglophone punk culture, specifically in the UK and the US, where punk originated in the mid-1970s, its focus being on the song lyrics written and performed by punk rock and hardcore artists.
Author: Stacy Russo Publisher: Sanctuary Publishers ISBN: 9780998994666 Category : Languages : en Pages : 310
Book Description
A Better World Starts Here: Activists and Their Work presents the stories of activists contributing towards the common good within their communities and beyond in a commitment to eradicate various forms of injustice and oppression. This is a book of struggle but also a book of hope, joy, and liberation. Essential reading for anyone wishing to find empowerment and guidance, the stories of activists such as Michelle Carrera (Chilis on Wheels), activist poet Judy Grahn, Sarah Rafael García (Barrio Writers), vegan and ecofeminist writer Carol J. Adams, feminist anthropologist Ruth Behar, Sonya Renee Taylor (The Body is Not an Apology), Kamekə Brown (Farm Sanctuary), Steve Bell (Prison Library Project), Bamby Salcedo (TransLatin@ Coalition) and many others will inspire, support, and ultimately, provide promise for a better world for all readers -whether new or seasoned to activism. 25 Featured Activists & their Work: Aquila Hope, trans activism Marisela Gomez, gentrification activism Sandi Torkildson, community activism Carol J. Adams, ecofeminist activism Sonya Renee Taylor, body activism Kate Jessica Raphael, feminist activism Michelle Carrera, food justice activism Celeste Chan, queer activism Helène Aylon, art activism Julia Feliz Brueck, consistent anti-oppression advocacy Ruth Behar, anthropology activism Steve Bell, prison advocacy Kamekə Brown, vegan advocacy Judy Grahn, poetry activism Bamby Salcedo, trans activism Sarah Rafael García, literary activism Michelle Habell-Pallán, scholar activism Hilary Kinavey, body activism Yago S. Cura, library activism Beth Pickens, art activism Lark Lo, intersectional activism Ardeth De Vries, senior dog advocacy Sara Vander Zanden, homelessness advocacy Janet Holmes, photography activism Edwin Ramirez, comedy activism Sales from this book will be donated quarterly to the BBIPoC activists featured in the book. A publisher that gives back: Sanctuary Publishers, www.sanctuarypublishers.com
Author: Garrett Stewart Publisher: Univ of California Press ISBN: 9780520070394 Category : Language Arts & Disciplines Languages : en Pages : 356
Book Description
"At last, a scrupulous and sustained--'earsighted'--study of that shadowy yet vital intersection of sound and sense without which literary reading remains a disembodied exercise. . . . Stewart immerses us brilliantly in the poststructural method of a 'phonemic' analysis."--Geoffrey H. Hartman, author of Saving the Text "Stunningly articulate. . . . Alongside brilliant exegeses of passsages from the major English poets, Stewart offers new and dazzling interpretations of the 'poetics of prose' in such novelists as Dickens, Lawrence, Joyce, and Woolf. The book is a tour de force, no doubt about it. In my opinion, Reading Voices will have not only a wide but a lasting reception."--Hayden White, author of Metahistory "This is exciting, virtuoso work in a playfully imaginative hermeneutic mode. Stewart's ear hears fascinating and compelling things, things which have a delightfully rich and thematically complex bearing on much larger textual issues."--Paul Fry, author of The Reach of Criticism "A truly original book. . . . The first work in years to bring together linguistically informed criticism with more philosophically oriented literary theory. The resulting vision of literature is odd, personal, passionate, even outlandish. Not only is Stewart himself and extraordinary stylist, but his work suggests a breakthrough in stylistic criticism so radical as to revitalize the entire field."--Jay Clayton, author of Romantic Vision and the Novel
Author: Matthew Worley Publisher: Minor Compositions/Autonomedia ISBN: 9781570273186 Category : Music Languages : en Pages : 0
Book Description
Punk is one of the most fiercely debated post-war subcultures. Despite the attention surrounding the movement's origins, analyses of punk have been drawn predominantly from a now well-trodden historical narrative. The Aesthetic of Our Anger explores the development of the anarcho-punk scene from the late 1970s, raising questions over the origins of the scene, its form, structure and cultural significance examining how anarcho-punk moved away from using 'anarchy' as mere connotation and shock value towards an approach that served to make punk a threat again
Author: Alastair Gordon Publisher: ISBN: 9781909798229 Category : Languages : en Pages : 250
Book Description
An undergraduate monograph of essays originally written in the mid 1990s. The central theme sets up and critically examines the need to examine the work of the anarchist punk band Crass in light of a poverty of discussion of their activities in previous cultural studies writings on punk. Equally, notions of endpoints in underground cultures are put to the question. The broad thesis of the monograph interrogates links between critical theory and Frankfurt school perspectives on art and subversive culture and Neo Marxist accounts of their phylogeny. There is critical discussion of the tension and similarities between Crass and Neo Marxist accounts of the role of dominant ideology (traditional notions of false consciousness/media effect) in contrast to the cultural monopoly of survival needs as the central motor of social reproduction in capitalist culture. The monograph concludes with a discussion of the importance of the legacy of Crass and the need for future research. This monograph was written before the groundswell of punk scholarship in its wake and serves as vindication of its obscure and early importance. It's principle importance lies in the fact that most accounts beyond this work have focussed not on critical theory but instead on historical contextual salience, aesthetic value and biographical detail. This new edition comprises a new extensive introduction assessing methodological approaches in punk scholarship and examines the stormy DiY publication and contextual history of the original monograph. Moreover expanded versions of an original chapter is included in addition to essays on subversive culture, the 1982 Falklands conflict and an examination of philosophical approaches to repressive technologies.
Author: Jeff Schneider, (Hi Publisher: ISBN: 9780999407318 Category : Languages : en Pages : 270
Book Description
The Arab On Radar Book. Arab On Radar are one of the most iconic and influential noise rock bands in underground music history. Tales of their interests in sex, drugs and violence have swirled for years. In this memoir about playing guitar in the band, Jeff Schneider aka Mr. Clinical Depression, candidly reveals the truth about life inside the band stripping away the myths and revealing what life was like for musicians on top of the scene, enjoying artistic creation on a level that has yet to be understood.
Author: H. P. Lovecraft Publisher: SelfMadeHero ISBN: 9781906838126 Category : Comics & Graphic Novels Languages : en Pages : 0
Book Description
This is a tale of terror. The barren, windswept interior of the Antarctic plateau was lifeless or so the expedition from Miskatonic University thought. Then they found dtrange fossils of unheard-of-creatures, carved stones tens of millions of years old and, finally, the unspeakable, mind-twisting terror of the City of the Old Ones.
Author: Steve Lake
Author: Steve Lake
Author: Matthew Worley
Author: Gerfried Ambrosch
Author: Stacy Russo
Author: Garrett Stewart
Author: Matthew Worley
Author: Alastair Gordon
Author: Jeff Schneider, (Hi
Author: H. P. Lovecraft
Author: