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Author: James L. W. West, III Publisher: University of Pennsylvania Press ISBN: 0812204530 Category : Literary Criticism Languages : en Pages : 189
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
Author: James L. W. West, III Publisher: University of Pennsylvania Press ISBN: 0812204530 Category : Literary Criticism Languages : en Pages : 189
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
Author: James L. W. West, III Publisher: ISBN: 9780608097060 Category : Languages : en Pages : 184
Book Description
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
Author: Gregory M. Pfitzer Publisher: Univ of Massachusetts Press ISBN: 9781558496255 Category : History Languages : en Pages : 492
Book Description
Explores how the emergence of a new literary marketplace in the mid-nineteenth century affected the study of history in America. In an effort to illuminate the cultural conditions for this boom, this book focuses on the business of book making and book promotion. It analyzes the subscription sales techniques of book agents.
Author: Charles Johanningsmeier Publisher: Cambridge University Press ISBN: 9780521520188 Category : Language Arts & Disciplines Languages : en Pages : 304
Book Description
The first full-length study of the role of syndicates in the publishing history of nineteenth-century America.
Author: S. Brouillette Publisher: Springer ISBN: 0230288170 Category : Literary Criticism Languages : en Pages : 206
Book Description
Combining analysis with detailed accounts of authors' careers and the global trade in literature, this book assesses how postcolonial writers respond to their own reception and niche positioning, parading their exotic otherness to metropolitan audiences, within a global marketplace.
Author: David Carter Publisher: Sydney University Press ISBN: 1743325797 Category : Literary Criticism Languages : en Pages : 378
Book Description
Australian Books and Authors in the American Marketplace 1840s–1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.
Author: Glenda Norquay Publisher: ISBN: 1785272853 Category : Literary Criticism Languages : en Pages : 244
Book Description
'Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s' investigates Stevenson and the geographies of his literary networks during the last years of his life and after his death. It profiles a series of figures who worked with Stevenson, negotiated his publications on both sides of the Atlantic, wrote for him or were inspired by him. Using archival material, correspondence, fiction and biographies it moves across these literary networks. It deploys the concept of 'literary prosthetics' to frame its analysis of gatekeepers, tastemakers, agents, collaborators and authorial surrogates in the transatlantic production of Stevenson's writing. Case studies of understudied individuals and broader consideration of the networks they represent, contributes to the knowledge of transatlantic publishing in the 1890s, understanding of transatlantic culture, Stevenson studies, current interest in the workings of literary communities and in nineteenth-century mobility.
Author: Mirjam Horn Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311039426X Category : Literary Criticism Languages : en Pages : 293
Book Description
This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of appropriation at the interface between literary economics, law, and theoretical discourses of literature. She investigates the complex expectations surrounding the strong link between an individual author subject and its alienable text, a link that several postmodern writers powerfully question and violate. Identifying three distinct practices of postmodern plagiarism, the book examines their specific situatedness, precepts, and subversive potential as litmus tests for the literary market, and the ongoing dynamic notion of the concepts authorship, originality, and creativity.
Author: Laura Rattray Publisher: Cambridge University Press ISBN: 1107010195 Category : Literary Criticism Languages : en Pages : 423
Book Description
This collection of essays examines the various social, cultural and historical contexts surrounding Edith Wharton's popular and prolific literary career.
Author: David A. Rennie Publisher: Oxford University Press ISBN: 0192602470 Category : Literary Criticism Languages : en Pages : 250
Book Description
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity—such as gender, race, and politics—registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War I argues that even authors' hallmark 'anti-war' works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers—in well-known texts, autobiography, correspondence, and neglected works—this study contends that writers' reactions were multifaceted, and subject to change—in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic.
Author: James L. W. West, III
Author: James L. W. West, III
Author: James L. W. West, III
Author: Gregory M. Pfitzer
Author: Charles Johanningsmeier
Author: S. Brouillette
Author: David Carter
Author: Glenda Norquay
Author: Mirjam Horn
Author: Laura Rattray
Author: David A. Rennie