Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Herstories on Screen PDF full book. Access full book title Herstories on Screen by Kathleen Cummins. Download full books in PDF and EPUB format.
Author: Kathleen Cummins Publisher: Columbia University Press ISBN: 0231851294 Category : Performing Arts Languages : en Pages : 193
Book Description
From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.
Author: Kathleen Cummins Publisher: Columbia University Press ISBN: 0231851294 Category : Performing Arts Languages : en Pages : 193
Book Description
From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.
Author: Kathleen Cummins Publisher: ISBN: 9780231189514 Category : Feminism and motion pictures Languages : en Pages : 304
Book Description
Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers, revealing how they skillfully deploy genre tropes.
Author: Elana Levine Publisher: Duke University Press ISBN: 1478009063 Category : Performing Arts Languages : en Pages : 259
Book Description
Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.
Author: Sheeba Vinay Publisher: BFC Publications ISBN: 9390675308 Category : Juvenile Fiction Languages : en Pages : 107
Book Description
In the 19th century when women were considered subservient to men, there rose hundreds of woman reformists who had to fight against all odds the male chauvinism. But all of them were focused, selfless, and fought against the tyranny in the society. Indeed, this spirit has enlightened ten budding woman writers to pen down the life and works of selected ‘warriors’ from history, myth, and folklore of India who will remain in the hearts forever!
Author: Axel Nissen Publisher: McFarland ISBN: 1476626065 Category : Performing Arts Languages : en Pages : 288
Book Description
Drawing on historical documents and newspaper reports, this book provides a fascinating portrait of a diverse group of character actresses who left their stamp on Hollywood from the early sound era through the 1960s. The lives of 35 actresses are explored in detail. Some are familiar: Margaret Hamilton starred in dozens of films before and after her signature role as the Wicked Witch in The Wizard of Oz; Una Merkel nearly died when her mother committed suicide in 1945. Others are nearly forgotten: Maude Eburne owed her career to a spectacular fall on the Broadway stage in 1914; Greta Meyer, who played the quintessential German maid, came to Hollywood after years in New York’s Yiddish theater—though she wasn’t Jewish.
Author: Dan Callahan Publisher: McFarland ISBN: 1476632529 Category : Performing Arts Languages : en Pages : 242
Book Description
Some people claim that audiences go to the movies for the genre. Others say they go for the director. But most really go to see their favorite actors and actresses. This book explores the work of many of classic Hollywood’s influential stars, such as James Cagney, Bette Davis, Cary Grant and Katharine Hepburn. These so-called “pre–Brando” entertainers, often dismissed as old fashioned, were part of an explosion of talent that ran from the late 1920s through the early 1950s. The author analyzes their compelling styles and their ability to capture audiences.
Author: Mark Edward Publisher: Bloomsbury Publishing ISBN: 1350104388 Category : Performing Arts Languages : en Pages : 256
Book Description
Drawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory. The book examines drag histories and what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, this book allows the reader to engage with a range of archival research including camp and history; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; drag and military veterans; Puerto Rican drag performers and historical film.
Author: Loredana Salis Publisher: Cambridge Scholars Publishing ISBN: 1443853356 Category : Performing Arts Languages : en Pages : 185
Book Description
“This book offers a range of perspectives on Elizabeth Gaskell and adaptation. The contributors – Alan Shelston, Raffaella Antinucci, Thomas Recchio, Brenda McKay, Katherine Byrne, Patricia Marchesi, Marcia Marchesi and Loredana Salis – discuss the afterlives of Gaskell’s fiction, from the author as adaptor of her own work to the role of the BBC in re-inventing Gaskell’s narratives. Loredana Salis is to be congratulated for bringing together a collection that tackles the remediation of Gaskell’s fiction from Gaskell’s own time to the 21st century, enabling her to join those authors, most prominently, Shakespeare, Austen and Dickens, who have received full-length book studies on adaptations of their work. The collection, as a whole, seems to confirm the notion that since the inception of film, the number of adaptations of an author’s work equates to the writer’s canonical status. No doubt, this book will prompt many more investigations into the adaptability of Elizabeth Gaskell’s fiction.” – Deborah Cartmell, De Montfort University, Leicester
Author: Elana Levine Publisher: Duke University Press Books ISBN: 9781478008019 Category : Performing Arts Languages : en Pages : 0
Book Description
Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.
Author: Dominic McHugh Publisher: Oxford University Press ISBN: 019005154X Category : Music Languages : en Pages : 624
Book Description
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.
Author: Kathleen Cummins
Author: Kathleen Cummins
Author: Kathleen Cummins
Author: Elana Levine
Author: Sheeba Vinay
Author: Axel Nissen
Author: Dan Callahan
Author: Mark Edward
Author: Loredana Salis
Author: Elana Levine
Author: Dominic McHugh