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Author: Richard Alan Barlow Publisher: Oxford University Press ISBN: 0192859188 Category : Literary Criticism Languages : en Pages : 189
Book Description
Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms explores the ways Irish and Scottish literatures have influenced each other from the 1760s onwards. Although an early form of Celticism disappeared with the demise of the Celtic Revivals of Ireland and Scotland, the 'Celtic world' and the 'Celtic temperament' remained key themes in central texts of Irish and Scottish literature well into the twentieth century. Richard Barlow examines the emergence, development, and transformation of Celticism within Irish and Scottish writing and identifies key connections between modern Irish and Scottish authors and texts. By reading works from figures such as James Macpherson, Walter Scott, Sydney Owenson, Augusta Gregory, W. B. Yeats, Fiona Macleod, James Joyce, Samuel Beckett, Hugh MacDiarmid, Sorley MacLean, and Seamus Heaney in their political and cultural contexts, Barlow provides a new account of the characteristics and phases of literary Celticism within Romanticism, Modernism, and beyond.
Author: Richard Alan Barlow Publisher: Oxford University Press ISBN: 0192859188 Category : Literary Criticism Languages : en Pages : 189
Book Description
Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms explores the ways Irish and Scottish literatures have influenced each other from the 1760s onwards. Although an early form of Celticism disappeared with the demise of the Celtic Revivals of Ireland and Scotland, the 'Celtic world' and the 'Celtic temperament' remained key themes in central texts of Irish and Scottish literature well into the twentieth century. Richard Barlow examines the emergence, development, and transformation of Celticism within Irish and Scottish writing and identifies key connections between modern Irish and Scottish authors and texts. By reading works from figures such as James Macpherson, Walter Scott, Sydney Owenson, Augusta Gregory, W. B. Yeats, Fiona Macleod, James Joyce, Samuel Beckett, Hugh MacDiarmid, Sorley MacLean, and Seamus Heaney in their political and cultural contexts, Barlow provides a new account of the characteristics and phases of literary Celticism within Romanticism, Modernism, and beyond.
Author: Richard Barlow Publisher: ISBN: 9780191949708 Category : English literature Languages : en Pages : 0
Book Description
Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms explores the ways Irish and Scottish literatures have influenced each other from the 1760s to the contemporary era.
Author: Peter Mackay Publisher: Cambridge University Press ISBN: 1139499947 Category : Literary Criticism Languages : en Pages : 347
Book Description
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Author: Murray Pittock Publisher: OUP Oxford ISBN: 0191617008 Category : Literary Criticism Languages : en Pages : 304
Book Description
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
Author: Ray Ryan Publisher: Oxford University Press ISBN: 9780199247127 Category : Literary Criticism Languages : en Pages : 329
Book Description
While political connections between Ireland and Scotland have been vigorously promoted in recent years, Ray Ryan presents the first sustained, comparative study of literature and culture from both sites. Ryan's focus is on the Irish state and the Scottish nation. How does literature from the Republic create the cultural shape and personality of the Irish state? Through comparison with Scotland, a stateless nation, Ryan argues that crucial themes in Irish culture emerge with new force andclarity: themes such as Republicanism and colonialism, the city and rural divide, and the partition of the island into separate 'southern' and 'northern' spheres. Analysing a broad range of Irish and Scottish literary texts, Ryan shifts attention from the traditionally defined canon of Irish culture, and establishes the relevance of Scotland for any future discussion of Irish cultural contexts. Offering a radical intervention across a range of disciplines, this book is essential reading for all those working on Ireland, on Scotland, and on contemporary English and British culture.
Author: M. McGlynn Publisher: Springer ISBN: 1137038764 Category : Literary Criticism Languages : en Pages : 236
Book Description
This book argues that the outskirts of cities have become spaces for a new literature beyond boundaries of traditional notions of nation, class, and gender. Includes discussions of Booker Prize winners Roddy Doyle and James Kelman.
Author: Matt McGuire Publisher: Bloomsbury Publishing ISBN: 1350308773 Category : Literary Criticism Languages : en Pages : 202
Book Description
This Guide examines the critical construction of the genre of 'contemporary Scottish literature' and assesses the critical responses to a wide range of contemporary Scottish fiction, poetry and drama. The Guide is structured thematically with each chapter addressing a specific area of debate within the field of contemporary Scottish Studies.
Author: Liam Harte Publisher: Oxford University Press, USA ISBN: 0198754892 Category : History Languages : en Pages : 698
Book Description
Presents essays by thirty-five leading scholars of Irish fiction that provide authoritative assessments of the breadth and achievement of Irish novelists and short story writers.
Author: Matt McGuire Publisher: Edinburgh University Press ISBN: 0748636277 Category : Literary Criticism Languages : en Pages : 240
Book Description
The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.
Author: Richard Alan Barlow
Author: Richard Alan Barlow
Author: Richard Barlow
Author: Peter Mackay
Author: Murray Pittock
Author: Ray Ryan
Author: M. McGlynn
Author: M. McGlynn
Author: Matt McGuire
Author: Liam Harte
Author: Matt McGuire