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Author: Richard Wendorf Publisher: Oxford University Press ISBN: 0192653121 Category : Literary Criticism Languages : en Pages : 349
Book Description
This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century—and that it was therefore an important component in the self-conscious process of modernizing British culture.
Author: Richard Wendorf Publisher: Oxford University Press ISBN: 0192653121 Category : Literary Criticism Languages : en Pages : 349
Book Description
This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century—and that it was therefore an important component in the self-conscious process of modernizing British culture.
Author: Henry J. Perkinson Publisher: Praeger ISBN: Category : History Languages : en Pages : 200
Book Description
A highly original interpretation of the history of Western culture that presents a first in-depth analysis of the cultural impact of communication. Explains how the media have helped bring about economic, political, social, and intellectual progress. Adopting the currently unfashionable theory that Western culture has improved over time, Perkinson argues that media of communication have played a pivotal role in helping to make things better. He shows how human speech, when it first emerged, enabled people both to understand better the world they inhabited and to construct political, economic, and social arrangements that improved their life chances. With the invention of writing in Sumer, and especially following the invention of the phonetic alphabet in Greece, people were able to devise even better understandings and improved arrangements. The invention of the printing press in the late 15th century led to the creation of the modern nation state, capitalism, an open society, and modern science. According to this novel interpretation, media of communication encode the existing culture, thereby enabling people to become critical of it in ways not possible before. This criticism uncovers inadequacies, which, when eliminated, result in an improved culture. This book will be of interest to students and researchers of the history of communications and Western civilization.
Author: Richard Wendorf Publisher: Oxford University Press ISBN: 0192898132 Category : Literary Criticism Languages : en Pages : 349
Book Description
This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century--and that it was therefore an important component in the self-conscious process of modernizing British culture.
Author: Sabrina Alcorn Baron Publisher: ISBN: Category : Book industries and trade Languages : en Pages : 466
Book Description
Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Its path-breaking agenda has played a central role in shaping the study of print culture and book history - fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years. Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field. In addition to a conversation with Elizabeth L. Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodriguez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.
Author: Gary Krug Publisher: SAGE ISBN: 9780761972013 Category : Language Arts & Disciplines Languages : en Pages : 268
Book Description
With a foreword by Norman Denzin Communication and the history of technology have invariably been examined in terms of artefacts and people. Gary Krug argues that communication technology must be studied as an integral part of culture and lived-experience. Rather than stand in awe of the apparent explosion of new technologies, this book links key moments and developments in communication technology with the social conditions of their time. It traces the evolution of technology, culture, and the self as mutually dependent and influential. This innovative approach will be welcomed by undergraduates and postgraduates needing to develop their understanding of the cultural effects of communication technology, and the history of key communication systems and techniques.
Author: Patricia J. Anderson Publisher: Oxford : Clarendon Press ISBN: Category : English periodicals Languages : en Pages : 234
Book Description
In mid-nineteenth century Britain, literacy was by no means universal, and printed imagery captured the popular imagination in a way that words alone could not. This study shows how the widening dissemination of print led to the transformation of popular cultural experience such that by 1840 an essentially modern mass culture had begun to develop. Focusing on four illustrated magazines, but looking also at penny fiction and broadsides, Anderson interprets a wide variety of neglected sources. A recurring theme is the decline of the role of high art reproduction. Anderson combines modern cultural theory and historical evidence to demonstrate how people of all kinds--especially workers and women--interacted with the printed image, helping to shape the increasingly visual culture that was ultimately to lead to the growth of twentieth-century mass media.
Author: Roger Chartier Publisher: Princeton University Press ISBN: 1400860334 Category : Technology & Engineering Languages : en Pages : 376
Book Description
The leading historians who are the authors of this work offer a highly original account of one of the most important transformations in Western culture: the change brought about by the discovery and development of printing in Europe. Focusing primarily on printed matter other than books, The Culture of Print emphasizes the specific and local contexts in which printed materials, such as broadsheets, flysheets, and posters, were used in modern Europe. The authors show that festive, ritual, cultic, civic, and pedagogic uses of print were social activities that involved deciphering texts in a collective way, with those who knew how to read leading those who did not. Only gradually did these collective forms of appropriation give way to a practice of reading--privately, silently, using the eyes alone--that has become common today. This wide-ranging work opens up new historical and methodological perspectives and will become a focal point of debate for historians and sociologists interested in the cultural transformations that accompanied the rise of modern societies. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Elizabeth L. Eisenstein Publisher: Cambridge University Press ISBN: 110739290X Category : History Languages : en Pages :
Book Description
Originally published in two volumes in 1980, The Printing Press as an Agent of Change is now issued in a paperback edition containing both volumes. The work is a full-scale historical treatment of the advent of printing and its importance as an agent of change. Professor Eisenstein begins by examining the general implications of the shift from script to print, and goes on to examine its part in three of the major movements of early modern times - the Renaissance, the Reformation, and the rise of modern science.
Author: Elizabeth L. Eisenstein Publisher: Cambridge University Press ISBN: 9780521299558 Category : History Languages : en Pages : 820
Book Description
Originally published in two volumes in 1980, The Printing Press as an Agent of Change is now issued in a paperback edition containing both volumes. The work is a full-scale historical treatment of the advent of printing and its importance as an agent of change. Professor Eisenstein begins by examining the general implications of the shift from script to print, and goes on to examine its part in three of the major movements of early modern times - the Renaissance, the Reformation, and the rise of modern science.
Author: Richard Wendorf
Author: Richard Wendorf
Author: Henry J. Perkinson
Author: Richard Wendorf
Author: Margaret Trabue Hodgen
Author: Sabrina Alcorn Baron
Author: Gary Krug
Author: Patricia J. Anderson
Author: Roger Chartier
Author: Elizabeth L. Eisenstein
Author: Elizabeth L. Eisenstein