Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England PDF Author: PhilipRoss Bullock
Publisher: Routledge
ISBN: 1351550500
Category : Music
Languages : en
Pages : 222

Book Description
Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jan?k, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England PDF Author: PhilipRoss Bullock
Publisher: Routledge
ISBN: 1351550519
Category : Music
Languages : en
Pages : 208

Book Description
Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jank, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi

The Palgrave Encyclopedia of Victorian Women's Writing

The Palgrave Encyclopedia of Victorian Women's Writing PDF Author: Lesa Scholl
Publisher: Springer Nature
ISBN: 3030783189
Category : Literary Criticism
Languages : en
Pages : 1753

Book Description
Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

Late Nineteenth-and Early Twentieth-century British Women Poets

Late Nineteenth-and Early Twentieth-century British Women Poets PDF Author: William B. Thesing
Publisher: Dictionary of Literary Biograp
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 476

Book Description
Essays on female British poets writing during the two final decades of the reign of Queen Victoria (1880-1901); the reign of her successor, King Edward VII (1901-1910); and all but the last eight years of the reign of King George V (1910-1936).

Russia in Britain, 1880-1940

Russia in Britain, 1880-1940 PDF Author: Rebecca Beasley
Publisher: Oxford University Press
ISBN: 0199660867
Category : Art
Languages : en
Pages : 326

Book Description
Russia in Britain explores the extent of British fascination with Russian and Soviet culture from the 1880s up to the Soviet Union's entry into the Second World War.

British Musical Criticism and Intellectual Thought, 1850-1950

British Musical Criticism and Intellectual Thought, 1850-1950 PDF Author: Jeremy Dibble
Publisher: Music in Britain
ISBN: 9781783272877
Category : Music
Languages : en
Pages : 390

Book Description
This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.

On Russian Music

On Russian Music PDF Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520268067
Category : Music
Languages : en
Pages : 416

Book Description
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.

New Books on Women and Feminism

New Books on Women and Feminism PDF Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 136

Book Description


New Books on Women, Gender and Feminism

New Books on Women, Gender and Feminism PDF Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 128

Book Description


A People Passing Rude

A People Passing Rude PDF Author: Anthony Cross
Publisher: Open Book Publishers
ISBN: 190925410X
Category : Literary Criticism
Languages : en
Pages : 350

Book Description
"The essays in this stimulating collection attest to the scope and variety of Russia's influence on British culture. They move from the early nineteenth century -- when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic sought to come to terms with the challenge of Pushkin -- to a series of Russian-themed exhibitions at venues including the Crystal Palace and Earls Court. The collection looks at British encounters with Russian music, the absorption with Dostoevskii and Chekhov, and finishes by shedding light on Britain's engagement with Soviet film."--Back cover.