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Author: Michiko Tsushima Publisher: Springer Nature ISBN: 3031083687 Category : Literary Criticism Languages : en Pages : 224
Book Description
Samuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies. Chapter “Slow Violence and Slow Going: Encountering Beckett in the Time of Climate Catastrophe” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Michiko Tsushima Publisher: Springer Nature ISBN: 3031083687 Category : Literary Criticism Languages : en Pages : 224
Book Description
Samuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies. Chapter “Slow Violence and Slow Going: Encountering Beckett in the Time of Climate Catastrophe” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Daniela Esser Publisher: GRIN Verlag ISBN: 363814108X Category : Literary Criticism Languages : en Pages : 21
Book Description
Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: very good, University of Paderborn (Anglistics), course: Proseminar: Post-1970 Beckett, language: English, abstract: Early in 1982, Samuel Beckett was one of the first writers to respond to an invitation from the Association Internationale de Défense des Artistes (AIDA) for contributions of works to show support for Václav Havel, the Czech playwright who was serving a prison sentence for his dissident activities. In 1979 Havel had been sentenced by the Czechoslovak communist regime to four and a half years imprisonment for subversion. He was co-founder and spokesman of the Charter 77 initiative as well as a member of the Czech Committee for the Defence of the Unjustly Persecuted (VONS). Shocked to hear that Havel had been forbidden to write, which must have "seemed the ultimate oppression"2, Beckett wrote Catastrophe3 and dedicated the play to Havel. It was first performed as part of `Une nuit pour Václav Havel′ at the Avignon Theatre Festival in July 1982.4 Knowlson, referring to Beckett′s refusal to employ didactic impulses in his writing, mentions that Beckett sometimes regretted his incapability "to write anything that dealt overtly with politics"5, but the biographer also asserts that Beckett utterly rejected political implications in his writing.6 However, with the invitation of AIDA, he could show his solidarity with a "victimized, imprisoned fellow writer"7 who took a courageous stand against abuses of human rights. Nonetheless, a political reading of Catastrophe is grounded on the victimization of the Protagonist by the dictatorial Director. The play has also been identified as a "parable of Man and Satan" (see 2.2). In his biography Damned to Fame. The Life of Samuel Beckett, Knowlson argues that the play has also been related to Beckett′s "own horror of self-exposure, and linked to the essentially exhibitionistic nature of theatre."8 [...] _______ 1 Sartre, Jean-Paul: Geschlossene Gesellschaft. (Orig. Huis clos). Trans. Traugott König. Hamburg: Rowohlt, 1991, p. 59. 2 Knowlson, James: Damned to Fame. The Life of Samuel Beckett. London: Bloomsbury, 1996, p. 678. 3 Beckett, Samuel: Catastrophe. In: Collected shorter plays, London: Faber and Faber, 1984, pp. . 295-301. Hereafter cited as Catastrophe. 4 See Knowlson, James: Damned to Fame. The Life of Samuel Beckett. London: Bloomsbury, 1996, p. 677. 5 Ibid., p. 678. 6 Cf. ibid., p. 678. 7 Ibid., p. 678. 8 Ibid., p. 679.
Author: James McNaughton Publisher: Oxford University Press ISBN: 0192555499 Category : Literary Criticism Languages : en Pages : 240
Book Description
Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II. Archive yields a Beckett who monitored propaganda in speeches and newspapers, and whose creative work engages with specific political strategies, rhetoric, and events. Finally, Beckett's political aesthetic sharpens into focus. Deep within form, Beckett models ominous historical developments as surely as he satirizes artistic and philosophical interpretations that overlook them. He burdens aesthetic production with guilt: imagination and language, theater and narrative, all parallel political techniques. Beckett comically embodies conservative religious and political doctrines; he plays Irish colonial history against contemporary European horrors; he examines aesthetic complicity in effecting atrocity and covering it up. This book offers insightful, original, and vivid readings of Beckett's work up to Three Novels and Endgame.
Author: S.E. Gontarski Publisher: Edinburgh University Press ISBN: 0748675698 Category : Literary Criticism Languages : en Pages : 512
Book Description
A landmark collection showcasing the diversity of Samuel Beckett's creative output The 35 original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabate, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; The Body; Fiction; Film, Radio & Television; Global Beckett; Language / Writing; Philosophy; Reading; and Theatre & Performance. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation.
Author: P. Fifield Publisher: Springer ISBN: 1137319240 Category : Literary Criticism Languages : en Pages : 206
Book Description
Beckett and Levinas are of central importance to critical debates about literary ethics. Rather than suggest the preservation of literary and ethical value in the wake of the WWII, this book argues that both launched a sustained attack on the principles of literature, weaving narrative, and descriptive doubt through phenomenology, prose, and drama.
Author: Marius Buning Publisher: Rodopi ISBN: 9789042003477 Category : Art Languages : en Pages : 424
Book Description
ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure.
Author: N. Bianchini Publisher: Springer ISBN: 1137439866 Category : Literary Criticism Languages : en Pages : 204
Book Description
A study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.
Author: Jennifer Birkett Publisher: Routledge ISBN: 1317885821 Category : Literary Criticism Languages : en Pages : 287
Book Description
Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.
Author: Andrea Oppo Publisher: Peter Lang ISBN: 9783039118243 Category : Aesthetics Languages : en Pages : 272
Book Description
This book examines the role of Samuel Beckett in contemporary philosophical aesthetics, primarily through analysis of both his own essays and the various interpretations that philosophers (especially Adorno, Blanchot, Deleuze, and Badiou) have given to his works. The study centres around the fundamental question of the relationship between art and truth, where art, as a negative truth, comes to its complete exhaustion (as Deleuze terms it) by means of a series of 'endgames' that progressively involve philosophy, writing, language and every individual and minimal form of expression. The major thesis of the book is that, at the heart of Beckett's philosophical project, this 'aesthetics of truth' turns out to be nothing other than the real subject itself, within a contradictory and tragic relationship that ties the Self/Voice to the Object/Body. Yet a number of questions remain open. 'What' or 'who' lies behind this process? What is left of the endgame of art and subjectivity? Finally, what sustains and renders possible Beckett's paradoxical axiom of the 'impossibility to express' alongside the 'obligation to express'? By means of a thorough overview of the most recent criticism of Beckett, this book will try to answer these questions.
Author: Michiko Tsushima
Author: Michiko Tsushima
Author: Daniela Esser
Author: Charles A. Carpenter
Author: James McNaughton
Author: S.E. Gontarski
Author: P. Fifield
Author: Marius Buning
Author: N. Bianchini
Author: Jennifer Birkett
Author: Andrea Oppo