Samuel Beckett’s Self-Referential Drama PDF Download

Author: Shimon Levy
Publisher: Palgrave Macmillan
ISBN: 9781349109715
Category : Performing Arts
Languages : en
Pages : 137

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Book Description
In this book, the author aims to offer a new approach to the so-called solipsistic approach to artistic self-reference. It deals with the subject philosophically and from the actual and practical modes of theatrical expression such as movement and space, lighting and stage properties.

Author: Shimon Levy
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 160

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Book Description
In this book, the author aims to offer a new approach to the so-called solipsistic approach to artistic self-reference. It deals with the subject philosophically and from the actual and practical modes of theatrical expression such as movement and space, lighting and stage properties.

Author: Shimon Levy
Publisher: Liverpool University Press
ISBN: 1782847820
Category : Drama
Languages : en
Pages : 201

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Book Description
An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts.

Author: Charles A. Carpenter
Publisher: Bloomsbury Publishing
ISBN: 1441159746
Category : Reference
Languages : en
Pages : 528

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Book Description
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.

Author: Daniela Caselli
Publisher: Manchester University Press
ISBN: 1526146452
Category : Literary Criticism
Languages : en
Pages : 292

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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beckett and nothing invites its readership to understand the complex ways in which the Beckett canon both suggests and resists turning nothing into something by looking at specific, sometimes almost invisible ways in which ‘little nothings’ pervade the Beckett canon. The volume has two main functions: on the one hand, it looks at ‘nothing’ not only as a content but also a set of rhetorical strategies to reconsider afresh classic Beckett problems such as Irishness, silence, value, marginality, politics and the relationships between modernism and postmodernism and absence and presence. On the other, it focuses on ‘nothing’ in order to assess how the Beckett oeuvre can help us rethink contemporary preoccupations with materialism, neurology, sculpture, music and television. The volume is a scholarly intervention in the fields of Beckett studies which offers its chapters as case studies to use in the classroom. It will prove of interest to advanced students and scholars in English, French, Comparative Literature, Drama, Visual Studies, Philosophy, Music, Cinema and TV studies.

Author: Sarah Gendron
Publisher: Peter Lang
ISBN: 9781433103759
Category : Difference (Philosophy)
Languages : en
Pages : 216

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Book Description
Repetition, Difference, and Knowledge dialogues with novels, theatre, philosophy, and literary theory in order to explore how three thinkers - Samuel Beckett, Jacques Derrida, and Gilles Deleuze - employ repetition as a means with which to radically unsettle some of the most fundamental notions of the human experience (among them, time, presence, originality, and being). Due to its interdisciplinary scope and its focus on repetition as an epistemological concept, this book will attract a broad audience of academic specialists across the humanities from the fields of literary criticism, philosophy, French studies, and poststructural studies. Its simplicity of style, deliberate avoidance of complex jargon, and clarity of argument - particularly when dealing with complicated theoretical ideas and texts - also makes it an invaluable tool for use in both graduate- and undergraduate-level literature and philosophy courses. Repetition, Difference, and Knowledge provides experienced and beginning scholars alike with greater insight into the works of Beckett, Derrida, and Deleuze and into the role that repetition has played and continues to play in determining how we read our world and come to meaning.

Author: Giancarlo Maiorino
Publisher: Penn State Press
ISBN: 0271048190
Category : Literary Criticism
Languages : en
Pages : 378

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Book Description
&“Titology,&” a term first coined in 1977 by literary critic Harry Levin, is the field of literary studies that focuses on the significance of a title in establishing the thematic developments of the pages that follow. While the term has been used in the literary community for thirty years, this book presents for the first time a thoroughly developed theoretical discussion on the significance of the title as a foundation for scholarly criticism. Though Maiorino acknowledges that many titles are superficial and &“indexical,&” there exists a separate and more complex class of titles that do much more than simply decorate a book&’s spine. To prove this argument, Maiorino analyzes a wide range of examples from the modern era through high modernism to postmodernism, with writings spanning the globe from Spain and France to Germany and America. By examining works such as Essais, The Waste Land, Ulysses, and Don Quixote, First Pages proves the power of the title to connect the reader to the thematic, cultural, and literary context of the writing as a whole. Much like a fa&çade to a building, the title page serves as the frontispiece of literature, a sign that offers perspective and demands interpretation.

Author: Samuel Beckett
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802198419
Category : Drama
Languages : en
Pages : 128

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Book Description
Ends and Odds brings together nine short dramatic works by the Nobel Prize-winning author of Waiting for Godot.

Author: Samuel Beckett
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802198426
Category : Literary Criticism
Languages : en
Pages : 176

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Book Description
“[Beckett] is a serious writer with something serious to say about the human condition: and therefore one of the dozen or so writers those who are concerned with modern man in search of his soul should read.”—Stephen Spender, The New York Times Renowned Beckett scholar Ruby Cohn has selected some of Beckett's criticisms, reviews, letters, and other unpublished materials that shed new light on his work.

Author: Samuel Beckett
Publisher: Faber & Faber
ISBN: 0571300197
Category : Drama
Languages : en
Pages : 462

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Book Description
The present volume gathers all of Beckett's texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio. 'He believes in the cadence, the comma, the bite of word on reality, whatever else he believes; and his devotion to them, he makes clear, is a sufficient focus for the reader's attention. In the modern history of literature he is a unique moral figure, not a dreamer of rose-gardens but a cultivator of what will grow in the waste land, who can make us see the exhilarating design that thorns and yucca share with whatever will grow anywhere.' - Hugh Kenner Contents: Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio,... but the clouds..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where.