The Earlier and Later Forms of Petrarch's Canzoniere PDF Download

Author: Ruth Shepard Phelps
Publisher:
ISBN:
Category :
Languages : en
Pages : 270

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Author: Ruth Shepard Phelps
Publisher:
ISBN: 9781258265410
Category :
Languages : en
Pages : 258

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Author: Francesco Petrarca
Publisher: Psychology Press
ISBN: 9780415942416
Category : Drama
Languages : en
Pages : 330

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Frederic J. Jones
Publisher: Boydell & Brewer
ISBN: 9780859914109
Category : Literary Criticism
Languages : en
Pages : 344

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Book Description
Examination of the chronology of the poems of Part 1 of Petrarch's Canzoniereconsidered with reference to the Catastrophe Theory.

Author: Francesco Petrarca
Publisher: Troubador Publishing Ltd
ISBN: 9781899293124
Category : History
Languages : en
Pages : 302

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Book Description
Francesco Petrarca (1304-74) has been described as the 'first modern man of letters' and his influence on the European lyric tradition has been widespread. The poems of his Canzoniere, closely associated as they are with the enigmatic figure of Laura, were soon to become the models for love-poetry in nearly all major European literatures in the Renaissance. The new translations here use the same rhyme schemes and broadly the same metres as those used by Petrarch himself. The facing English texts are thus not intended to be absolutely literal, but to reflect the inner meanings and moods of the originals, with some further literal translations of difficult passages added in the notes. The notes to the poems also cover their likely dates, mythological allusions, certain background settings, and a number of other calendrical and structural features which appear to emerge from the actual sequencing of the collection itself. There is also a section on old Italian syntax. and other linguistic aids. The new translation of Petrarch's Rerum Vulgarian Fragmenta is in two separate volumes.

Author: Victoria Kirkham
Publisher: University of Chicago Press
ISBN: 0226437434
Category : Literary Criticism
Languages : en
Pages : 568

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Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

Author: Rudolph Altrocchi
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 376

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Book Description
"Bibliography of Italian studies in America" in each number, 1924-48.

Author: Francesco Petrarca
Publisher:
ISBN: 9781899293124
Category : Italian poetry
Languages : en
Pages : 267

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Author: Teodolinda Barolini
Publisher: BRILL
ISBN: 9004163220
Category : Philosophy
Languages : en
Pages : 281

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Book Description
This volume addresses a far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch's texts and their material preparation and reception. To read and interpret Petrarch we must come to grips with the fundamentals of Petrarchan philology.

Author: Teodolinda Barolini
Publisher: Fordham Univ Press
ISBN: 0823227057
Category : Literary Criticism
Languages : en
Pages : 496

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Book Description
In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio—but not by Petrarch—were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.