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Author: Saskia Bachner Publisher: GRIN Verlag ISBN: 3640136977 Category : Emptiness (Philosophy) Languages : en Pages : 90
Book Description
Bachelor Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,6, University of Mannheim, language: English, abstract: Incomprehension and confusion are common reactions to the plays of Samuel Beckett. The effort of the audience to extract an overall meaning from the plot mostly fails. This is due to the fact that on the stage, all concepts on which we usually rely collapse; they lose their meaning. Among them are for instance "the belief in God, in the unity of the world, [and] in the knowability of experience" (Connor, 3). The audience is no longer able to revert to familiar experiences in order to establish an interpretation. The result is inner emptiness. According to Beckett and the other writers of the so-called Theatre of the Absurd, inner emptiness is a basic experience of everyday life. Against the background of the events of the Second World War, they believe that our world is characterised by dissolution (cf. Esslin 1991, 43). The concepts in which we believe have merely become illusions. We cling to them in order to avoid the truth: we are left alone in an empty world. Beckett shares this opinion with several philosophical areas. Nevertheless, he is clearly no philosopher. Beckett himself emphasises that "he never understood the distinction between being and existence" (P. J. Murphy quoted in Barfield, 155). However, this does not seem to be entirely true since he includes these terms as well as the philosophical problem of the inner emptiness in his work. Yet, unlike Sartre and Camus, Beckett does not present a solution to this problem (cf. Cormier & Pallister, 3f). Nonetheless, Martin Esslin states that philosophical problems are in general better expressed by the plays of the Theatre of the Absurd than by the plays or novels of Sartre and Camus. In contrast to the latter, the Theatre of the Absurd does not only illustrate emptiness in the content of the plot, but also in the form of the play itse
Author: Saskia Bachner Publisher: GRIN Verlag ISBN: 3640136977 Category : Emptiness (Philosophy) Languages : en Pages : 90
Book Description
Bachelor Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,6, University of Mannheim, language: English, abstract: Incomprehension and confusion are common reactions to the plays of Samuel Beckett. The effort of the audience to extract an overall meaning from the plot mostly fails. This is due to the fact that on the stage, all concepts on which we usually rely collapse; they lose their meaning. Among them are for instance "the belief in God, in the unity of the world, [and] in the knowability of experience" (Connor, 3). The audience is no longer able to revert to familiar experiences in order to establish an interpretation. The result is inner emptiness. According to Beckett and the other writers of the so-called Theatre of the Absurd, inner emptiness is a basic experience of everyday life. Against the background of the events of the Second World War, they believe that our world is characterised by dissolution (cf. Esslin 1991, 43). The concepts in which we believe have merely become illusions. We cling to them in order to avoid the truth: we are left alone in an empty world. Beckett shares this opinion with several philosophical areas. Nevertheless, he is clearly no philosopher. Beckett himself emphasises that "he never understood the distinction between being and existence" (P. J. Murphy quoted in Barfield, 155). However, this does not seem to be entirely true since he includes these terms as well as the philosophical problem of the inner emptiness in his work. Yet, unlike Sartre and Camus, Beckett does not present a solution to this problem (cf. Cormier & Pallister, 3f). Nonetheless, Martin Esslin states that philosophical problems are in general better expressed by the plays of the Theatre of the Absurd than by the plays or novels of Sartre and Camus. In contrast to the latter, the Theatre of the Absurd does not only illustrate emptiness in the content of the plot, but also in the form of the play itse
Author: Lea Lorena Jerns Publisher: GRIN Verlag ISBN: 3656666016 Category : Foreign Language Study Languages : en Pages : 24
Book Description
Seminar paper from the year 2013 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, Humboldt-University of Berlin (Anglistik und Amerikanistik), course: Innovative Twentieth-Century Theatre, language: English, abstract: In what way does Samuel Beckett create absurdity in his play "Waiting for Godot" and what is it that makes the “game” with the absurdity so unique and therefore Samuel Beckett’s play to one of the most authentic representatives of the "Theatre of the Absurd"? Samuel Beckett was born in 1906 in Dublin and died in 1989 in Paris. He was an Anglo-Irish author and wrote in French as well as in English. Furthermore, he wrote poems and novels and worked as a theatre director. Samuel Beckett is considered the master of absurdity. (cf. Schwanitz 323) The central theme in his works is the meaninglessness of the human existence. (cf. Wunderlich) He was friends with James Joyce and was impressed by Joyce’s “stream of consciousness” – a special literary method that James Joyce used. The idea of the “stream of consciousness” is an on-going process of associating things, i.e. the idea of getting inside into the uncontrolled process of thinking of a person. Waiting for Godot (1954) is Beckett’s translation of his own original French version that is called "En attendant Godot" (1952). In 1969 he received the Nobel Price for Literature, but he did not accept the price because people thought "Waiting for Godot" would be a potential religious play. According to Beckett that was wrong and that is why he decided to refuse the price. Finally, Samuel Beckett was the most unique, singular writer in English/French since 1945.
Author: Lindsey McIntosh Publisher: GRIN Verlag ISBN: 3668432961 Category : Literary Criticism Languages : en Pages : 9
Book Description
Essay from the year 2013 in the subject English - Discussion and Essays, grade: 73, University of Strathclyde, course: English Literature, language: English, abstract: At the turn of the 20th century, a crisis in Enlightenment humanism had began to emerge; from the ashes of a dying romantic era, a cultural revolution known as the modernist movement arose as ‘a progressive force promising to liberate humankind from ignorance and irrationality’ (Taket and White, p. 869). Weary from the weak, unchanging patterns of Victorian writing, a collection of writers sought to break away from pre-existing ‘dead-end’ methods of creating literature by exploring new styles which were expressed in their prose and poetic works. Placing a greater emphasis upon experimentation, modernist writers took a great interest in purposely disorientating their readership with fragmentation and elements of the absurd. A conscious experimentation with language to express both its powers and limitations became apparent components in a vast body of modern literature. Whilst the previous era embodied a strong connection to nature in the belief this relationship was crucial for man’s development as an individual, modern writers displayed little interest towards the natural world. Instead, an established vein of modern thought developed that progress as an individual was dependent upon directing the eye inward.
Author: Nnadube Ejiogu Publisher: ISBN: 9783346402431 Category : Languages : en Pages : 0
Book Description
Academic Paper from the year 2021 in the subject Didactics - English - History of Literature, Eras, grade: 2.5, University of Lagos, language: English, abstract: Samuel Beckett's Waiting for Godot occupies a reverend domain in literary history for reasons critics are quick to mention when the need arises. From its first premiere in 1953 to this current day, the text is still being highly reputed. The intention here is to attempt an investigation for such hallowed disposition in the oeuvre of literature through the application of New-Historicism and Reader-response criticsms. The research motivation stems from the interest in noting how Beckett is able to encode the prevailing manners of the Modernist literary era. Beyond this, the objective of generating subjective meaning through text-reader transaction adds to the sympathy of this study in that, it is the intention here to present the features that qualify the text as an Absurdist play.
Author: Patrizia Demleitner Publisher: GRIN Verlag ISBN: 3638766365 Category : Languages : en Pages : 46
Book Description
Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett's "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.
Author: Elena Penskaya Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110622033 Category : Foreign Language Study Languages : en Pages : 276
Book Description
The papers of the present volume investigate the potential of the metaphor of life as theater for literary, philosophical, juridical and epistemological discourses from the Middle Ages through modernity, and focusing on traditions as manifold as French, Spanish, Italian, German, Russian and Latin-American.
Author: M. Bennett Publisher: Springer ISBN: 0230118828 Category : Performing Arts Languages : en Pages : 179
Book Description
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
Author: Kwan Lung Chan Publisher: GRIN Verlag ISBN: 3668832854 Category : Literary Criticism Languages : en Pages : 5
Book Description
Essay from the year 2016 in the subject English - Literature, Works, grade: 3.3, Education University of Hong Kong (Department of Literature and Cultural Studies), language: English, abstract: This essay will use a famous play "Waiting for Godot" to illustrate how absurdist characteristics are used in the theatre of the absurd, how each of these absurdist characteristics are related to the audience in real life, as well as the meanings behind each of these absurdist characteristics that the theatre of the absurd wants to convey.
Author: Saskia Bachner
Author: Saskia Bachner
Author: Lea Lorena Jerns
Author: Ramona Cormier
Author: Lindsey McIntosh
Author: Nnadube Ejiogu
Author: Patrizia Demleitner
Author: Samuel Beckett
Author: Elena Penskaya
Author: M. Bennett
Author: Kwan Lung Chan