Author: George Aichele
Publisher: BRILL
ISBN: 900432612X
Category : Religion
Languages : en
Pages : 99
Book Description
A brief introduction to the scholarly methodology known as "poststructuralism," with focus on the importance of the materiality of the signifier and how that materiality both plays a part in and disrupts the construction of meaning. Special attention is given to the interests of biblical scholars. Poststructuralism is presented as a methodology that questions and challenges the meanings that readers assign to biblical (and other) texts.
The Play of Signifiers
Author: George Aichele
Publisher: BRILL
ISBN: 900432612X
Category : Religion
Languages : en
Pages : 99
Book Description
A brief introduction to the scholarly methodology known as "poststructuralism," with focus on the importance of the materiality of the signifier and how that materiality both plays a part in and disrupts the construction of meaning. Special attention is given to the interests of biblical scholars. Poststructuralism is presented as a methodology that questions and challenges the meanings that readers assign to biblical (and other) texts.
Publisher: BRILL
ISBN: 900432612X
Category : Religion
Languages : en
Pages : 99
Book Description
A brief introduction to the scholarly methodology known as "poststructuralism," with focus on the importance of the materiality of the signifier and how that materiality both plays a part in and disrupts the construction of meaning. Special attention is given to the interests of biblical scholars. Poststructuralism is presented as a methodology that questions and challenges the meanings that readers assign to biblical (and other) texts.
Ferdinand de Saussure
Author: Jonathan D. Culler
Publisher: Cornell University Press
ISBN: 9780801493898
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
Publisher: Cornell University Press
ISBN: 9780801493898
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
Tragedy and Trauma in the Plays of Christopher Marlowe
Author: Mathew R. Martin
Publisher: Routledge
ISBN: 1317008383
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Contending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe’s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe’s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin’s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period’s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe’s six other plays similarly argue that throughout Marlowe’s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.
Publisher: Routledge
ISBN: 1317008383
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Contending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe’s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe’s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin’s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period’s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe’s six other plays similarly argue that throughout Marlowe’s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.
Between Winnicott and Lacan
Author: Lewis A. Kirshner
Publisher: Taylor & Francis
ISBN: 1136912312
Category : Psychology
Languages : en
Pages : 193
Book Description
D.W. Winnicott and Jacques Lacan are arguably two of the most important psychoanalytic theoreticians since Freud, and, somewhat ironically, seemingly two of the most incompatible. Lewis Kirshner and his colleagues attempt to demonstrate how the intellectual contributions of these two figures - such as Winnicott's self and Lacan's subject - complement productively despite their apparent contrast. Throughout the book, their major concepts are clarified and differentiated, but always with an eye toward points of intersection and a more effective psychoanalytic practice. Furthermore, these contri.
Publisher: Taylor & Francis
ISBN: 1136912312
Category : Psychology
Languages : en
Pages : 193
Book Description
D.W. Winnicott and Jacques Lacan are arguably two of the most important psychoanalytic theoreticians since Freud, and, somewhat ironically, seemingly two of the most incompatible. Lewis Kirshner and his colleagues attempt to demonstrate how the intellectual contributions of these two figures - such as Winnicott's self and Lacan's subject - complement productively despite their apparent contrast. Throughout the book, their major concepts are clarified and differentiated, but always with an eye toward points of intersection and a more effective psychoanalytic practice. Furthermore, these contri.
Signs of the Time
Author: Willem Elias
Publisher: BRILL
ISBN: 9401200173
Category : Art
Languages : en
Pages : 292
Book Description
Signs of the Time is an investigation into contemporary art theory and the philosophy of art from 1945 till postmodernism. The author treats important precursors such as Freud and Marx, and contemporary theorists and philosophers such as Gombrich, Lacan, Heidegger, Sartre, Althusser, Marcuse, Gadamer, Derrida, Eco, Barthes, Foucault, Baudrillard, and Lyotard. Various texts are discussed, criticized and related to movements in contemporary art and to contemporary artists. The author addresses students in the field of art history, communica-tions, aesthetics, art education, art history, communications, aesthetics, as well as the art lover. Art as a sign of the time reveals the hidden dimensions of the world in which we live.
Publisher: BRILL
ISBN: 9401200173
Category : Art
Languages : en
Pages : 292
Book Description
Signs of the Time is an investigation into contemporary art theory and the philosophy of art from 1945 till postmodernism. The author treats important precursors such as Freud and Marx, and contemporary theorists and philosophers such as Gombrich, Lacan, Heidegger, Sartre, Althusser, Marcuse, Gadamer, Derrida, Eco, Barthes, Foucault, Baudrillard, and Lyotard. Various texts are discussed, criticized and related to movements in contemporary art and to contemporary artists. The author addresses students in the field of art history, communica-tions, aesthetics, art education, art history, communications, aesthetics, as well as the art lover. Art as a sign of the time reveals the hidden dimensions of the world in which we live.
Signifiers and Acts
Author: Ed Pluth
Publisher: State University of New York Press
ISBN: 0791479374
Category : Psychology
Languages : en
Pages : 208
Book Description
Situates Lacan’s theory of the subject within contemporary philosophical debates over freedom and agency.
Publisher: State University of New York Press
ISBN: 0791479374
Category : Psychology
Languages : en
Pages : 208
Book Description
Situates Lacan’s theory of the subject within contemporary philosophical debates over freedom and agency.
Myth and Ritual in the Plays of Samuel Beckett
Author: Katherine H. Burkman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838632994
Category : Myth in literature
Languages : en
Pages : 188
Book Description
All of the essays in this collection reflect a sense that Beckett's power as a playwright derives largely from a mythic vision that informs his drama. Their approaches to the definition and use of myth and ritual in his plays vary considerably, however, ranging from the Jungian to the Marxian to the Lacanian, and drawing on the theories of Campbell, Freud, Eliade, Frye, Turner, Girard, Baudrillard, and others.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838632994
Category : Myth in literature
Languages : en
Pages : 188
Book Description
All of the essays in this collection reflect a sense that Beckett's power as a playwright derives largely from a mythic vision that informs his drama. Their approaches to the definition and use of myth and ritual in his plays vary considerably, however, ranging from the Jungian to the Marxian to the Lacanian, and drawing on the theories of Campbell, Freud, Eliade, Frye, Turner, Girard, Baudrillard, and others.
Why Ethics?
Author: Robert Gibbs
Publisher: Princeton University Press
ISBN: 0691009635
Category : Philosophy
Languages : en
Pages : 417
Book Description
Robert Gibbs presents here an ambitious new theory of ethics. Drawing on a striking combination of intellectual traditions, including Jewish thought, continental philosophy, and American pragmatism, Gibbs argues that ethics is primarily concerned with responsibility and is not--as philosophers have often assumed--principally a matter of thinking about the right thing to do and acting in accordance with the abstract dictates of reason or will. More specifically, ethics is concerned with attending to others' questions and bearing responsibility for what they do. Gibbs builds this innovative case by exploring the implicit responsibilities in a broad range of human interactions, paying especially close attention to the signs that people give and receive as they relate to each other. Why Ethics? starts by examining the simple actions of listening and speaking, reading and writing, and by focusing on the different responsibilities that each action entails. The author discusses what he describes as the mutual responsibilities implicit in the actions of reasoning, mediating, and judging. He assesses the relationships among ethics, pragmatics, and Jewish philosophy. The book concludes by looking at the relation of memory and the immemorial, emphasizing the need to respond for past actions by confessing, seeking forgiveness, and making reconciliations. In format, Gibbs adopts a Talmudic approach, interweaving brief citations from primary texts with his commentary. He draws these texts from diverse thinkers and sources, including Levinas, Derrida, Habermas, Rosenzweig, Luhmann, Peirce, James, Royce, Benjamin, Maimonides, the Bible, and the Talmud. Ranging over philosophy, literary theory, social theory, and historiography, this is an ambitious and provocative work that holds profound lessons for how we think about ethics and how we seek to live responsibly.
Publisher: Princeton University Press
ISBN: 0691009635
Category : Philosophy
Languages : en
Pages : 417
Book Description
Robert Gibbs presents here an ambitious new theory of ethics. Drawing on a striking combination of intellectual traditions, including Jewish thought, continental philosophy, and American pragmatism, Gibbs argues that ethics is primarily concerned with responsibility and is not--as philosophers have often assumed--principally a matter of thinking about the right thing to do and acting in accordance with the abstract dictates of reason or will. More specifically, ethics is concerned with attending to others' questions and bearing responsibility for what they do. Gibbs builds this innovative case by exploring the implicit responsibilities in a broad range of human interactions, paying especially close attention to the signs that people give and receive as they relate to each other. Why Ethics? starts by examining the simple actions of listening and speaking, reading and writing, and by focusing on the different responsibilities that each action entails. The author discusses what he describes as the mutual responsibilities implicit in the actions of reasoning, mediating, and judging. He assesses the relationships among ethics, pragmatics, and Jewish philosophy. The book concludes by looking at the relation of memory and the immemorial, emphasizing the need to respond for past actions by confessing, seeking forgiveness, and making reconciliations. In format, Gibbs adopts a Talmudic approach, interweaving brief citations from primary texts with his commentary. He draws these texts from diverse thinkers and sources, including Levinas, Derrida, Habermas, Rosenzweig, Luhmann, Peirce, James, Royce, Benjamin, Maimonides, the Bible, and the Talmud. Ranging over philosophy, literary theory, social theory, and historiography, this is an ambitious and provocative work that holds profound lessons for how we think about ethics and how we seek to live responsibly.
The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9401149003
Category : Philosophy
Languages : en
Pages : 384
Book Description
Tymieniecka's phenomenology of life reverses current priorities, stressing the primogenital role of aesthetic enjoyment, rather than cognition, as typifying the Human Condition. The present collection offers clues to a crucial breakthrough in the perennial uncertainties about the powers and prerogatives of the human mind. It proposes human creativity as the pivot of the mind's genesis and its endowment. In the midst of the current defiance of the transcendental certainties of cognition, this turn to the creative act of the human being represents a radical reversion to an approach to human powers that is predominated by the aesthetic virtualities of the Human Condition. The collection lays down the foundations for a new discovery of the human mind, addressing the `plumbing' of the functional system that originates in the creative potentiality of the Human Condition, undercutting the currently prevalent empirical reductionism.
Publisher: Springer Science & Business Media
ISBN: 9401149003
Category : Philosophy
Languages : en
Pages : 384
Book Description
Tymieniecka's phenomenology of life reverses current priorities, stressing the primogenital role of aesthetic enjoyment, rather than cognition, as typifying the Human Condition. The present collection offers clues to a crucial breakthrough in the perennial uncertainties about the powers and prerogatives of the human mind. It proposes human creativity as the pivot of the mind's genesis and its endowment. In the midst of the current defiance of the transcendental certainties of cognition, this turn to the creative act of the human being represents a radical reversion to an approach to human powers that is predominated by the aesthetic virtualities of the Human Condition. The collection lays down the foundations for a new discovery of the human mind, addressing the `plumbing' of the functional system that originates in the creative potentiality of the Human Condition, undercutting the currently prevalent empirical reductionism.
Signs of the Signs
Author: William Brevda
Publisher: Bucknell University Press
ISBN: 1611480434
Category : Literary Criticism
Languages : en
Pages : 435
Book Description
This book is a study of signs in American literature and culture. It is mainly about electric signs, but also deals with non-electric signs and related phenomena, such as movie sets. The 'sign' is considered in both the architectural and semiotic senses of the word. It is argued that the drama and spectacle of the electric sign called attention to the semiotic implications of the 'sign.' In fiction, poetry, and commentary, the electric SIGN became a 'sign' of manifold meanings that this book explores: a sign of the city, a sign of America, a sign of the twentieth century, a sign of modernism, a sign of postmodernism, a sign of noir, a sign of naturalism, a sign of the beats, a sign of signs systems (the Bible to Broadway), a sign of tropes (the Great White way to the neon jungle), a sign of the writers themselves, a sign of the sign itself. If Moby Dick is the great American novel, then it is also the great American novel about signs, as the prologue maintains. The chapters that follow demonstrate that the sign is indeed a 'sign' of American literature. After the electric sign was invented, it influenced Stephen Crane to become a nightlight impressionist and Theodore Dreiser to make the 'fire sign' his metaphor for the city. An actual Broadway sign might have inspired F. Scott Fitzgerald's The Great Gatsby. In Manhattan Transfer and U.S.A., John Dos Passos portrayed America as just a spectacular sign. William Faulkner's electric signs are full of sound and fury signifying modernity. The Last Tycoon was a sign of Fitzgerald's decline. The signs of noir can be traced to Poe's 'The Man of the Crowd.' Absence flickers in the neons of Raymond Chandler's Los Angeles. The death of God haunts the neon wilderness of Nelson Algren. Hitler's 'empire' was an non-intentional parody of Nathanael West's California. The beats reinvented Times Square in their own image. Jack Kerouac's search for the center of Saturday night was a quest for transcendence. This book will interest readers who want to learn more about the city, the history of advertising, electric lighting, nightlife, architecture, and semiotics. In contrast to other cultural studies, however, Signs of the Signs is primarily a work of literary criticism. Lovers of literary light will appreciate this book the most.
Publisher: Bucknell University Press
ISBN: 1611480434
Category : Literary Criticism
Languages : en
Pages : 435
Book Description
This book is a study of signs in American literature and culture. It is mainly about electric signs, but also deals with non-electric signs and related phenomena, such as movie sets. The 'sign' is considered in both the architectural and semiotic senses of the word. It is argued that the drama and spectacle of the electric sign called attention to the semiotic implications of the 'sign.' In fiction, poetry, and commentary, the electric SIGN became a 'sign' of manifold meanings that this book explores: a sign of the city, a sign of America, a sign of the twentieth century, a sign of modernism, a sign of postmodernism, a sign of noir, a sign of naturalism, a sign of the beats, a sign of signs systems (the Bible to Broadway), a sign of tropes (the Great White way to the neon jungle), a sign of the writers themselves, a sign of the sign itself. If Moby Dick is the great American novel, then it is also the great American novel about signs, as the prologue maintains. The chapters that follow demonstrate that the sign is indeed a 'sign' of American literature. After the electric sign was invented, it influenced Stephen Crane to become a nightlight impressionist and Theodore Dreiser to make the 'fire sign' his metaphor for the city. An actual Broadway sign might have inspired F. Scott Fitzgerald's The Great Gatsby. In Manhattan Transfer and U.S.A., John Dos Passos portrayed America as just a spectacular sign. William Faulkner's electric signs are full of sound and fury signifying modernity. The Last Tycoon was a sign of Fitzgerald's decline. The signs of noir can be traced to Poe's 'The Man of the Crowd.' Absence flickers in the neons of Raymond Chandler's Los Angeles. The death of God haunts the neon wilderness of Nelson Algren. Hitler's 'empire' was an non-intentional parody of Nathanael West's California. The beats reinvented Times Square in their own image. Jack Kerouac's search for the center of Saturday night was a quest for transcendence. This book will interest readers who want to learn more about the city, the history of advertising, electric lighting, nightlife, architecture, and semiotics. In contrast to other cultural studies, however, Signs of the Signs is primarily a work of literary criticism. Lovers of literary light will appreciate this book the most.