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The Poetics of Plot

The Poetics of Plot PDF Author: Thomas G. Pavel
Publisher: U of Minnesota Press
ISBN: 9781452902104
Category : English drama
Languages : en
Pages : 198

Book Description


The Poetics of Plot

The Poetics of Plot PDF Author: Thomas G. Pavel
Publisher: U of Minnesota Press
ISBN: 9781452902104
Category : English drama
Languages : en
Pages : 198

Book Description


The Poetics of Plot

The Poetics of Plot PDF Author: Thomas G. Pavel
Publisher: Manchester University Press
ISBN: 9780719014734
Category : English drama
Languages : en
Pages : 198

Book Description


A Poetics of Plot for the Twenty-first Century

A Poetics of Plot for the Twenty-first Century PDF Author: Brian Richardson
Publisher:
ISBN: 9780814255544
Category : Literature
Languages : en
Pages : 198

Book Description
Provides a more comprehensive model for considering story and plot that encompasses both traditional narratives and postmodern experiments.

The Poetics of Aristotle

The Poetics of Aristotle PDF Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82

Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."

The Poetics of Aristotle

The Poetics of Aristotle PDF Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 280

Book Description


The Lost Second Book of Aristotle's "Poetics"

The Lost Second Book of Aristotle's Author: Walter Watson
Publisher: University of Chicago Press
ISBN: 0226875083
Category : Literary Criticism
Languages : en
Pages : 317

Book Description
Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's "Poetics", the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's "Poetics".

A Poetics of Fiction

A Poetics of Fiction PDF Author: Tom Jenks
Publisher: Narrative Library
ISBN: 9780985180751
Category :
Languages : en
Pages :

Book Description


Averroes' Middle Commentary on Aristotle's Poetics

Averroes' Middle Commentary on Aristotle's Poetics PDF Author: Averroës
Publisher: Burns & Oates
ISBN:
Category : Poetics
Languages : en
Pages : 192

Book Description
Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.

Narrative Dynamics

Narrative Dynamics PDF Author: Brian Richardson
Publisher: Ohio State University Press
ISBN: 9780814208953
Category : Language Arts & Disciplines
Languages : en
Pages : 416

Book Description
This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which "narratives traverse their often unlikely routes from beginning to end." It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Other major contributions include Edward Said on beginnings, Hayden White on historical narrative, Peter Brooks on plot, Paul Ricoeur on time, D. A. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present.

A Poetics for Screenwriters

A Poetics for Screenwriters PDF Author: Lance Lee
Publisher: University of Texas Press
ISBN: 029277804X
Category : Performing Arts
Languages : en
Pages : 157

Book Description
Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.