Victorian Print Media PDF Download

Author: Andrew King
Publisher: Oxford University Press on Demand
ISBN: 0199270376
Category : History
Languages : en
Pages : 452

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Author: Paul Raphael Rooney
Publisher: Springer
ISBN: 113758761X
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
This book explores Victorian readers’ consumption of a wide array of reading matter. Established scholars and emerging researchers examine nineteenth-century audience encounters with print culture material such as periodicals, books in series, cheap serials, and broadside ballads. Two key strands of enquiry run through the volume. First, these studies of historical readership during the Victorian period look to recover the motivations or desired returns that underpinned these audiences’ engagement with this reading matter. Second, contributors investigate how nineteenth-century reading and consumption of print was framed and/or shaped by contemporaneous engagement with content disseminated in other media like advertising, the stage, exhibitions, and oral culture.

Author: John Plunkett
Publisher: OUP Oxford
ISBN: 0191533653
Category : Literary Criticism
Languages : en
Pages : 452

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Book Description
Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. Victorian Print Media: A Reader consists of edited extracts from nineteenth-century sources which discuss all aspects of the production and circulation of print media. The extracts are organised into themed sections such as authorship and journalism, reading spaces, and the influence of print.

Author: Elizabeth Carolyn Miller
Publisher: Stanford University Press
ISBN: 0804784655
Category : Literary Criticism
Languages : en
Pages : 392

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This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life. Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

Author: Drew Drew
Publisher: Simon and Schuster
ISBN: 1569759634
Category : Humor
Languages : en
Pages : 338

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A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.

Author: Robert L. Patten
Publisher: Routledge
ISBN: 1351944444
Category : Literary Criticism
Languages : en
Pages : 488

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Book Description
This volume places Dickens at the centre of a dynamic and expanding Victorian print world and tells the story of his career against a background of options available to him. The collection describes a world animated by outpourings of print materials: books, serials, newspapers, periodicals, libraries, paintings and prints, parodies and plagiarisms, censorship, advertising, as well as theatre and other entertainment, and celebrity. It also shows this period as driven by a growing and more literate population, and undergirded by a general conviction that writing was a crucial component of governance and civic culture. The extensive introduction and selected articles anchor Dickens's attempts to establish better conditions for writers regarding copyright protection, pay, status, recognition, and effectiveness in altering public policy. They speak about Dickens's life as playwright, journalist, novelist, editor, magazine publisher, theatrical producer, actor, lecturer, reader of his own works, supporter of charities for impoverished authors and fallen women, exponent of a morality of Christian compassion and domestic affections sometimes put into question by his own actions, proponent and critic of British nationalism, and champion of education for all. This selection of essays and articles from previously published accounts by internationally renowned scholars is of interest to all students and professionals who are fascinated by the composition, manufacture, finance, formats, pictorializations, sales, advertising and influence of Dickens's writing.

Author: Ruari McLean
Publisher: London, Faber
ISBN:
Category : Book design
Languages : en
Pages : 314

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Author: Alison Hedley
Publisher: University of Toronto Press
ISBN: 1487506732
Category : Literary Criticism
Languages : en
Pages : 246

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Book Description
Applying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.

Author: Andrew King
Publisher:
ISBN: 9781383041392
Category : Popular literature
Languages : en
Pages : 0

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Book Description
This volume consists of edited extracts from 19th century sources which discuss all aspects of the production and circulation of print media. The extracts are organized into themed sections such as authorship and journalism, reading spaces, and the influence of print.

Author: Alexis Easley
Publisher: Routledge
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 230

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Book Description
This book investigates the role of anonymous periodical journalism in the fashioning of women's authorial identities during the Victorian period. Alexis Easley provides a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations - she instead emphasizes the ways in which women writers were able to exploit the gendered field of Victorian literary culture to create their own spaces of agency and meaning. Since it touches on two issues central to the study of literary history - the construction of the author and changes in media technology - this study will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century cultural history.