Author: Chris Bundock
Publisher: Manchester University Press
ISBN: 1526121964
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
While overlooked by extant studies of the Gothic, William Blake’s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary.
William Blake's Gothic imagination
Author: Chris Bundock
Publisher: Manchester University Press
ISBN: 1526121964
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
While overlooked by extant studies of the Gothic, William Blake’s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary.
Publisher: Manchester University Press
ISBN: 1526121964
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
While overlooked by extant studies of the Gothic, William Blake’s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary.
William Blake's Gothic Imagination
Author: Christopher Bundock
Publisher:
ISBN: 9781526121943
Category : Gothic poetry
Languages : en
Pages : 297
Book Description
Scholars of the Gothic have long recognised Blake's affinity with the genre. Yet, to date, no major scholarly study focused on Blake's intersection with the Gothic exists. William Blake's gothic imagination seeks to redress this disconnect. The papers here do not simply identify Blake's Gothic conventions but, thanks to recent scholarship on affect, psychology, and embodiment in Gothic studies, reach deeper into the tissue of anxieties that take confused form through this notoriously nebulous historical, aesthetic, and narrative mode. The collection opens with papers touching on literary form, history, lineation, and narrative in Blake's work, establishing contact with major topics in Gothic studies. Then refines its focus to Blake's bloody, nervous bodies, through which he explores various kinds of Gothic horror related to reproduction, anatomy, sexuality, affect, and materiality. Rather than transcendent images, this collection attends to Blake's 'dark visions of torment'.
Publisher:
ISBN: 9781526121943
Category : Gothic poetry
Languages : en
Pages : 297
Book Description
Scholars of the Gothic have long recognised Blake's affinity with the genre. Yet, to date, no major scholarly study focused on Blake's intersection with the Gothic exists. William Blake's gothic imagination seeks to redress this disconnect. The papers here do not simply identify Blake's Gothic conventions but, thanks to recent scholarship on affect, psychology, and embodiment in Gothic studies, reach deeper into the tissue of anxieties that take confused form through this notoriously nebulous historical, aesthetic, and narrative mode. The collection opens with papers touching on literary form, history, lineation, and narrative in Blake's work, establishing contact with major topics in Gothic studies. Then refines its focus to Blake's bloody, nervous bodies, through which he explores various kinds of Gothic horror related to reproduction, anatomy, sexuality, affect, and materiality. Rather than transcendent images, this collection attends to Blake's 'dark visions of torment'.
Gothic Nightmares
Author: Martin Myrone
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
"Gothic Nightmares explores the taste for weird, supernatural and fantastic themes in British art between 1770 and 1830. Presenting the wildly original and extravagant images of Henry Fuseli and his contemporaries in the context of the 'Gothic', it shows how art, taste and ideas of the self were transformed in an era of revolutionary change, helping lay the foundations of modern culture."--BOOK JACKET.
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
"Gothic Nightmares explores the taste for weird, supernatural and fantastic themes in British art between 1770 and 1830. Presenting the wildly original and extravagant images of Henry Fuseli and his contemporaries in the context of the 'Gothic', it shows how art, taste and ideas of the self were transformed in an era of revolutionary change, helping lay the foundations of modern culture."--BOOK JACKET.
The Gothic Imagination
Author: Linda Bayer-Berenbaum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Demonstrates the connection between Gothic literature and art by analyzing the plot patterns, characters, and settings in Gothic stories and the construction and motifs of Gothic art from a stylistic, historical, and psychological approach.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Demonstrates the connection between Gothic literature and art by analyzing the plot patterns, characters, and settings in Gothic stories and the construction and motifs of Gothic art from a stylistic, historical, and psychological approach.
The Gothic Imagination
Author: Gary Richard Thompson
Publisher: [Pullman] : Washington State University Press
ISBN:
Category : American fiction
Languages : en
Pages : 198
Book Description
Publisher: [Pullman] : Washington State University Press
ISBN:
Category : American fiction
Languages : en
Pages : 198
Book Description
William Blake Vs the World
Author: John Higgs
Publisher:
ISBN: 9781474614368
Category :
Languages : en
Pages : 400
Book Description
Publisher:
ISBN: 9781474614368
Category :
Languages : en
Pages : 400
Book Description
The Visionary Art of William Blake
Author: Naomi Billingsley
Publisher: T&T Clark
ISBN: 9780567694027
Category : Art
Languages : en
Pages : 272
Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived. In drawing upon contemporaneous religious writings and artistic representations of similar subjects, this book presents an historically grounded account of Blake's oeuvre. It offers new interpretations of his individual works while also identifying textual and pictorial sources that previously have been overlooked. It will have strong interdisciplinary appeal: to intellectual historians; scholars and students of religion and literature; art historians; and all those interested in the vivid figural articulation of a uniquely English theological radicalism.
Publisher: T&T Clark
ISBN: 9780567694027
Category : Art
Languages : en
Pages : 272
Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived. In drawing upon contemporaneous religious writings and artistic representations of similar subjects, this book presents an historically grounded account of Blake's oeuvre. It offers new interpretations of his individual works while also identifying textual and pictorial sources that previously have been overlooked. It will have strong interdisciplinary appeal: to intellectual historians; scholars and students of religion and literature; art historians; and all those interested in the vivid figural articulation of a uniquely English theological radicalism.
William Blake
Author: James Thorpe
Publisher: Huntington Library Press
ISBN:
Category : Artists
Languages : en
Pages : 24
Book Description
Publisher: Huntington Library Press
ISBN:
Category : Artists
Languages : en
Pages : 24
Book Description
William Blake
Blake and the Failure of Prophecy
Author: Lucy Cogan
Publisher: Springer Nature
ISBN: 3030676889
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
This monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.
Publisher: Springer Nature
ISBN: 3030676889
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
This monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.