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Author: Publisher: University of Toronto Press ISBN: 1442637897 Category : Music Languages : en Pages : 179
Book Description
This exhaustive bibliography, reflecting current interest in electronic music, includes all available citations of books, articles, and monographs pertaining to "musique concrète," "Elektronische Musik," "tape music," and "computer music" from publications in fourteen languages. Organized alphabetically by author, or, in the case of unsigned works, by title, and including a classified subject index, this book will appeal primarily to persons or organizations who are founding or maintaining electronic music centres, composing or performing electronic music, or pursuing original research in experimental music and related disciplines.
Author: Publisher: University of Toronto Press ISBN: 1442637897 Category : Music Languages : en Pages : 179
Book Description
This exhaustive bibliography, reflecting current interest in electronic music, includes all available citations of books, articles, and monographs pertaining to "musique concrète," "Elektronische Musik," "tape music," and "computer music" from publications in fourteen languages. Organized alphabetically by author, or, in the case of unsigned works, by title, and including a classified subject index, this book will appeal primarily to persons or organizations who are founding or maintaining electronic music centres, composing or performing electronic music, or pursuing original research in experimental music and related disciplines.
Author: Ann Phillips Basart Publisher: Univ of California Press ISBN: 0520320735 Category : Music Languages : en Pages : 168
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
Author: Robert L. Wick Publisher: Greenwood ISBN: Category : Music Languages : en Pages : 224
Book Description
This work is a handy desk reference for academic and public library music reference collections as well as teachers, musicians, and composers. The more than 250 books discussed represent a core bibliography on this late 20th-century phenomenon that is very much in transition as the concepts of electronic and computer merge into a single music, whether acoustic or electronic in origin. Of special interest is an up-to-date listing of on-line sources found on the Internet, including World Wide Web sites and electronic discussion lists. Topics represented include history, literature on synthesis and synthesizers, electronic music instruments and devices, electronic music composition, MIDI (Musical Instrument Digital Interface), the teaching of computer and electronic music, bibliographies and dictionaries. Covered by way of appendices are major dissertations and theses, lists of periodicals that have dealt with the subject, and a compilation of electronic music instrument and device system manuals currently in print.
Author: Thomas B. Holmes Publisher: Psychology Press ISBN: 0415936446 Category : Avant-garde (Music) Languages : en Pages : 332
Book Description
The second edition of a classic text on the history of electronic music, this book has been thoroughly updated to present material on home computers and the Internet, as well as enlarged sections on history and theoretical issues.
Author: Peter Manning Publisher: Oxford University Press ISBN: 0199746397 Category : Music Languages : en Pages : 570
Book Description
In this new edition of the classic text on the history and evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. After explaining the antecedents of electronic music from the turn of the 20th century to the Second World War, Manning discusses the emergence of the early 'classical' studios of the 1950s, and the subsequent evolution of more advanced analogue technologies during the 1960s and '70s, leading in turn to the birth and development of the MIDI synthesizer. Attention then turns to the characteristics of the digital revolution, from the pioneering work of Max Mathews at Bell Telephone Laboratories in the 1950s to the wealth of resources available today, facilitated by the development of the personal computer and allied digital technologies. The scope and extent of the technical and creative developments that have taken place since the late 1990s are considered in an extended series of new and updated chapters. These include topics such as the development of the digital audio workstation, laptop music, the Internet, and the emergence of new performance interfaces. Manning offers a critical perspective of the medium in terms of the philosophical and technical features that have shaped its growth. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on the evolution of this ever-expanding area of creativity.
Author: Phillip R. Rehfeldt Publisher: Phillip Rehfeldt/MillCreekPublishing ISBN: 0933251114 Category : Biography & Autobiography Languages : en Pages : 141
Book Description
This text was developed for use in a standard college-level "introduction to graduate studies" course in musicology that I taught for thirty-three years at the University of Redlands.
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Author: Ann Phillips Basart
Author: Robert L. Wick
Author: Sandra L. Tjepkema
Author: Tottenham (London, England). Public Libraries and Museum
Author: Thomas B. Holmes
Author: Peter Manning
Author: Phillip R. Rehfeldt
Author: Deta S. Davis
Author: Stefan M. Kostka