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Author: Zeff Veronese Publisher: ISBN: 9780994147103 Category : Hunters Languages : en Pages : 259
Book Description
"'Zeff Veronese is one of this country's longest and most respected chamois and tahr hunters ... His prowess with a rifle and camera have been long known and achieved national recognition within the New Zealand Deerstalkers' Association. The collection of absorbing tales and photographs this back country author has provided, strongly conveys honest passion for our wild places and a sincere respect for the game animals hunted'--Kevin J. Whitelaw, New Zealand's Hunting Legends. Why do I hunt? That is a very hard question to answer. Both my grandparents were hunters and so was my father, my brothers and some of my uncles. I grew up in Italy during the war and the years after, in very tough times. However, the hunting instinct was never far away ... When we arrived in New Zealand, we found it to be a goldmine for a hunter and made the most of it. The first ten years we hunted mainly for meat and always had a freezer full of game meat ... Perhaps the last 40 years I have mainly hunted for trophies. Sometimes when in a good spot for a few days, I might see 30 or 40 animals and as they have no trophy value I don't fire a shot but happily film the events. Hunting is still good for me because I enjoy being in the wild. Camaraderie is an important ingredient on a hunt; there is nothing better than being in a tent or a hut with friends who have the same interests and are happy to share their funny stories after a hard day in the mountains"--page [4] of cover.
Author: Zeff Veronese Publisher: ISBN: 9780994147103 Category : Hunters Languages : en Pages : 259
Book Description
"'Zeff Veronese is one of this country's longest and most respected chamois and tahr hunters ... His prowess with a rifle and camera have been long known and achieved national recognition within the New Zealand Deerstalkers' Association. The collection of absorbing tales and photographs this back country author has provided, strongly conveys honest passion for our wild places and a sincere respect for the game animals hunted'--Kevin J. Whitelaw, New Zealand's Hunting Legends. Why do I hunt? That is a very hard question to answer. Both my grandparents were hunters and so was my father, my brothers and some of my uncles. I grew up in Italy during the war and the years after, in very tough times. However, the hunting instinct was never far away ... When we arrived in New Zealand, we found it to be a goldmine for a hunter and made the most of it. The first ten years we hunted mainly for meat and always had a freezer full of game meat ... Perhaps the last 40 years I have mainly hunted for trophies. Sometimes when in a good spot for a few days, I might see 30 or 40 animals and as they have no trophy value I don't fire a shot but happily film the events. Hunting is still good for me because I enjoy being in the wild. Camaraderie is an important ingredient on a hunt; there is nothing better than being in a tent or a hut with friends who have the same interests and are happy to share their funny stories after a hard day in the mountains"--page [4] of cover.
Author: Hunter Drohojowska-Philp Publisher: Henry Holt and Company ISBN: 9780805088366 Category : Art Languages : en Pages : 288
Book Description
The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.
Author: Phillip R. Onagan Publisher: Christian Faith Publishing, Inc. ISBN: 1640283633 Category : Fiction Languages : en Pages : 372
Book Description
Set in the 1980s near Yakutat, Alaska, Hunter's Paradise: The Homecoming is the story of the Bootans, owners of a sixty-thousand-acre outfitter and ranch, Paradise. Paradise is a land of splendor with virgin forests, lakes, and streams filled with the abundance of wildlife. The head of the family is the tough and hardened but godly man, former Marine Master Gunnery Sergeant John Bootan. He and his business partner, Dan Lupa, are professional hunting guides. They book fly-in clients from the United States and other countries for Alaskan big game hunting and fishing. John's outfitter team includes four nephews, their wives, a niece, and hired help. Whether their story takes you to the war scenes of World War II, Korea, and Vietnam, the dangers of big game hunting, or the lost romances of their past, their courage and spirit exemplify the heart of a true American Christian family. In The Homecoming a thirteen-year tribulation continues involving John's oldest nephew Brandon. An emotionally torn veteran, who lost his most precious possessions before his Vietnam trauma: His faith in God, his wife to be, Marcy Lamore, and his dignity as a man. In a desperate search for a meaning and purpose in life, he is fostered by the sage wisdom of his Uncle John and the devoted love of his younger brother Bud. However, Bud's recent marriage to Elaine Petry is a threat to Brandon, fearing that she has taken Bud away from him. In their homecoming to Paradise, a clash between husband and wife, between brother and brother, and between sister-in-law and brother-in-law unfold. To save his family from destruction, Brandon seeks refuge at Little Splendor, land also owned by the Bootans. Months later after leaving Paradise, Brandon learns of a hunting disaster involving Bud and quickly joins his family for a search and rescue. It becomes a long journey back home for the Bootans as they struggle with the natural elements, their fellow man, and ultimately with themselves.
Author: G. K. Hunter Publisher: Routledge ISBN: 0429632096 Category : Literary Criticism Languages : en Pages : 220
Book Description
First published in 1980. Paradise Lost was once a favourite text for family reading; today it is confined to the educational system, which treats it as an object to be investigated rather than a subject that demands response. Professor Hunter writes inevitably for an audience of literary students, but he invites them to consider Paradise Lost as a text that must be enjoyed before it can be explained. He understands the need to explain complexities, but is mainly concerned with the onward flow of our engagement with an ancient poem. Milton’s narrative technique is explored as a system which both encourages and frustrates our native sense of story. His poetic power is shown to grow from our assent to its brilliant evocation of "as if" fictions. Milton is a master of audience manipulation, of dramatic tension and intellectual paradox. These characteristics are described in the context of the task the poem sets itself to tell the untellable and describe what no man has ever seen. The power of Milton’s art is traced through his rehandling of Homer and Virgil and in his daringly individual fidelity to scripture. Professor Hunter does not try to smooth away the contradictions inherent in Milton’s ambition to write an English classical Christian epic. He rather stresses the contradictions as cues to a properly alert reading. And this is what the book aims at above all a response to Paradise Lost which is alert to poetry and unintimidated by scholarship.
Author: Juan F. Thompson Publisher: Knopf ISBN: 0307265358 Category : Biography & Autobiography Languages : en Pages : 290
Book Description
Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .
Author: Peter Matthiessen Publisher: Penguin ISBN: 1594633525 Category : Fiction Languages : en Pages : 274
Book Description
The bestselling final novel by a writer of incomparable range, power, and achievement, a three-time winner of the National Book Award. Peter Matthiessen was a literary legend, the author of more than thirty acclaimed books. In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).
Author: Jean L. Manore Publisher: UBC Press ISBN: 0774840064 Category : Sports & Recreation Languages : en Pages : 290
Book Description
The Culture of Hunting in Canada covers elements of the history of hunting from the pre-colonial period until the present in all parts of Canada and features essays by practitioners and scholars of hunting and by pro- and anti-hunting lobbyists. The result crosses the boundaries between scholarship and personal reflection, and between academia and advocacy. Topics include hunting identities; conservation and its relationship to hunting; tensions between hunters and non-hunters and between Aboriginal and non-Aboriginal hunting groups; hunting ethics; debates over hunting practices and regulations; animal rights; and gun control. This book makes an unprecedented contribution to the study of hunting in Canada and its role in our culture.
Author: Zeff Veronese
Author: Zeff Veronese
Author: Hunter Drohojowska-Philp
Author: Phillip R. Onagan
Author: Philip Holden
Author: Philip Holden
Author: G. K. Hunter
Author: Juan F. Thompson
Author: Peter Matthiessen
Author: Theon Wright
Author: Jean L. Manore