A Luthier's Alphabet of Imaginary Instruments PDF Download

Author: Fred Carlson
Publisher:
ISBN: 9780962644788
Category :
Languages : en
Pages : 64

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Book Description
A whimsical alphabet book of full-color woodcuts and humorous poems of fantastical musical instruments from the off-beat imagination of musical instrument maker (luthier) and artist Fred Carlson. This is an alphabet book that will inspire and delight children of all ages and anyone who loves musical instruments.

Author: Kathryn Marie Dudley
Publisher: University of Chicago Press
ISBN: 022609541X
Category : Music
Languages : en
Pages : 375

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Book Description
It whispers, it sings, it rocks, and it howls. It expresses the voice of the folk—the open road, freedom, protest and rebellion, youth and love. It is the acoustic guitar. And over the last five decades it has become a quintessential American icon. Because this musical instrument is significant to so many—in ways that are emotional, cultural, and economic—guitar making has experienced a renaissance in North America, both as a popular hobby and, for some, a way of life. In Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge they’ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications. Guitars are not simply made—they are born. Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace. In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.

Author: Thomas Patteson
Publisher: Univ of California Press
ISBN: 0520288025
Category : Music
Languages : en
Pages : 251

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Book Description
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium

Author: Robert Lundberg
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 304

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Book Description
The most comprehensive, authoritative work on understanding and building authentic lutes, by a world renown luthier and scholar. Historical section covers the development of the lute from the 15th through the 18th century with over 100 photographs of ancient lutes and 50 diagrams; practicum section covers the construction of the lute in minute detail with over 600 step-by-step photographs and a dozen diagrams. Includes a list of historic makers, catalog of extant historic lutes, bibliography and index, plus complete reduced images of seven lute plans.

Author: Grant O'Brien
Publisher: Cambridge University Press
ISBN: 9780521365659
Category : Music
Languages : en
Pages : 368

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Book Description
The name of Ruckers is as important to early keyboard instruments as Stradivarius is to strings. This book describes in close detail the art and technique of the Ruckers family, who produced harpsichords and virginals throughout a period of over 100 years. Dr O'Brien provides detailed information about the construction and decoration of Ruckers harpsichords and virginals, as well as the numbering, pitch, stringing, and the determination of the original state of their instruments. Like Stradivarius violins, Ruckers instruments were later altered, and the nature and musical significance of these alterations are discussed, as is the influence of the Ruckers style on later building practice. The instruments in their original and altered states are considered in relation to the music of the time and to contemporary performance practice. The text is richly illustrated with diagrams and pictures of original instruments, and with plan-view photographs reproduced at a scale of 1:10. The book also contains a partially illustrated catalogue of authentic and fake instruments, followed by extensive appendices.

Author: Tapio Lokki
Publisher: MDPI
ISBN: 3038429074
Category : Computer music
Languages : en
Pages : 621

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Book Description
This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences

Author: David Schiller
Publisher: Workman Publishing Company
ISBN: 1523507721
Category : Music
Languages : en
Pages : 217

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Book Description
Celebrate the significance, the magic, and the mojo of the world’s most seductive instrument. An obsessive, full-color book presented in an irresistible slipcase, Guitar features 200 instruments in stunning detail. Here are icons, like Prince’s Yellow Cloud, Willie Nelson’s “Trigger,” Muddy Water’s Thunderbird, and “Rocky,” lovingly hand-painted by its owner, George Harrison. Historic instruments—Fender’s Broadcaster, Les Paul’s “Log,” the Gibson Nick Lucas Special, the very first artist model. Hand-carved archtops, pinnacles of the luthier’s art, from John D’Angelico to Ken Parker. Stunning acoustics from a new wave of women builders, like Rosie Heydenrych of England, who’s known to use 5,000-year-old wood retrieved from a peat bog. And quirky one-of-a-kind guitars, like Linda Manzer’s Pikasso II—four necks, 42 strings, and a thousand pounds of pressure. Marrying pure visual pleasure with layers of information, Guitar is a glorious gift for every guitar-lover

Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 0195373081
Category : Music
Languages : en
Pages : 559

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Book Description
The instrument -- Performance -- The music -- Repertoire catalog -- Fingering chart for the Boehm flute -- Flute manufacturers -- Repair shops -- Sources for instruments and accessories -- Sources for music and books -- Journals, societies, and service organizations -- Flute clubs and societies.

Author: W.J Baltzell
Publisher: BoD – Books on Demand
ISBN: 3752405325
Category : Fiction
Languages : en
Pages : 458

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Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell

Author: James Tyler
Publisher: OUP Oxford
ISBN: 0191518514
Category : Music
Languages : en
Pages : 349

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Book Description
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.