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Author: Pier Vittorio Aureli Publisher: MIT Press ISBN: 0262373688 Category : Architecture Languages : en Pages : 315
Book Description
A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms. In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged—even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.
Author: Pier Vittorio Aureli Publisher: MIT Press ISBN: 0262373688 Category : Architecture Languages : en Pages : 315
Book Description
A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms. In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged—even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.
Author: Pier Vittorio Aureli Publisher: MIT Press ISBN: 0262515792 Category : Architecture Languages : en Pages : 268
Book Description
Architectural form reconsidered in light of a unitary conception of architecture and the city. In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of “pure,” but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an “archipelago” of site-specific interventions.
Author: Doug Patt Publisher: MIT Press ISBN: 0262516993 Category : Architecture Languages : en Pages : 138
Book Description
The basics of the profession and practice of architecture, presented in illustrated A-Z form. The word "architect" is a noun, but Doug Patt uses it as a verb—coining a term and making a point about using parts of speech and parts of buildings in new ways. Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt—an architect and the creator of a series of wildly popular online videos about architecture—presents the basics of architecture in A-Z form, starting with "A is for Asymmetry" (as seen in Chartres Cathedral and Frank Gehry), detouring through "N is for Narrative," and ending with "Z is for Zeal" (a quality that successful architects tend to have, even in fiction—see The Fountainhead's architect-hero Howard Roark.) How to Architect is a book to guide you on the road to architecture. If you are just starting on that journey or thinking about becoming an architect, it is a place to begin. If you are already an architect and want to remind yourself of what drew you to the profession, it is a book of affirmation. And if you are just curious about what goes into the design and construction of buildings, this book tells you how architects think. Patt introduces each entry with a hand-drawn letter, and accompanies the text with illustrations that illuminate the concept discussed: a fallen Humpty Dumpty illustrates the perils of fragile egos; photographs of an X-Acto knife and other hand tools remind us of architecture's nondigital origins. How to Architect offers encouragement to aspiring architects but also mounts a defense of architecture as a profession—by calling out a defiant verb: architect!
Author: Luciana Parisi Publisher: MIT Press ISBN: 0262546655 Category : Social Science Languages : en Pages : 391
Book Description
A proposal that algorithms are not simply instructions to be performed but thinking entities that construct digital spatio-temporalities. In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing. The main philosophical source for the project is Alfred North Whitehead, whose process philosophy is specifically designed to provide a vocabulary for “modes of thought” exhibiting various degrees of autonomy from human agency even as they are mobilized by it. Because algorithmic processing lies at the heart of the design practices now reshaping our world—from the physical spaces of our built environment to the networked spaces of digital culture—the nature of algorithmic thought is a topic of pressing importance that reraises questions of control and, ultimately, power. Contagious Architecture revisits cybernetic theories of control and information theory's notion of the incomputable in light of this rethinking of the role of algorithmic thought. Informed by recent debates in political and cultural theory around the changing landscape of power, it links the nature of abstraction to a new theory of power adequate to the complexities of the digital world.
Author: Milton Stricker Publisher: Createspace Independent Publishing Platform ISBN: 9781542894074 Category : Architectural design Languages : en Pages : 190
Book Description
The only presentation not only of the basic elements of architectural design, but also understanding organic architectural principles and practice.
Author: Gregor Hohpe Publisher: "O'Reilly Media, Inc." ISBN: 1492077496 Category : Computers Languages : en Pages : 282
Book Description
As the digital economy changes the rules of the game for enterprises, the role of software and IT architects is also transforming. Rather than focus on technical decisions alone, architects and senior technologists need to combine organizational and technical knowledge to effect change in their company’s structure and processes. To accomplish that, they need to connect the IT engine room to the penthouse, where the business strategy is defined. In this guide, author Gregor Hohpe shares real-world advice and hard-learned lessons from actual IT transformations. His anecdotes help architects, senior developers, and other IT professionals prepare for a more complex but rewarding role in the enterprise. This book is ideal for: Software architects and senior developers looking to shape the company’s technology direction or assist in an organizational transformation Enterprise architects and senior technologists searching for practical advice on how to navigate technical and organizational topics CTOs and senior technical architects who are devising an IT strategy that impacts the way the organization works IT managers who want to learn what’s worked and what hasn’t in large-scale transformation
Author: Pham Thanh Hien Publisher: Universal-Publishers ISBN: 158112029X Category : Architecture Languages : en Pages : 198
Book Description
This thesis introduces Tadao Ando, a well-known Japanese architect, who is currently working on an emerging concept in the discourse of architecture, and is opening an approach of high sensibility (sensual, reflective, flexible, and complex, sensitively matching with every moment of life) and conceptualism (rational, logically approaching truth) that is widely considered one of the most important ways of thinking and designing architecture.In the introduction chapter, Tadao Ando's is introduced as a master of architecture and as a critic. Secondly, his goals, objectives, concepts and strategies are outlined. These aspects are grouped and developed into major themes. Those themes will later be interpreted in Chapter Four.In the second chapter of the thesis, the architecture of Tadao Ando is examined more closely, through critics' studies and his writings. This part aims to open further discussions on the most substantial and important grounds and sources of his architecture, which are interpreted in further detail in Chapter Four: the key themes of his works and theories.Being aware that Ando's architecture cannot be understood without grasping "Japaneseness", or the historical cultural and regional contexts of Japan, the third chapter will be devoted to briefly introducing the origins, philosophy, traditions, and culture of the country, as well as major points of new waves of Japanese architecture, both of which tangibly and intangibly serve as the foundation for Ando's architectural themes: nature, shintai, and geometry as both abstract construct and substance. This chapter is essential for understanding the foundation and context of Ando's thoughts that always determine his architecture.Chapter Four is the key part of the thesis. It focuses on two aspects: Ando's philosophically-based theoretical concepts, and his major themes which have been introduced in the previous sections. This chapter provides a general and coherent understanding of his work.The concluding chapter summarizes the crucial points from among Ando's visions, moving from origins and philosophical grounds through concepts, strategies and theories, to the unique solutions which he advances for problems of the age. Thematically, Tadao Ando's works may be shown to reveal: Dialogue with Nature and Tradition (cosmologies, culture); Shintai and Space (mutual independence and penetration); and Geometry (spatial compositions, minimalist form, material and texture). Among these three over riding themes, there are many interrelated sub-themes are also examined. Download 1st chapter & ByteSizeSystems Reader FREE - and buy ByteSize b-book for $5.00.
Author: Pier Vittorio Aureli Publisher: MIT Press ISBN: 0262545233 Category : Architecture Languages : en Pages : 315
Book Description
A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms. In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged—even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.
Author: Bruno Zevi Publisher: Da Capo Press ISBN: 9780306805370 Category : Art Languages : en Pages : 0
Book Description
This classic work (first published in Italian in 1948, translated in 1957, and revised in 1974) examines the history of architecture in light of its essence as space, animating and illuminating architectural creations so that their beauty—or indifference—is exposed. Along with commercial and dwelling units, temples, palaces, and cathedrals, Zevi treats structures such as fountains, columns, and monuments, subjecting them all to aesthetic, cultural, and functional criteria and explaining them in easily understood terms. Beautifully illustrated with examples from the entire history of the art, this is one of the most stimulating and provocative books ever written on the history and purpose of architecture.
Author: Darell Wayne Fields Publisher: Bloomsbury Publishing ISBN: 1472567056 Category : Architecture Languages : en Pages : 208
Book Description
Based on analysis of historical, philosophical, and semiotic texts, Architecture in Black presents a systematic examination of the theoretical relationship between architecture and blackness. Now updated, this original study draws on a wider range of case studies, highlighting the racial techniques that can legitimize modern historicity, philosophy and architectural theory. Arguing that architecture, as an aesthetic practice, and blackness, as a linguistic practice, operate within the same semiotic paradigm, Darell Fields employs a technique whereby works are related through the repetition and revision of their semiotic structures. Fields reconstructs the genealogy of a black racial subject, represented by the simultaneous reading of a range of canonical texts from Hegel to Saussure to Henry Louis Gates, Jr. Combining an historical survey of racial discourse with new readings resulting from advanced semiotic techniques doubling as spatial arrangements, Architecture in Black is an important contribution to studies of the racial in Western thought and its impact on architecture, space and time.
Author: Pier Vittorio Aureli
Author: Pier Vittorio Aureli
Author: Pier Vittorio Aureli
Author: Doug Patt
Author: Luciana Parisi
Author: Milton Stricker
Author: Gregor Hohpe
Author: Pham Thanh Hien
Author: Pier Vittorio Aureli
Author: Bruno Zevi
Author: Darell Wayne Fields