Bhupen Khakhar PDF Download

Author: Bhupen Khakhar
Publisher: Katha
ISBN: 9788187649120
Category : Short stories, Gujarati
Languages : en
Pages : 216

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Author: Sonal Khullar
Publisher: Univ of California Press
ISBN: 0520283678
Category : Art
Languages : en
Pages : 368

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The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future” by “draw[ing] its inspiration from the present.” Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said’s notion of “affiliation” as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists—Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar—situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists’ writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists’ engagement with the West—an urgent yet fraught project in the wake of British colonialism—and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. Drawing on original research in the twenty-first-century art world, Khullar shows the persistence of modernism in contemporary art from India and compares its function to Walter Benjamin’s ruin. In the work of contemporary artists from India, modernism is the ground from which to imagine futures. This richly illustrated study juxtaposes little-known, rarely seen, or previously unpublished works of modern and contemporary art with historical works, popular or mass-reproduced images, and documentary photographs. Its innovative art program renders newly visible the aesthetic and political achievements of Indian modernism.

Author: Gulam Mohammed Sheikh
Publisher: Tulika Publishers
ISBN:
Category : Art
Languages : en
Pages : 304

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This Book Traces The Evolution Of Baroda As An Important Centre Of Contemporary Art And Art Education, From The 1800S- 1900S. Art In Its Historical Context Art, And Education As Life -Vocations ; Art As An Effective Deterrent To Dehumanization ,The Formation Of A Distinct Vision Of Art Through A Mingling Of The Past And Present The Immediate And The Distant These Are Some Of The Complex Issues That The Book Attempts To Articulate Through Its Discussion Of The Work Of Three Generations Of Artists In Baroda.

Author: Chris Dercon
Publisher:
ISBN: 9780295998121
Category : Art
Languages : en
Pages : 187

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Bhupen Khakhar (1934-2003) was active in India from the late 1960s. A gentle radical, his luminous paintings addressed issues of class, gender, and sexuality with sensitive, often tragicomic nuance. This publication presents a fresh take on his artistic, social, and spiritual interests. Significant essays on Khakhar's artistic influences are accompanied by focused responses to key works by leading writers, curators, and artists. Khakhar's unique voice is revealed in excerpts from the last interview before his death in 2003, and in a facsimile reproduction of the artist's book Truth Is Beauty and Beauty Is God, out of print since 1972. With personal and touching contributions by those who knew him, this richly illustrated publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism.

Author: R. B. Parkinson
Publisher: Columbia University Press
ISBN: 023116663X
Category : Art
Languages : en
Pages : 130

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Documents the history of homosexuality and its representation in art, using objects from the British Museum's collection that date from 9000 BC to the present to illustrate how same-sex love has always been a part of human history.

Author: Amrita Jhaveri
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204

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Crisp, lively, and jargon-free, this one-of-a-kind collection concisely introduces 101 artists painters,sculptors, photographers, and new media artists. The variety of ideas and forms in contemporary Indianart are presented here in just over 160 pages, and illustrated with an extraordinary gathering of images.The essays are both authoritative and accessible, addressing each artist s primary concerns and methods.They also include important biographical information and vivid descriptions of select pieces.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24

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Author: Śirīsha Pañcāla
Publisher: Sahitya Akademi
ISBN: 9788126019229
Category : Gujarati literature
Languages : en
Pages : 88

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On the life and works of Suresh Joshi, 1921-1986, Gujarati author.

Author: Rebecca M. Brown
Publisher: Duke University Press
ISBN: 0822392267
Category : Art
Languages : en
Pages : 222

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Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.

Author: Geeta Kapur
Publisher: New Delhi : Vikas
ISBN:
Category : Art
Languages : en
Pages : 306

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