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Author: A. Pinn Publisher: Springer ISBN: 0230622941 Category : Social Science Languages : en Pages : 220
Book Description
A great deal of attention has been given to the sociopolitical and theological importance of Black Religion. However, of less academic concern up to this point is the aesthetic qualities that define much of what is said and done within the context of Black Religion. Recognizing the centrality of the black body for black religious thought and life, this book proposes a conversation concerning various dimensions of the aesthetic considerations and qualities of Black Religion as found in various parts of the world, including the the Americas, the Caribbean, Africa, and Europe. In this respect, Black Religion is simply meant to connote the religious orientations and arrangements of people of African descent across the globe.
Author: A. Pinn Publisher: Springer ISBN: 0230622941 Category : Social Science Languages : en Pages : 220
Book Description
A great deal of attention has been given to the sociopolitical and theological importance of Black Religion. However, of less academic concern up to this point is the aesthetic qualities that define much of what is said and done within the context of Black Religion. Recognizing the centrality of the black body for black religious thought and life, this book proposes a conversation concerning various dimensions of the aesthetic considerations and qualities of Black Religion as found in various parts of the world, including the the Americas, the Caribbean, Africa, and Europe. In this respect, Black Religion is simply meant to connote the religious orientations and arrangements of people of African descent across the globe.
Author: Anthony B. Pinn Publisher: ISBN: 9781349373048 Category : Aesthetics, African Languages : en Pages : 220
Book Description
A great deal of attention has been given to the sociopolitical and theological importance of Black Religion. However, of less academic concern up to this point is the aesthetic qualities that define much of what is said and done within the context of Black Religion. Recognizing the centrality of the black body for black religious thought and life, this book proposes a conversation concerning various dimensions of the aesthetic considerations and qualities of Black Religion as found in various parts of the world, including the the Americas, the Caribbean, Africa, and Europe. In this respect, Black Religion is simply meant to connote the religious orientations and arrangements of people of African descent across the globe.
Author: Jonathan L. Walton Publisher: NYU Press ISBN: 9780814794685 Category : Religion Languages : en Pages : 300
Book Description
Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.
Author: Josef Sorett Publisher: Oxford University Press ISBN: 0199844933 Category : Literary Criticism Languages : en Pages : 313
Book Description
While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
Author: Kameelah L. Martin Publisher: Lexington Books ISBN: 1498523293 Category : Social Science Languages : en Pages : 257
Book Description
In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.
Author: Ashon T. Crawley Publisher: Fordham Univ Press ISBN: 082327456X Category : Social Science Languages : en Pages : 320
Book Description
In this profoundly innovative book, Ashon T. Crawley engages a wide range of critical paradigms from black studies, queer theory, and sound studies to theology, continental philosophy, and performance studies to theorize the ways in which alternative or “otherwise” modes of existence can serve as disruptions against the marginalization of and violence against minoritarian lifeworlds and possibilities for flourishing. Examining the whooping, shouting, noise-making, and speaking in tongues of Black Pentecostalism—a multi-racial, multi-class, multi-national Christian sect with one strand of its modern genesis in 1906 Los Angeles—Blackpentecostal Breath reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. As Crawley deftly reveals, these choreographic, sonic, and visual practices and the sensual experiences they create are not only important for imagining what Crawley identifies as “otherwise worlds of possibility,” they also yield a general hermeneutics, a methodology for reading culture in an era when such expressions are increasingly under siege.
Author: Eddie S. Glaude (Jr.) Publisher: Oxford University Press, USA ISBN: 0195182898 Category : Religion Languages : en Pages : 161
Book Description
"African American Religion offers a provocative historical and philosophical treatment of the religious life of African Americans. Glaude argues that the phrase "African American religion" is meaningful only insofar as it singles out the distinctive waysreligion has been leveraged by African Americans to respond to different racial regimes in the United States. That bold claim frames how he reads the historical record. Slavery, Jim Crow, and current appeals to color blindness serve as a backdrop for histreatment of conjure, African American Christianity and Islam"--
Author: Frank Burch Brown Publisher: Princeton University Press ISBN: 0691024723 Category : Philosophy Languages : en Pages : 247
Book Description
In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.
Author: Daniel Gold Publisher: Univ of California Press ISBN: 0520236130 Category : Religion Languages : en Pages : 315
Book Description
Annotation This is a book that looks at contemporary challenges to studying and writing in religion, rethinking the discipline in a way that takes seriously both the aesthetic dimensions and its need for scientific discipline. Gold pursues a new line of thought about the art of religion, arguing for something he calls interpretive writing.
Author: Theophus H. Smith Publisher: Oxford University Press ISBN: 0198023197 Category : Religion Languages : en Pages : 304
Book Description
This book provides a sophisticated new interdisciplinary interpretation of the formulation and evolution of African American religion and culture. Theophus Smith argues for the central importance of "conjure"--a magical means of transforming reality--in black spirituality and culture. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary for African Americans. Going back to slave religion, and continuing in black folk practice and literature to the present day, the Bible has provided African Americans with ritual prescriptions for prophetically re-envisioning, and thereby transforming, their history and culture. In effect the Bible is a "conjure book" for prescribing cures and curses, and for invoking extraordinary and Divine powers to effect changes in the conditions of human existence--and to bring about justice and freedom. Biblical themes, symbols, and figures like Moses, the Exodus, the Promised Land, and the Suffering Servant, as deployed by African Americans, have crucially formed and reformed not only black culture, but American society as a whole. Smith examines not only the religious and political uses of conjure, but its influence on black aesthetics, in music, drama, folklore, and literature. The concept of conjure, he shows, is at the heart of an indigenous and still vital spirituality, with exciting implications for reformulating the next generation of black studies and black theology. Even more broadly, Smith proposes, "conjuring culture" can function as a new paradigm for understanding Western religious and cultural phenomena generally.
Author: A. Pinn
Author: A. Pinn
Author: Anthony B. Pinn
Author: Jonathan L. Walton
Author: Josef Sorett
Author: Kameelah L. Martin
Author: Ashon T. Crawley
Author: Eddie S. Glaude (Jr.)
Author: Frank Burch Brown
Author: Daniel Gold
Author: Theophus H. Smith